1,725,223 research outputs found
E.-M. Buytaert. Eusèbe d'Emèse. Discours conservés en latin. T. II : La collection de Sirmond
No full textNautin Pierre. E.-M. Buytaert. Eusèbe d'Emèse. Discours conservés en latin. T. II : La collection de Sirmond. In: Revue de l'histoire des religions, tome 153, n°1, 1958. p. 113
E. M. Buytaert. Eusèbe d'Émèse. Discours conservés en latin. Textes en partie inédits. T. I : La collection de Troyes
No full textNautin Pierre. E. M. Buytaert. Eusèbe d'Émèse. Discours conservés en latin. Textes en partie inédits. T. I : La collection de Troyes. In: Revue de l'histoire des religions, tome 147, n°1, 1955. pp. 110-111
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Hydrological Models as Web Services: An Implementation using OGC Standards
No full text19.12.12 KB. Ok to add publisher version. Author says conference organisers say it ok to upload
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Structure characterization of the products of the reaction between racemic 1,2,4-butane triol and di-tert-butyltin oxide
No full textMonique Biesemans, Guy Buytaert, Luk Van Lokeren, José C. Martins, Rudolph Willem and Edward R. T. Tiekin
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Kunst en psychoanalyse : verslag van een inspirerende ontmoeting
No full textArt and psychoanalysis: An inspirational encounter The sixth colloquium of A.L.E.P.H. (11-12/12/2004) united psychoanalysts, art historians, philosophers and artists in the Fine Arts Museum of Tourcoing on the theme "Art and Psychoanalysis". In this article, three authors reflect on what touched them during this colloquium and on what resonated with them afterwards. Jean-Pierre Van Eeckhout was inspired by the detail in which the particular is expressed and he emphasizes the value of the "scene" in "body art". Sarah Willems saw this colloquium as an invitation to listen psychoanalytically to contemporary art and to comment on the psychoanalytical interpretation of an art work as a symptom. This idea particularly concerned Els Buytaert whose interest is in creative therapy. Each author offers some considerations form their particular field of activity and suggest that the encounter between art and psychoanalysis paves the way for an inspiring journey
- …
