731 research outputs found
Lionel Barrymore Collection - Accession 1716 M828 (885)
No full textThis collection consists of a framed watercolor painting titled, “Holiday Time in the South” by Lionel Barrymore. The nameplate states: “Painted And Presented To The Citizens Of Rock Hill As A Memento Of My Sincere Appreciation For Their Good Will Towards Me, 8-11-’53, Lionel Barrymore.” Also included in the collection are several photocopies of newspaper articles related to the receipt of the painting from 1953-1954 and a letter written by Lionel Barrymore on his letterhead to Miss Nan Weller Carson of the Rock Hill Public Library dated May 2, 1954. Lionel Barrymore (1878-1954) was a famous actor, director, author, and painter. A member of the Keystone Club of Rock Hill, Mrs. Eva M. White, wrote to Lionel as part of a project she was working on and Mr. Barrymore responded with a letter and telegram. In response, members of the Keystone Club sent several hundred letters and birthday cards to him for his 75th birthday. In thanks he painted and dedicated the watercolor, “Holiday Time in the South” to the City of Rock Hill.https://digitalcommons.winthrop.edu/manuscriptcollection_findingaids/2684/thumbnail.jp
Search-based multi-vulnerability testing of XML injections in web applications (vol 24, pg 3696, 2019): Search-based multi-vulnerability testing of XML injections in web applications (Empirical Software Engineering, (2019), 10.1007/s10664-019-09707-8)
No full textThe article Search-based multi-vulnerability testing of XML injections in web applications, written by Sadeeq Jan, Annibale Panichella, Andrea Arcuri, and Lionel Briand, was originally published electronically on the publisher’s internet portal (currently SpringerLink) on May 2019 without open access. With the author(s)’ decision to opt for Open Choice the copyright of the article changed on June 2019 toSoftware Engineerin
Tayler, J. Lionel
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/342115Reference: J. LionelTayler, The Nature of Woman.
Back of card. Author: de Ribera, Paul. Specialty: author.138567
item: [2014.0039.00278] "Tayler, J. Lionel
Interview with Ossie Davis, actor, author, producer-director
No full textActor, writer, and director Ossie Davis discusses filmmaking and how African-Americans can and must play a role as not only as actors, but also in technical production so as to ensure the development of films which realistically portray the place of Blacks in contemporary society. Interviewed by Dr. Lionel Barrow and Tejumola Ologeboni.GrayscaleSoun
Les pièges de la narration d'agrément dans Les Confessions de Rousseau
No full textLionel Duisit : the pitfalls of humour in Rousseau's Confessions.
This article, a stylistic approach to Rousseau's Confessions, analyses the tension to be found in the first six books, between Rousseau's concern for self-justification and the ironic tone which he adopts when describing certain incidents of his youth (for example, the stolen ribbon) that would seem to exclude a humorous treatment. Through an analysis of several passages, the author shows how Rousseau's lack of concern for stylistic unity contributes, by the ensuing ambiguity, to psychological veracity.Duisit Lionel. Les pièges de la narration d'agrément dans Les Confessions de Rousseau. In: Dix-huitième Siècle, n°7, 1975. pp. 243-252
Susan Howson, Lionel Robbins
No full textSusan Howson expertly constructs a detailed scholarly biography of Lionel Robbins, the well-known midcentury British economist, from a wealth of source material: not just publications but also diaries, letters, lecture notes, marginalia, and ephemera. There is so much detail in 1161 pages that no reader can reasonably be expected to find every part of it fascinating, although Howson’s writing style is pleasant. The work is neither hagiographical nor critical, the author rarely passing judgmen..
Contributors
No full textFlora Kimmich translates from French and German. Her translation of Gustav Droysen’s monumental nineteenth-century classic History of Alexander the Great [Geschichte Alexanders des Grossen]—the first into English—was published in 2012 by the American Philosophical Society. Lionel Gossman, M. Taylor Pyne Professor emeritus of Romance Languages at Princeton University, is the author of books on Edward Gibbon, Augustin Thierry, Jacob Burckhardt, J.J. Bachofen, and the eighteenth-century French m..
Letter from R. R. Best, Project Director, and Lionel Perkins, Business Enterprises Adviser United States Department of the Interior War Relocation Authority to Mr. Ivan Williams Department of Justice, December 5, 1945
No full textThis official correspondence confirms that Tsugitada Kanamori had worked at the Tule Lake incarceration camp for 6.5 months and had earned a total of $131.86 as of November 30, 1945. Issued by R.R. Best, Project Director and Lionel Perkins, Business Enterprises Adviser United States Department of the Interior War Relocation Authority.This collection contains one box of documents belonging to Tsugitada Kanamori. Materials in this collection mostly pertain to Kanamori’s efforts regarding canceling his renunciation and reinstating his American citizenship
La Civilisation traditionnelle de « l’habitant » de Robert-Lionel Séguin revisitée
No full textLa Civilisation traditionnelle de l’« habitant » aux 17e et 18e siècles, l’oeuvre imposante de Robert-Lionel Séguin, a été revisitée sous un angle particulier, soit son titre même. Les concepts ethnologiques, sociologiques, historiques et géographiques qu’il sous-tend ont suscité une réflexion sur la notion de « civilisation traditionnelle », sur celle d’« habitant » et sur ce temps déterminant de l’histoire qu’a été la période des xviie et xviiie siècles. Cette démarche permet de situer dans une perspective critique le sens et la profondeur des mots utilisés par Robert-Lionel Séguin pour présenter son oeuvre.La Civilisation traditionnelle de « l’habitant » aux 17e et 18e siècles, Robert-Lionel Séguin’s masterwork, is revisited here by looking particularly at its title, one which refers to ethnological, sociological, historical and geographical concepts. This causes us to reflect on the concept of traditional society, on that of the “habitant” and on the important historical era that spanned the 17th and 18th centuries. Thanks to this approach, the author can observe through a critical lens the meaning and scope of the terms used by Robert-Lionel Séguin to present his work
Robert-Lionel Séguin, ethnohistorien, collectionneur passionné
No full textAu début des années 1980, l’auteure visite l’imposante collection de plus de 20 000 objets de Rls à sa demeure de Rigaud. Elle raconte comment, avec l’aide de son épouse, Huguette Servant, l’ethnologue-chercheur n’a cessé de collectionner les objets jusqu’au soir de sa vie. Elle se remémore, en particulier, une rencontre émouvante de Rls avec son époux, l’ethnologue Jean-Claude Dupont, son grand ami et confrère dans l’étude de la culture matérielle. L’histoire tourne autour d’une lignette, un piège très populaire à l’île d’Orléans pour capturer les plectrophanes des neiges, ces oiseaux blancs si nombreux qu’ils créaient sur leur passage comme « un nuage qui coupaient les rayons du soleil ».In the early 1980s, the author had the opportunity to see Robert-Lionel Séguin’s vast collection of 20,000 artifacts at his home in Rigaud, Québec. She tells of how Séguin, along with his wife Huguette Servant, continued adding objects to the collection during his entire life. One meeting in particular stands out. It was an emotional occasion when the author visited Robert-Lionel Séguin along with her husband, ethnologist Jean-Claude Dupont, who was his close friend and colleague in the field of material culture research. Their discussion was mainly about the “lignette”, a type of trap that was very often used on Île d’Orléans to capture Snow Buntings, the white birds that were so numerous it was said their passage was like a cloud that blocked out the sun’s rays
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