4,932 research outputs found
Helena Kolody, carbono & diamante: uma biografia ilustrada
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em LiteraturaHelena Kolody, carbono & diamante - uma biografia ilustrada conta a vida da escritora Helena Kolody, a partir de sua inscrição na literatura, questionando sua identidade, o mundo que a cercava e o sentido de sua existência. Equivale a dizer: em sua lírica, reflexões e sentimentos se entretecem a partir de uma matéria pessoal e localizada. Da estação ferroviária à estação tubo; da Ucrânia ao centro de Curitiba; de Paisagem interior a Reika; do século XIX ao século XXI, a literatura de Helena Kolody gerencia sua presença na consolidação do binômio arte-vida. O retrato da autora acaba se constituindo também por meio de farto aparato iconográfico; pelos mais de quinhentos textos críticos elencados e por sua obra completa. Fragmentação deliberadamente assumida, a pessoa se revela em sua inteireza.Helena Kolody, carbon & diamond - an illustrated biography tells the life of Helena Kolody, from her very insertion in literature, as it questions her identity, the world surrounding her, and the meaning of her existence. That is equivalent to saying that in her poetry there is the intermingling of reflections and feelings that derive from personal and localized material. From the railroad station to the tube-shaped bus stops; from Ukraine to downtown Curitiba; from Paisagem interior to Reika; from the nineteenth century to the twenty-first century, Helena Kolody's literature guarantees her presence in the consolidation of the art/life binomial. The portrait of the author ends up by also being made up of an abundant iconographic apparatus, of the over five hundred critical texts listed, and of her complete work. The person, although deliberately accepting her own fragmentation, reveals herself in her entireness
Christopher Baker and Helena Liu, VC's Awards 2013
No full textChristopher Baker (centre), Helena Liu (right) and colleague at the 2013 Vice-Chancellor's Awards, held at the Hawthorn Arts Centre, Burwood Road, Hawthorn, 11 December 2013
Transient observations : the textualizing of St Helena through five hundred years of colonial discourse
No full textThis thesis explores the textualizing of the South Atlantic island of St Helena (a
British Overseas Territory) through an analysis of the relationship between
colonizing practices and the changing representations of the island and its
inhabitants in a range of colonial 'texts', including historiography, travel writing,
government papers, creative writing, and the fine arts.
Part I situates this thesis within a critical engagement with post-colonial
theory and colonial discourse analysis primarily, as well as with the recent
'linguistic turn' in anthropology and history. In place of post-colonialism's rather
monolithic approach to colonial experiences, I argue for a localised approach to
colonisation, which takes greater account of colonial praxis and of the continuous
re-negotiation and re-constitution of particular colonial situations.
Part II focuses on a number of literary issues by reviewing St Helena's
historiography and literature, and by investigating the range of narrative tropes
employed (largely by travellers) in the textualizing of St Helena, in particular
with respect to recurrent imaginings of the island in terms of an earthly Eden.
Part III examines the nature of colonial 'possession' by tracing the island's
gradual appropriation by the Portuguese, Dutch and English in the sixteenth and
early seventeenth century and the settlement policies pursued by the English
East India Company in the late seventeenth and early eighteenth century.
Part IV provides an account of the changing perceptions, by visitors and
colonial officials alike, of the character of the island's inhabitants (from the late
eighteenth to the early twentieth century) and assesses the influence that these
perceptions have had on the administration of the island and the political status of
its inhabitants (in the mid- to late twentieth century).
Part V, the conclusion, reviews the principal arguments of my thesis by
addressing the political implications of post-colonial theory and of my own
research, while also indicating avenues for further research.
