262,831 research outputs found
Aker Seafood: Superkjølt torsk og hyse fra Båtsfjord via Dalvik på Island til Boulogne sur mer i Frankrike - Vurdering av produkter hos Viviers Marins i Boulogne sur mer 16. januar 2009
No full textRapporten omhandler forsendelse og kvalitetsvurdering av et parti fersk torskeloins som ble sendt til en mottager i Boulogne sur mer. Torsken ble landet i Båtsfjord, deretter transportert til Dalvik på Island for filetering før den ble sendt til Frankrike. Kvaliteten/ferskheten på loinsen ble vurdert å være meget bra, men for den franske kunden var loinsen for stor, for mørk og for spaltet. Kunden hadde ønske om å bruke produktet til brettpakking for distribusjon i supermarkeder, men den ble oppfattet som uegnet til denne anvendelsen grunnet nevnte forhold.Aker Seafood: Superkjølt torsk og hyse fra Båtsfjord via Dalvik på Island til Boulogne sur mer i Frankrike - Vurdering av produkter hos Viviers Marins i Boulogne sur mer 16. januar 2009publishedVersio
37, Giuseppe De Nittis, Avenue du Bois de Boulogne
No full textScheda dedicata al dipinto di Giuseppe de Nittis "Avenue du bois de Boulogne" (Barletta, pinacoteca), opera particolarmente interessante per il soggetto e per l'uso del "non finito"
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Dal genere all'allegoria: concerti di Valentin de Boulogne nei disegni e nelle stampe di traduzione
No full textLa studiosa, muovendo dall’analisi di un dipinto di Leandro Bassano, conosciuto attraverso una stampa di fine Settecento, sottolinea i collegamenti tra la figurazione veneta del concerto e il linguaggio utilizzato nei quadri musicali da Caravaggio e dai suoi seguaci.
I seguaci della manfrediana methodus usavano descrivere i momenti musicali inserendoli nell’atmosfera scura delle taverne e dei vari ritrovi mondani. Gli strumenti musicali, raffigurati in queste scene si ricollegano ad una complessa simbologia. Gradualmente il concerto dipinto assume significati reconditi che travalicano l’apparente consesso di musicisti: ora i concetti di armonia e di musica si fondono nella definizione figurativa del concerto allegorico.
Valentin de Boulogne non tardò a farsi la nomea di raffinato esecutore di composizioni di genere, in particolare a carattere musicale, successivamente tradotte a stampa. Molti motivi raffigurati, in un suggestivo schema di riflessi, appaiono all’interno delle altre scene di concerti e riunioni varie realizzate dal pittore, ove le espressioni naturalistiche si confondono con gli elementi simbolici.
Alla luce delle osservazioni e dei dati riferiti in questo studio, si può avanzare l’idea che la scena allegorica ambientata in taverna sia una delle principali espressioni della tradizione manfrediana, particolarmente nelle declinazioni di Valentin.
Infine si proposne l'attribuzione al frnacese di un disegno rintracciato dall’autrice, e tradizionalmente attribuito a Rutilio Manetti; si aprono interessanti quesiti, costituendo un inedito tassello nella storia del dipinto di Valentin de Boulogne Concerto a quattro personaggi e un bevitore (New York in collezione privata, 1626).The author analyses a painting by Leandro bassano, through a print of the late eighteenth century, and empahsizes the connections between the figuration used in Venetian concert painting and the language applied in the musical paintings by Caravaggio a nd his followers.
Finally the analysis of a drawing found by the author, and tradinally attributed to Rutilio Manetti, opens up interesting questions in regard to the history of the paioonting Concert with Characteres and a Drinker by Valentin de Boulogne, now in private collection in New York
Sur les silex taillés de Châtîllon, près Boulogne
No full textHamy Ernest-Théodore. Sur les silex taillés de Châtîllon, près Boulogne. In: Bulletins de la Société d'anthropologie de Paris, I° Série. Tome 6, 1865. pp. 419-423
Valentin de Boulogne. Cristo e la Samaritana
No full textIl contributo ricostruisce la storia della provenienza, analizza l’iconografia e mette insieme la storia degli studi sulla tela del pittore francese Valentin de Boulogne conservata presso la Galleria Nazionale dell’Umbria di Perugia, pendant del Cristo e la Samaritana nel medesimo museo. Viene proposta una nuova lettura stilistica in base alla produzione del pittore francese più vicina al modo di dipingere di Michelangelo Merisi da Caravaggio
G. Giuppone amb el cotxe Lion-Peugeot nº 6 amb matricula 47-W-4 a la sortida d'una cursa i la tribuna del públic al fons
No full textBoTítol atorgat pel catalogador. III Copa Catalunya. G. Giuppone esperant el senyal de sortida amb el Lion-Peugeot Fou segon, darrere del seu company Goux. El piamontés Giosuè Giuppone era un dels pilots més ràpids i populars de l’època: abans de passar a les quatre rodes fou un gran campió ciclista i motorista. Pocs mesos desprès patí un accident mentre entrenava a Boulogne-sur-Mer, Tenia 31 anys. Informació obtinguda d'en Manel Bar
Protecting Animals 36: Author Witi Ihimaera
No full textIn this very special episode of Knowing Animals I am joined by beloved New Zealand author Witi Ihimaera. Witi has written many books featuring nonhuman animals. He offers us a non-colonial lens through which to think about the human/nonhuman relationship
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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