1,721,146 research outputs found
Theoretical framework for higher-order quantum theory
Full text linkHigher-order quantum theory is an extension of quantum theory where one introduces transformations whose input and output are transformations, thus generalizing the notion of channels and quantum operations. The generalization then goes recursively, with the construction of a full hierarchy of maps of increasingly higher order. The analysis of special cases already showed that higher-order quantum functions exhibit features that cannot be tracked down to the usual circuits, such as indefinite causal structures, providing provable advantages over circuital maps. The present treatment provides a general framework where this kind of analysis can be carried out in full generality. The hierarchy of higher-order quantum maps is introduced axiomatically with a formulation based on the language of types of transformations. Complete positivity of higher-order maps is derived from the general admissibility conditions instead of being postulated as in previous approaches. The recursive characterization of convex sets of maps of a given type is used to prove equivalence relations between different types. The axioms of the framework do not refer to the specific mathematical structure of quantum theory, and can therefore be exported in the context of any operational probabilistic theory
Scattering and Perturbation Theory for Discrete-Time Dynamics
No full textWe present a systematic treatment of scattering processes for quantum systems whose time evolution is discrete. We define and show some general properties of the scattering operator, in particular the conservation of quasienergy which is defined only modulo 2π. Then we develop two perturbative techniques for the power series expansion of the scattering operator, the first one analogous to the iterative solution of the Lippmann-Schwinger equation, the second one to the Dyson series of perturbative quantum field theory. We use this formalism to compare the scattering amplitudes of a continuous-time model and of the corresponding discretized one. We give a rigorous assessment of the comparison for the case of bounded free Hamiltonian, as in a lattice theory with a bounded number of particles. Our framework can be applied to a wide class of quantum simulators, like quantum walks and quantum cellular automata. As a case study, we analyze the scattering properties of a one-dimensional cellular automaton with locally interacting fermions
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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