1,720,959 research outputs found

    Bridging the gap: public space as an anchor for social-infrastructure and community integration in Braamfontein

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    A research report submitted in fulfillment of the requirements for the Masters in Architecture, In the Faculty of Engineering and the Built Environment, Wits Business School, University of the Witwatersrand, Johannesburg, 2024Bridging the Gap is about creating a new shared space within Braamfontein, that seeks to provide a space that alleviates the interpreted apprehension felt towards shared spaces in the city. This tension that stems from the inaccessibility of space, infrastructure and amenities are due to the exclusionary nature of socio-economic hierarchies. The approach redefines the perceptions and physical role public space holds by investigating its history. Shared space, which is becoming increasingly scarce, is placed as a new gateway to the city to create a new and improved way of life. The design intervention combines architectural, urban, and social concerns by reinterpreting shared spaces as a social platform, which introduces a pedestrian street on ground level on which the architecture manifests as a flexible modular typology. The proposal aims to create an integrated and sustainable future in Braamfontein by engaging users, space and the city to create an urban fabricMM202

    Being towards [Death]scapes: Exploring the liminal as a space for counter-poetics to re-emerge in Avalon Cemetery

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    A research report submitted in fulfillment of the requirements for the Master of Architecture, In the Faculty of Engineering and the Built Environment , School of Architecture and Planning, University of the Witwatersrand, Johannesburg, 2024Avalon Cemetery. A buffer zone that possesses substantial political agency alongside cultural significance. Its liminality withholds the spatial practices of individuals across the diaspora, revealing to us how individuals construct what some may consider un- conventional “counter cartographies of sociality, imagination and liberation”. (Matsipa, 2020) By delving into the multi-layered relationships between surface-level terrains and underlying subterranean structures using visual art, light is shed on the hidden inscriptions of past legacies duly rooted in the urban fabric as well as its people. Seeking to chal- lenge these structures, “Being towards [Death]scapes” aims to reimagine how individuals navigate physical spaces within the liminal realm of death, resulting in a reignition of one’s sense of self through the use of counter-poetics. By reconstructing the divide with the understanding of counter-time, between Black African, Coloured, and Indian territories, a structural backbone is formed, allowing new counter-spaces to emerge in a post-apartheid contextMM202

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Making Atmospheres

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    This paper discusses a practical methodology, developed for a second-year architectural elective project, that aims to make tangible the qualities of architectural atmospheres. It argues for an embodied practice of making sculptural artefacts. It proposes that these can articulate and make apparent atmospheric qualities. To be able to imagine or recognise atmosphere is a crucial skill for architects since atmosphere determines how people respond to space. The methodology is designed, through iterative cycles of making and critical reflection, to make students increasingly aware of atmosphere and develop their ability to create and articulate certain feeling tones within spaces. This artistic praxis relies upon a nonlinear, bodily knowing that seeks to challenge the dominance of ocularcentric practice in the discipline of architecture.CR202

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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