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    Linearized buckling analysis of isotropic and composite beam-columns by Carrera Unified Formulation and Dynamic Stiffness Method

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    This article introduces a one-dimensional (1D) higher-order exact formulation for linearized buckling analysis of beam-columns. The Carrera Unified Formulation (CUF) is utilized and the displacement field is expressed as a generic N-order expansion of the generalized unknown displacement field. The principle of virtual displacements is invoked along with CUF to derive the governing equations and the associated natural boundary conditions in terms of fundamental nuclei, which can be systematically expanded according to N by exploiting an extensive index notation. After the closed form solution of the N-order beamcolumn element is sought, an exact dynamic stiffness (DS) matrix is derived by relating the amplitudes of the loads to those of the responses. The global DS matrix is finally processed through the application of the Wittrick-Williams algorithm to extract the buckling loads of the structure. Isotropic solid and thin-walled cross-section beams as well as laminated composite structures are analyzed in this article. The validity of the formulation and its broad range of applicability are demonstrated through comparisons of results from the literature and by using commercial finite element codes

    Exact dynamic stiffness elements based on one-dimensional higher-order theories for free vibration analysis of solid and thin-walled structures

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    In this paper, an exact dynamic stiffness formulation using one-dimensional (1D) higher-order theories is presented and subsequently used to investigate the free vibration characteristics of solid and thin-walled structures. Higher-order kinematic fields are developed using the Carrera Unified Formulation, which allows for straightforward implementation of any-order theory without the need for ad hoc formulations. Classical beam theories (Euler–Bernoulli and Timoshenko) are also captured from the formulation as degenerate cases. The Principle of Virtual Displacements is used to derive the governing differential equations and the associated natural boundary conditions. An exact dynamic stiffness matrix is then developed by relating the amplitudes of harmonically varying loads to those of the responses. The explicit terms of the dynamic stiffness matrices are also presented. The resulting dynamic stiffness matrix is used with particular reference to the Wittrick–Williams algorithm to carry out the free vibration analysis of solid and thin-walled structures. The accuracy of the theory is confirmed both by published literature and by extensive finite element solutions using the commercial code MSC/NASTRAN

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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