1,721,132 research outputs found
Il pungiglione di ferro
No full textWe propose here a first circumscribed contribution on a research in which, thanks to a focused case study, we would like to evaluate the relationships between anthropology and art limited to those artists who consciously privileged anthropological themes in sculpture, painting and theater. We intend more in detail to focus on those who base their performative experimentation on an anthropological practice also acquired through university studies and experiences of ethnographic research, having therefore with the ethno-anthropological disciplines a clear contiguity, a sedimented and conscious relationship. We are interested in knowing which formal and conceptual topoi, which models and which values deriving from anthropological theory and practice can be translated into the field and in an artistic key, with which purposes and which results. Here we propose a first case, the metallic sculptures of Rosaria Iazzetta
“Monster in the limelight: the representation of monstrosity in the puppet theatre of southern Italy”,
No full textTanto el teatro de títeres, empleando marionette y pupi, maniobrado desde arriba, e incluso en la versión más mínima y delicada de este género, empleando bagattelle y burattini, animado desde abajo, son entornos donde la hiperbole es un lugar común. Por ello la presencia de aquello fantástico, monstruoso, de criaturas intrínsecamente exageradas, tal como veremos más adelante, es una característica absolutamente estándar en estas formas teatrales que hemos podido estudiar en detalle en el centro y en el sur de Italia
Pandemia, imago mortis e sue migrazioni digitali
Full text linkThe pandemic disrupted not only daily existence but, in its most acute phase, also the traditional customs for commemorating those who lost their lives to Covid. The virus erased the celebration of mourning. In a situation where the obligation to stay at home has prevented vigils and funerals, the Internet has offered alternatives through applications that have been managing the accounts of the deceased for some years now, proposing digital ways of remembering the dead
Pesca difficile: la percezione della crisi e le modalità di reazione del pescatore tra diffidenze ed aspettative, resistenze e disponibilità.
No full textIl contributo aggiorna su una ricerca in corso nel Tirreno, finanziata dal ministero per le Risorse agricole, alimentera e forestali- direzione generale Pesca, tesa ad analizzare le strategie attraverso le quali differenti marinerie locali legate all'esercizio della pesca reagiscono all'imposizione di una normativa comunitaria che tende ad un drastico ridimensionamento della sforzo di pesca
Immagini migranti, immagini in-discriminanti. Latenze e valenze nell’uso di foto e filmati in ambito migratorio
No full textPictures, stereoscopies and films were some of the tools that the emigrants used, when they could afford them, as a form of support or an alternative to the exchange of letters. They were a mean to better define their new status of citizens of the world, who freed themselves from the poverty of the rural and southern contexts they left. The fixed, stentorian lapidary and three-dimensional image depicted in these portraits, seemed to provide the illusion to cross the threshold of overseas metropolis or of any other place on earth. It was a cinematographic image, therefore one in motion, in the end a more realistic picture which gave to the emigrants the opportunity to show off the success of their migratory project, had it actually been realized or not.
They gathered from the urban contexts where they settled down, all the necessary and technological know-how to convey, sometimes autonomously, as an amateur photographer or film maker, the winning image they wanted to send back home and project on the village walls on occasion of one of their “well planned” trips back. On these occasions, once again, the picture was necessary to strengthen their image of successful people. If on one side they meant to mark the distance from their fellow coutrymen, who had remained back at the village, at the same time they considered them as the recipients of their visual messages; denoting hence, the continuing of a relationship with them.
Through the study of some cases dating back to the first half of the twentieth century, in several parts of the Italian region of Basilicata, we try to make an analysis of the specific visual and audiovisual languages adopted by some emigrants whose aim was to portray an image of themselves described with an extreme care and meant to fuel a dynamic of both parting and approaching their place of origin
“Molto maschi, poco bambini. La costruzione dell’immagine dell’infanzia dagli album di famiglia a Facebook”,
No full textEtnofotografia - Insegnamento on line (obbligatorio dell'indirizzo antropologico 6 cfu) Federica E-learning
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Presenza e funzione del documento fotografico nelle mostre demologiche ed etno-antropologiche italiane.
No full textle funzioni della fotografia nelle mostre demo-antropologiche italian
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