1,720,955 research outputs found
Disrupting Authority: The Phenomenality of Antioppressive Education in the Arts
University of Minnesota Ph.D. dissertation. 2017. Major: Education, Curriculum and Instruction. Advisor: James Bequette. 1 computer file (PDF); 257 pages.The effort to engage in critical pedagogy is often stymied by several factors: institutional or systemic authority acting in opposition to anti-oppressive teaching, a lack of opportunities for students to develop and use personal agency, and the structures within disciplinary discourses and curricula that limit the possibility of social change. Drawing from post-intentional phenomenology (Vagle, 2014) and narrative inquiry (Clandinin & Connelly, 2000), this study attempts to reconcile structural and agentic approaches. By placing the poststructural philosophy of Deleuze & Guattari (1987) in dialog with critical (Freire, 1970/2000; Kumashiro, 2015) and post-critical pedagogies (Lather, 1995), I have been able to explore my lived-experience of authority as that which defers or denies student authorship. I have further explored a Deweyan approach to expression as I endeavored to live out the promise of using disruptiveness as a pedagogical tool for instigating student authorship. The resultant text is an assemblage that explores the complex, partial, shifting, multiple, tentative, and sometimes contradictory manifestations of authority and authorship. Through the selective use of voice, typeface, color, and illustration, this layered multivocality creates a palimpsest (Dillon, 2007) that progressively narrows, not to certainty, but to the present moment. Results of this study do not support causality or claim to raise test scores and close achievement gaps. Instead, this work underscores the importance of teachers’ critical reflections on their practice and the long-term benefits for students and society that such reflexivity allows. Teachers and teacher candidates who are able to examine their own education and to understand the relationship between student authorship and the manner in which authority is taken up will be primed to create pedagogical spaces in which students are not merely the recipients of knowledge but the authors of their own phenomenality. In this way, teachers who allow their authority to be disruptive and disrupted acknowledge students as the complex fully-realized beings they are and erase the false distinction between being-schooled and being-in-the-world.Babulski, Timothy. (2017). Disrupting Authority: The Phenomenality of Antioppressive Education in the Arts. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/190472
Being and Becoming Woke in Teacher Education
The role education plays in society has been contested in the United States since the inception of public education. Historically this contention has produced a delicate balance between promoting the social justice concerns of educating democratic citizens and the disciplinary concerns of individual intellectual development. Teacher preparation programs in American normal schools, colleges, and universities have traditionally struck a similar balance between theory and practice. In the past several decades, however, the rise of neoliberalism in American politics has shifted the balance away from equity, diversity, and inclusivity. The purpose of this study is to provide an account of the lived experiences of teacher candidates with the phenomena of being and becoming “woke” within a teacher education program that reflects neoliberal values but maintains a stated commitment to social justice. This study includes narrative vignettes that explore the phenomenality of “wokeness” as it manifests in the public-school environment and the teacher education program. It also addresses the effects of neoliberalism on teacher candidates’ willingness and ability to take up social justice for themselves, their students, and society
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Re-Cognizing Harassment with the Arts
Absent mechanisms of restorative justice, victims of sexual harassment, particularly those within the LGBT+ community that are already frequent targets of relational aggression, are unlikely to either report or reckon with the consequences of inappropriate workplace behaviors and discrimination. Written from the perspective of a masculinized bisexual whose encounter with a pervasive culture of sexual harassment and psychological abuse provoked suicidal ideation, this paper employs the artistic practices of illustration as a means of first re-cognizing and recognizing phenomena, a Ricœurean construct of narrative and a palimpsest of multivocal text and images to evoke the lived experience of harassment and an analytic layer to invoke the phenomenon. By drawing, writing, and thinking through the phenomenon, the marriage of artistic and phenomenological approaches allows both researcher and reader to confront the ‘painful truths’ that otherwise resist easy analysis
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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