A localised and detailed exploration of colonial discourse over a period of
nearly five hundred years, and a close analysis of a consequently wide range of
colonial 'texts', has confirmed that although colonising practices and
representations are far from monolithic, in the case of St Helena their continuities
are of as much significance as their discontinuities
Tex Baker Interview, May 18, 1981
No full textTex Baker discusses his 70 years of experience trapping and selling furs. He recalls that he began trapping at age six on his father’s homestead in Wyoming and later moved to New Mexico to trap coyote, fox, and lynx. Baker notes that when he wasn’t working his lines, he worked on local ranches breaking horses, or riding in the rodeo circuit. He describes moving to Montana around 1930 and becoming interested in the more heavily regulated beaver industry. Baker talks about Kid Young, one of the better known beaver trappers in the Seeley Lake region, and Harry Morgan and Bill Eckerson, the game wardens at the time. Baker mentions the changing government regulations regarding fur-bearers since he started trapping, and states that one can tell a lot about a person by the care they demonstrate in preparing their furs. He discusses selling furs to F. C. Taylor Fur Company in St. Louis, Sears and Roebuck, and L. M. Goldberg Fur Company [Leo M. Goldberg Fur and Wool House, Inc.] in Helena, Montana.https://scholarworks.umt.edu/montanafurtrappers/1006/thumbnail.jp
Helena Więckowska’s activity as a director of the Library of the Łódź University
No full textProfesor Helena Więckowska (1897–1984) była z pewnością jedną z najbardziej znaczących postaci w polskim bibliotekarstwie, w okresie powojennym. Wniosła także istotny wkład w rozwój polskiej bibliologii i wydatnie przyczyniła się do ukształtowania systemu akademickiego kształcenia bibliotekarzy. Bibliografia Jej dorobku naukowego liczy 221 pozycji. Są w nim rozprawy, artykuły, recenzje, hasła w słownikach i encyklopediach. Jest to również dorobek zróżnicowany tematycznie, co potwierdza trafność określenia „bibliolog praktyk”, użytego wobec dokonań Profesor Więckowskiej przez Krzysztofa Migonia.The author of the article discusses the activities of Helena Więckowska – the second in the order director of the Library of the Łódź University. In the text you can find information about the problems that she as a director had to face: first of all with the facilities but also with the development of collections. The author mentiones that Helena Więckowska cared very much about the vocational training of employees: improving the librarians’ qualifications, gaining degrees. In 1954 she decided to train students in the field of using the library. She retired in 1969 – after 21 years as a director of the university’s library.Publikacja współfinansowana przez Bibliotekę UŁ oraz Wydział Filologiczny UŁ
Helena Salinger, stage actress
No full textHelena Salinger, stage actressTo order a reproduction, inquire about permissions, or for information about prices see:
http://www.lib.washington.edu/specialcollections/services/reproduction/reproduction
Please cite the Order NumberScanned at 600ppi with an Epson 20000 flatbed scanner. Image then rotated, cropped, level-adjusted, and sharpened using Photoshop CS3. Converted to a JPEG2000 image upon ingest into CONTENTdm
Franciszek Kostrzewski, warszawska publiczność i Helena Modrzejewska
No full textThe article describes a little-known collage documenting the huge success of Helena Modrzejewska’s first guest performances in Warsaw in October and November of 1868. The author of the Benefis Heleny Modrzejewskiej (a collage kept in the collection of the National Museum in Warsaw) is Franciszek Kostrzewski. This excellent cartoonist and “pencil humorist” presented a triumphant procession of the actress’ admirers. He used a then fashionable technique of combining satirical drawings with pasted fragments of photographs. The participants of the ceremonial procession include mainly representatives of the Warsaw press and theatre scene. The author of the article tried to decipher the people portrayed. She managed to identify and describe nearly 30 people who participated in this extraordinary event, which was Modrzejewska’s Warsaw debut
Helena Więckowska in the pages of “The Dictionary of the Polish Book Labourers”
