1,722,001 research outputs found
Baker, Richard Charles, VX13362
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/369800Surname: BAKER
Given Name(s) or Initials: RICHARD CHARLES
Military Service Number or Last Known Location: VX13362
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 26946180031
Item: [2016.0049.02127] "Baker, Richard Charles, VX13362
Meditations and disquisitions, upon the seven consolatorie psalmes of David [electronic resource] : namely, The 23. The 27. The 30. The 34. The 84. The 103. The 116. By Sir Richard Baker Knight.
Another issue, with different imprint of STC 1226.3: Baker, Richard. Meditations and disquisitions upon the seven consolatorie psalmes.Printer's name from STC.Reproduction of the original in the University of Illinois (Urbana-Champaign Campus). Library.STC (2nd ed.)Electronic reproduction
Karner Blue Butterfly: A Symbol of a Vanishing Landscape
Andow, David A.; Baker, Richard J.; Lane, Cynthia P. (1994). Karner Blue Butterfly: A Symbol of a Vanishing Landscape. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/192310
A pebble in the pond
Concert version of original radiophonic work,Cheltenham Festival commission,First performance: Cheltenham Festival 2009
The contribution of histamine as a mediator in asthma
SIGLEAvailable from British Library Document Supply Centre-DSC:DX190570 / BLDSC - British Library Document Supply CentreGBUnited Kingdo
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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