1,720,968 research outputs found

    Well-posedness and long term behavior of a simplified Ericksen-Leslie non-autonomous system for nematic liquid crystal flows

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    We analyze a simplified Ericksen-Leslie model for nematic liquid crystal flows firstly introduced in [18] with non-autonomous forcing bulk term and boundary conditions on the order parameter field. We obtain existence of weak solutions in the two- and three-dimensional cases. We prove uniqueness, continuous dependence on initial conditions, forcing and boundary terms and also existence of strong solutions in the 2D case. Focusing on the 2D case, we then study the long term behavior of solutions by obtaining existence of global attractors for normal forcing terms (according to [21]). Finally, we prove the existence of exponential attractors for quasi-periodic forcing terms in the 2D model

    Analysis of a Cahn–Hilliard–Ladyzhenskaya system with singular potential

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    The evolution of a mixture of two incompressible and (partially) immiscible fluids is here described by Ladyzhenskaya–Navier–Stokes type equations for the (average) fluid velocity coupled with a convective Cahn–Hilliard equation with a singular (e.g., logarithmic) potential. The former is endowed with no-slip boundary conditions, while the latter is subject to no-flux boundary conditions so that the total mass is conserved. Here we first prove the existence of a weak solution in three-dimensions and some regularity properties. Then we establish the existence of a weak trajectory attractor for a sufficiently general time-dependent external force. Finally, taking advantage of the validity of the energy identity, we show that the trajectory attractor actually attracts with respect to the strong topology

    A regularity criterion for the Navier-Stokes equations in terms of the pressure gradient

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    The incompressible three-dimensional Navier-Stokes equations are considered. A new regularity criterion for weak solutions is established in terms of the pressure gradient

    Fatigue and phase transition in an oscillating plate

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    We propose a temperature-dependent model for fatigue accumulation in an oscillating elasto-plastic plate accounting also for phase transition. The main modeling hypothesis is that the fatigue rate is proportional to the dissipation rate. We show thermodynamic consistency of the model and discuss a possible choice of the evolution equation for the fatigue parameter m. © 2013 Elsevier B.V

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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