1,720,981 research outputs found
'The Ethics of Animal-Human Existence: Marie Darrieussecq?s Truismes'
No full textOne of the surprisingly serene passages In Marie Darrieussecq’s debut novel Pig Tales (Fr. Truismes; lit., “truisms;” “sow’s stories”) finds the heroine reclining on a bench in a Parisian park and sharing dreams with birds and bats: This shared space of (interspecies) kindness poses a startling opposition to the callousness, maltreatment, sexual abuse, and butchery that permeate the rest of the novel. Foregrounding the issues of wanton violence and exploitation, Darrieussecq’s politicized, eroticized, and darkly humorous tale of the predicaments of a womanturned-sow caused much commotion among the critics and the wider public alike when it was published in 1996. It re Invigorated the debates about female subjectivation and the competing meanings of femininity, and raised, again and forcefully, the question of the female body as a form of prime currency both in a globalized capitalist market and In totalitarian societies. Pungent and Intense, Pig Tales connected these concerns to the more general problem of human insolence, indifference, and willful exercise of power In an ecologically deteriorating world.1
Introduction. Questioning and Questing: re-staging state socialist cinema
No full textThis book presents a comprehensive re-examination of the cinemas of the Soviet Union and Central and Eastern Europe during the communist era. It argues that, since the end of communism in these countries, film scholars are able to view these cinemas in a different way, no longer bound by an outlook relying on binary Cold War terms. With the opening of archives in Eastern Europe and the former Soviet Union, much more is known about these states and societies; at the same time, the field has been reinvigorated by its opening up to more contemporary concepts, themes and approaches in film studies and adjacent disciplines. Taking stock of these developments, this book presents a rich, varied tapestry, relating specific films to specific national and transnational circumstances, rather than viewing them as a single, monolithic "Cold War Communist" cinema
Homing in on home
No full textBook synopsis: Thinking Home challenges and extends the existing scholarship on the subject of ‘home’ in a period which has seen unprecedented levels of movement cross the globe. Sanja Bahun and Bojana Petric have collated essays that revisit existing ideas to introduce new ways of thinking on home, from the individual and local, through communal, to the international levels. While home informs our feelings of belonging and displacement, and our activities, such as migration, housing, and language learning, Bahun, Petric and contributors look to specific under-studied areas and encompass them within a major framework that allows for assessment through multiple disciplinary and expressive lenses. Thinking Home examines examples such as temporary homes, homes on the road, new and emergent modes of home-making, and minority groups in home and housing debates. Fresh, timely and topical, Thinking Home is rooted in activism and policy-making in the sector of 'home'; the essays both challenge and extend the existing scholarship on this subject. This collection combines perspectives of aesthetics, anthropology, cultural and literary studies, law, linguistics, philosophy, sociology, psychoanalysis, political science and activist responses in one whole. It will be essential reading for students of anthropology, literary studies, cultural studies and philosophy
Violence and Gender in the Globalized World: The Intimate and the Extimate
No full textViolence and Gender in the Globalized World expands the present discourse on gender and violence, discovering new ways to address the complexities encountered in academic research on the topic. Through the introduction of a variety of uncommonly discussed geopolitical sites and dynamics, the book redefines the critical picture of gender violence in the age of globalization, adopting diverse methodological approaches and various disciplinary praxes in its investigation of the question of violence against women across the globe. With an international team of contributors comprising both scholars and activists, this volume bridges the gap between academic and activist perspectives on gender violence. As such, it will be of interest to anyone conducting research in the areas of gender and sexuality, human rights, cultural studies, political science, history, postcolonialism and colonialism, sociology, anthropology, philosophy and religion
Myth, Literature, and the Unconscious
No full textAt a time when the place and significance of myth in society has come under renewed scrutiny, Myth, Literature, and the Unconscious contributes to shaping the new interdisciplinary field of myth studies. The editors find in psychoanalysis a natural and necessary ally for investigations in myth and myth-informed literature and the arts. At the same time the collection re-values myths and myth-based cultural products as vital aids to the discipline and practice of psychoanalysis. The volume spans a vast geo-cultural range (including ancient Egypt, India, Japan, nineteenth-century France, and twentieth-century Germany) and investigates cultural products from the Mahabharata to J. W. Goethe?s opus and eighteenth-century Japanese fiction, and from William Blake?s visionary poetry to contemporary blockbuster television series. It encompasses mythic topics and figures such as Oedipus, Orpheus, the Scapegoat, and the Hero, while mobilising Freudian, Jungian, object relations, and Lacanian psychoanalytic approaches. Bringing together an international array of both leading and emerging researchers, Myth, Literature, and the Unconscious provides an exceptionally rich overview of the concerns and exciting possibilities of this new interdisciplinary field while simultaneously contributing to scholarship on the literary texts and psychoanalytic concepts it evokes
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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