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« Révolution, épreuves initiatiques et symbolique du tissage dans Le Métier à tisser de Mohamed Dib »
No full textWe propose in the present article a demonstration about the dimension of the weaving symbolic in Le Métier à tisser, the third part of the triptych of Mohammed Dib, published in 1957. In the light of a mythanalytic lecture (Gilbert Durand, Les Structures anthropologiques de l’imaginaire), we will show, at first, the relation between the weavers who work in the underground in such a womb’s cavity which symbolises the preparing Algerian Revolution. At the second hand, we will prove that the presence of the teenager Omar in the cavity is a kind of an orphic diving, through which he would undergo many initial tests at the end of which he would emerge completely transformed, fully conscious of all what awaits him
Les Ailes de la Reine de Waciny LAREDJ entre la double dualité d’Eros et de Thanatos
Get PDFLa présente contribution se propose d’analyser Les Ailes de la Reine de Waciny Laredj à la lumière d’une double approche psychanalytique et mythanalytique pour démontrer que les années quatre-vingt-dix sont préfigurées bien avant l’indépendance du pays, que les forces antagoniques symbolisant la Mort et le Chaos tentent de battre en brèche les puissances salvatrices de l’Amour de l’Art, de la Création et de la Vie incarnées par la frêle silhouette de la danseuse de ballet Myriam dont les ailes refusent de ployer face aux forces inquisitrices et mortifères
Mythe, conte et parodie comme stratégies de subversion dans Le Dernier Juif de Tamentit de Amine Zaoui
Get PDFThis article aims to demonstrate that the writing of AmineZaoui, at least in The Last Jew of Tamentit, is a writing that usesnarrative strategies such as myth, storytelling and parody to subvert thenorm and reverse the canons of dogma and established order. AmineZaoui draws on orality and revitalizes writing
Nedjma, sous le signe de l’historicisation, du mythe et de la postcolonialité
Get PDF « L’histoire est écrite par les vainqueurs, et elle a fait de nous les maudits, mais les amants vrais de la liberté vraie, » déclarait Mouloud Mammeri.« Car notre histoire n’est écrite nulle part, mais aucun fil n’est jamais rompu pour qui recherche ses origines.
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Définition et évolution de la figure de l'intellectuel dans l'oeuvre romanesque de Mouloud Mammeri et apport des nouvelles dans l'évolution de cette figure, ou l'"amusnaw" comme chantre de la culture berbère
No full textLa thèse examine la figure de l'amusnaw et celle de l'intellectuel dans l'oeuvre romanesque de Mouloud Mammeri et s'intéresse à l'évolution de cette figure dans les récits : nouvelles et pièces de théatre. La première partie, placée "Sous le signe de la mémoire", met en évidence, d'une part, l'enracinement de la figure dans le tamusni-culture berbère orale- et d'autre part, le souci de l'auteur d'opérer une rupture épistémologique pour assurer la transition de l'oralité à l'écriture. Placée "sous le signe de l'oubli", la deuxième section analyse la mutation de la figure et son insertion dans la scripturalité. La figure de l'amusnaw s'éclipse et laisse émerger celle de l'intellectuel. La dernière section, intitulé "Sous le signe de la remémoration" annonce la jonction des deux figures, qui s'effectue à travers la réactualisation de la tamusni dans sa propre langueCLERMONT FD-BCIU Lettr./Sci.Hum. (631132101) / SudocSudocFranceF
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Du Fantasme de l’androgynie à la révolte antigonienne dans L’amant imaginaire de Taos Amrouche
Get PDFIn this article, we will try to explain how the myth of the Androgynous appears in Taos Amrouche's novel “L’amant imaginaire” and what she seeks to live and show through this fantasy. We are looking for the reasons that systematically lead the characters of Amrouche to exceed the measure by a writing of excess, without taboos or borders. Finally, we will see the way in which the various allusions to feminism and feminine desire(s) are constructed together in the author’s writings without excluding her need of men
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