No full textProfesor Helena Więckowska (1897–1984) była z pewnością jedną z najbardziej znaczących postaci w polskim bibliotekarstwie, w okresie powojennym. Wniosła także istotny wkład w rozwój polskiej bibliologii i wydatnie przyczyniła się do ukształtowania systemu akademickiego kształcenia bibliotekarzy. Bibliografia Jej dorobku naukowego liczy 221 pozycji. Są w nim rozprawy, artykuły, recenzje, hasła w słownikach i encyklopediach. Jest to również dorobek zróżnicowany tematycznie, co potwierdza trafność określenia „bibliolog praktyk”, użytego wobec dokonań Profesor Więckowskiej przez Krzysztofa Migonia.The article aim to provide a view on the relations between prof. Helena Więckowska and the works on the formation of the “Dictionary of Polish book labourers”. Her contribution to the construction of the “Dictionary...” is discussed, she was the author of biographies of people who are considered precursors of Polish Library Science and creators of current theoretical trends in the discipline (J. Lelewel, J. Grycz, J. Muszkowski), as well as biographies of the owners, creators, and librarians (A. Lewak, brothers B. and W. Niemojowski, A. Ostrowski). The dictionary contains biographical notes of librarians and LIS researchers – participants of seminars conducted by H. Więckowska during her many years of teaching in Warsaw and Łódź.Publikacja współfinansowana przez Bibliotekę UŁ oraz Wydział Filologiczny UŁ
Helena Syrkus through the lens of her correspondence
No full textThe thesis will elaborate Helena and Szymon Syrkus’ connection with the “Congress of Modern Architecture” (CIAM). It will investigate in what ways the Polish couple has brought Modernist ideas to Poland and put a special emphasis on the work of Helena Syrkus.The point of focus will lay on how the Helena Syrkus could manage to keep in touch with the most influential architects of the 20th century and how her social skills and fluent knowledge of multiple languages (English, German, French) enabled her to become an influential female architect. She became friends with Walter and Ise Gropius, Cornelis van Eastern, and Frieda Fluck as well as Marcel Breuer, Siegfried Giedion and many others. Her correspondence became an important medium for her work as she shared her career plans and information about her recent projects. Thus, the research question is in a great part inspired by her vast correspondence network, where she reigned unchallenged. In a private letter to her sister, Syrkus makes it apparent that her typewriter was an integral item without which she would only depart for holidays. In any other case, a full-size or pocket typewriter would constantly be at her side. This special relationship that was prominent in Syrkus’ life gave impetus to the research question:Has Helena Syrkus’ typewriter become a passport of Modernism to Polish architecture?AR2A011Architecture, Urbanism and Building Science
Norma Jeane Baker, Helen of Troy and her Phantoms. From Euripides to Anne Carson
No full textMostramos una nueva reinterpretación genérica, lingüística e ideológica,
sobre la figura mítica de Helena: Norma Jeane Baker of Troy, de Anne Carson. La
Helena de Eurípides como hipotexto y un fragmento de la biografía de Norma Jeane
como hipertexto, permiten la fusión de dos figuras femeninas: la “inocente” y mal
afamada Helena junto a su descarado εἴδωλον, y Norma Jeane Baker en el contexto
del exigente Star System del Hollywood de la década de los 50. Dos figuras unidas por
el mismo ambiguo sentimiento de admiración, deseo y rechazo. Obra de arte de trama
no lineal, donde el sentido del texto se encuentra entre dos lenguas, dos tiempos y dos
espacios. Los géneros artísticos pierden sus contornos exactos dando como resultado
un texto singular y una especial performance escénica.We show a new generic, linguistic and ideological reinterpretation of
the mythical figure of Helen: Anne Carson’s Norma Jeane Baker of Troy. Euripides’
Helen as hypotext and fragments of Norma Jeane´s biography as hypertext merge two
female figures: the “innocent” and ill-famed Helen along with her shameless εἴδωλον,
and Norma Jeane Baker in the context of the demanding Hollywood Star System of
the 50s. Two figures united by the same ambiguous feeling of admiration, desire and
rejection. Work of art with a non-linear plot, where the meaning of the text is found
between two languages, two times and two spaces. Artistic genres lose their exact
contours, resulting in a unique text and a special scenic performance
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