4,440 research outputs found
Playing the Indicator Game: Reflections on Strategies to Position an STS Group in a Multi-disciplinary Environment
Full text linkRoland Bal analyzes the strategies his research group developed to deal with the interlinked dynamics of research evaluation in a multi-disciplinary institutional environment characteristic of much STS research. Scholars in such environments constantly need to navigate and negotiate the standards of evaluation, in complex choreographies of cooperation and competition with other disciplinary groups. Bal describes strategies his group has successfully used, and how these strategies have both shifted the way research quality is assessed within the department as well as changed the way his group works and publishes. In conclusion, he describes performance management systems and research practices as co-constituted and calls for a debate on which forms of evaluation infrastructures allow for better ways of doing research in STS
Interview with Roland Abraham
No full textInterview with Roland Abraham, who is a former director of the Minnesota Extension Service. He is the author of Helping People Help Themselves: Agricultural Extension in Minnesota, 1879 to 1979. Abraham talks about how he got to the university and about the Minnesota Extension Service.Abraham, Roland H.; Pflaum, Ann M.. (1999). Interview with Roland Abraham. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/47871
sj-docx-1-aas-10.1177_00953997211069326 – Supplemental material for Dealing With Conflicting Values in Policy Experiments: A New Pragmatist Approach
No full textSupplemental material, sj-docx-1-aas-10.1177_00953997211069326 for Dealing With Conflicting Values in Policy Experiments: A New Pragmatist Approach by Lieke Oldenhof, Rik Wehrens and Roland Bal in Administration & Society</p
Poetry's total scandal : Poets and postmen in Antonio Skármeta’s El cartero de Neruda
Full text linkThe argument put forward here takes Antonio Skármeta's short novel El cartero de Neruda (Con ardiente paciencia) as a theorization of the relationship between poetry and politics, by way of the concept-metaphors (Mieke Bal) that are deployed in the novel. Skármeta stages the public role of poetry through the telling of a story about the poet Pablo Neruda and his postman Mario Jiménez. The relationship between poetry and politics is analysed with reference to Hazard Adams' concept of «the offense of poetry» and Roland Barthes' reflections on the total scandal of language in his essay «Écrivains et écrivants» (1964), here adapted as «the total scandal of poetry». In contradistinction to Barthes, who argues that the total scandal of language is impossible because of the absorption of scandalous language by the literary institution, Skármeta's short novel suggests that the total scandal of poetry is indeed possible when, as in the case of Pablo Neruda, Mario Jiménez and Salvador Allende, poetry becomes a constitutive part of a political project, within which it functions as a reminder of dignity and as the touchstone for political integrity
The death of William Golding: authorship and creativity in darkness visible and the paper men
Full text linkIn the seventies and eighties William Golding was deeply responsive to the critical, anti-authorial ethos that followed the publication of Roland Barthes's "La mort de I'auteur" (1968). In Darkness Visible (1979) and The Paper Men (1984) he investigates means by which to reaffirm authorial presence. Working through paradox, he performs the authorial death in these novels, and establishes language’s inadequacy as a means of conveying absolute meaning, authorial "vision," truth or revelation. Having done so he nonetheless gestures towards the divine, towards the possibility of a vatic communication. In this manner the novels work upon principles of contradiction and collapse. What remains is a discourse of hope, promise, desire, without means of substantiating such optimism. Thus Golding might be said to have practiced a form of negative theology, and to have anticipated in this respect some recent trends in literary theory
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Roland Barthes's resurrection of the author and redemption of biography
No full textThe most misunderstood essay in literary theory must be Roland Barthes's 'The Death of the Author' (originally 'La mort de l'auteur', 1968). Repeatedly critics and commentators have taken this satiric jeu d'esprit literally, and have credulously assumed that it is advocating the very position that it is condemning
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Roland Barthes's resurrection of the author and redemption of biography
No full textThe most misunderstood essay in literary theory must be Roland Barthes's 'The Death of the Author' (originally 'La mort de l'auteur', 1968). Repeatedly critics and commentators have taken this satiric jeu d'esprit literally, and have credulously assumed that it is advocating the very position that it is condemning
Roland Barthes's resurrection of the author and redemption of biography
No full textThe most misunderstood essay in literary theory must be Roland Barthes's 'The Death of the Author' (originally 'La mort de l'auteur', 1968). Repeatedly critics and commentators have taken this satiric jeu d'esprit literally, and have credulously assumed that it is advocating the very position that it is condemning
Author-Illustrator
No full textThis essay investigates the concept author-illustrator by drawing on two influential essays – ‘Death of the Author’ by Roland Barthes and ‘What is an Author?’ by Michel Foucault. By engaging with the key points of debate that emerge from these positions, this essay argues that the notion of author-illustrator is part of a wider discursive field that is embedded in a complex, commodified, multimedia public sphere where the author is paradoxically reinscribed and erased. This environment is changing the nature of the text, authorship, and reader-text interaction, but until now the concept author-illustrator has been largely absent from these discussions
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