795 research outputs found

    Introduzione

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    Il volume raccoglie gli interventi alla giornata di studi dedicata al tema dell'intersoggettività (maggio 2011, convegno internazionale, PRIN 2007). L'introduzione espone i temi trattati nel volume da Silvana Borutti, Angelica Nuzzo, Dan Zahavi, Italo Testa, Roberta Picardi, Luca Vanzago. I saggi del volume affrontano il problema dell'intersoggettività nella storia del pensiero (Platone, Aristotele, Hegel, Ricoeur) e dal punto di vista teoretico dell'embodied Cognition and Recognition e della fenomenologia

    Introduzione

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    L'introduzione, di cui Borutti ha scritto i parr. 1, 2, 3, affronta il problema dei rapporti fra antropologia e storia non come confronto disciplinare, ma come questione legata ad alcuni temi chiave: le diverse relazioni del sapere storico e del sapere antropologico con il problema del tempo; i modelli storiografici a confronto con le strutture temporali della cultura; la questione delle fonti dei due saperi; le immagini native della storia

    Self-interpretation in Psychoanalysis and Philosophy. Notes on Wittgenstein and Freud

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    This essay analyses the criticism that Wittgenstein aroused to Freud and to the “analytic myth”, as he was used to say. The author snows that the Wittgenstein’s criticism is a general critique to the psycho-analysis’ scientist self-interpretation and to the interpretation of psycho-analysis as a science based on causal arguments. Moreover, correspondences between Wittgenstein and Freud about the notion of image and about the configurative characters of symbolism are investigated. These themes give the author the opportunity of reflecting briefly on the scientific status of psycho-analysis

    Pragmatics and its discontents

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    This paper deals with a number of epistemological ambiguities in pragmatica theories. A great amount of idealization is in fact still presupposed by pragmatics. The author claims that it is necessary to develop alternatuve theoretical models in which the uses of language and the discourses are the places where the meaning and the subjects are constituted

    After Postmodernism: A Naturalistic Reconstruction of the Humanities

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    This review reconstructs the argumentations that the author of the essay After Postmodernism employs in order to maintain that human sciences are not only a form of cultural Bildung, but rigorous scientific Knowledge, concerning human behaviour and mental processes

    Wittgenstein’s Concepts for an Aesthetics: Judgment and Understanding of Form

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    My paper seeks to maintain that in Wittgenstein there is more than the simple and obvious negation of artistic quality as the property of things, and thus a criticism of any essentialism. My reasoning will connect Wittgenstein’s evaluative idea of the aesthetic with its philosophical conception of Aspekt and the self-revealing character of the form. The themes this paper deals with are: the aesthetic judgment; the sensitivity toward rules; the aesthetic judgment as an example of the understanding of meaning. Aesthetic judgments are not to be understood as a philosophical paradigm but as a case of what, for Wittgenstein, is in general the aesthetic understanding of meaning

    An Epistemological Look at Comparison

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    This article attempts to deliver an epistemological look at a differential and contrastive kind of comparison. A differential comparison aims to avoid the epistemological prejudices of the similar and of the universal, and assumes the principle of the co-presence and of the non-hierarchic relationship between texts put in a comparative relation. By referring to Wittgenstein’s concepts, I maintain that comparing is not simply seeing (observing), but rather “seeing as”, seeing according to a schematizing rule which offers the comparative criterion by showing the relevant traits of the phenomena put in a synoptic co-presence. I also point out that this comparative procedure is related to Peirce’s hypothetical and indirect inference which consists of collecting different data and formulating a configuration hypothesis that gives a coherent form to the data

    Somiglianze immateriali

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    Starting from ancient philosophy, I define the notion of mousiké as polymorphic and polysemic artistic form, which unifies at different levels different forms of expressivity. This notion allows me to speak about translation, symbolical transformations and poetic power. In this essay I analyze the relationship between music, painting and poetry as creative symbolical universes which bring into light an ‘immaterial likeness’.</p

    Che cosa l'antropologia può aspettarsi dal concetto di complessità?

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    Il saggio analizza il modello della complessità come possibile programma euristico per l'antopologia e per il concetto di cultura, mettendo in rilievo i tipi di fallacia in cui l'applicazione del modello della complessità può incorrere

    Forme del fare e filosofia

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    Il saggio analizza la concezione del fare filosofico del filosofo Fulvio Papi, al cui centro c'è la nozione di scrittura, e ne analizza l'ascendenza nel rapporto marxiano teoria/prassi
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