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30th Anniversary Issue: Celebrating Three Decades of Small Firms' Research and Engagement
Get PDFThis special issue marks a particular milestone: it is now three decades since the Quarterly Survey of Small Business in Britain began the task of monitoring emerging trends and examining the experiences and opinions of business owners and managers. In this report, we have assembled contributions from a variety of sources with the following aims: to shed some new light on this important period in the history of small firms’ research in the UK; to explore the main changes and continuities in the small firms landscape over this extended period; and lastly, to draw some lessons for future work in this important research field. The remainder of the report comprises three parts: Section 2 sets out the historical background to the launch of the Quarterly Survey in 1984. This includes an account of the highly influential Bolton Committee Report of 1971, drafted by John Bolton’s biographer, and personal accounts from two small business specialists who were directly involved in establishing the Quarterly Survey. Section 3 opens with a small selection of the survey’s research topics and findings over the last 30 years. This is followed by a review of the technical challenges of conducting survey-based research, particularly when the work extends over such a long period, and an assessment of the Quarterly Survey’s contribution to the SME research and policy communities. We also hear from the editor in chief of the International Small Business Journal, which was also established in the early 1980s, on the challenges of establishing an academic publication that addresses the issues faced by smaller firms. In Section 4, some of our longest-serving panel respondents discuss the trends and changes that their businesses have faced over this period and comment on the prospects for 2015. They also reflect on the experience of completing all of those survey questionnaires. Section 5 offers some brief concluding remarks and comments on possible future directions for research of this kind
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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