1,720,971 research outputs found

    Linguistic Characteristics of Premodern Japanese Narrative: Issues of Narrative Voice and Mood

    Get PDF
    In order to examine linguistic characteristics of classical and medieval Japanese literature, this article considers two categories that Gérard Genette defined in his ‘Narrative Discourse’: voice and mood. First, the specific ways in which narratorial presence is created in premodern Japanese texts and how they relate to grammatical person are discussed. Subsequently, the paper scrutinizes the status of the narrator(s) of ‘The Tale of Genji’ and other narratives, who are neither fully heterodiegetic nor homodiegetic, not only due to linguistic conventions but also because of premodern conceptions of literature. The section on mood is divided into perspective and distance. It is shown how ‘internal’ focalization is constituted in Japanese narrative, and what problems are raised by the distinction between voice and perspective. Finally, the definition of distance is reconsidered through the analysis of Japanese texts, leading to a conclusion that coincides with theoretical observations, and to the realization that in Japanese narrative distance can hardly be determined by speech representation

    Discourse, Character, and Time in Premodern Japanese Narrative: An Introduction

    Get PDF
    This special issue comprises eight studies that deal with Japanese narratives from the tenth to the fifteenth century, including theater and painting, from a narratological point of view, revolving around discourse, character, and time. While narratology provides useful tools for analysis, some theories need to be revised in order to apply to Japanese texts. The papers in this volume contain several such proposals, but their focus lies first and foremost on examining characteristics of premodern Japanese narrative, which—compared to Western (medieval) literature—stands out through its elusive qualities. The special issue is equally aimed at an audience with a background in Japanese Studies and at scholars who take an interest in diachronic and intercultural narratology

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Get PDF
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    „Verrückte Sprache und ausgeschmückte Worte“ – Zum buddhistischen Diskurs über den Wert der Literatur im Rahmen der Genji-Rezeption des 12. Jahrhunderts

    Get PDF
    When in the second half of the 12th century the belief spread that Murasaki Shikibu had fallen into hell for writing her famous work of fiction, the Genji monogatari, a Buddhist ritual seemed to be the only way of ensuring her salvation. This ritual, which is described in the liturgical text Genji ipponkyō [kuyō hyōbyaku] by the Tendai monk Chōken, focuses even more on Murasaki’s listeners and readers than on the author herself. According to the Genji ipponkyō, the emotions of the readership impeding their spiritual progress lead to a karmic bond between them and the author, causing them all to fall into hell. The ritual devised by Chōken links the Genji monogatari to the Lotus Sūtra and inverts the “faults by elegant words” so that they become the cause of enlightenment.Through an analysis of the Genji ipponkyō and other liturgical texts, Buddhist conceptions of literature are examined. It is shown that the expression “wild words and fancy phrases” (kyōgen kigo) was used in a range of meanings: not only could it be used to posit a critical stance on literature or the interpretation of literature as an “expedient device” (hōben), but it could also refer to a non-dualistic view of language, thus corresponding to the expression “coarse words and gentle phrases” (sogon nango). Comparing the Genji ipponkyō to another text by Chōken evolving around poetry, this article also explores how different literary activities influenced the content of rituals and how Chōken evaluated poetry and fiction. Finally, by contrasting Chōken’s thoughts with the monk-poet Jakuchō’s defense of Murasaki’s writing in his Ima kagami it is argued that ‒ as opposed to the premise that Buddhism oppressed literary endeavors in medieval Japan ‒ although Jakuchō uses different arguments to deny Murasaki’s guilt, Chōken’s ritual is more affirmative in regard to literature

    Variations on the Author

    Get PDF
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

    Get PDF
    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

    Get PDF
    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

    No full text
    Nao informado

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

    No full text
    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
    corecore