171,617 research outputs found
Als Jhro Hochwürden der Herr Doctor Jac. Siegm. Baumgarten das Prorectorat der Friedrichsuniversität übernahm: so überreichten dieses Merkmal der tiefsten Ehrfurcht J.M.F. Deutschmann J.C. Fröhlich M. Riebschläger.
No full textGlückwunschgedicht für Jakob Siegmund Baumgarten bei Übernahme des Prorektorats der Friedrichsuniversität, 1748Vorlageform der Veröffentlichungsangabe: Halle, gedruckt bey Johann Christian Grunerten, 1748
How to teach communication skills to medical students? From first step to finish
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214224.pdf (Publisher’s version ) (Open Access)Radboud University, 24 september 2019Promotores : Weel, C. van, Laan, R.F.J.M. Co-promotor : Weel-Baumgarten, E.M. va
Transfer of the nitrogen fixing hydrogen bacterium <em>Corynebacterium autotrophicum</em> Baumgarten et al. to <em>Xanthobacte</em>r gen. nov.
No full textThirty-five nitrogen-fixing, hydrogen-oxidizing bacteria, all members of Cory-nebacterium autotrophicum Baumgarten, Reh, and Schlegel 1974, and including the type strain of this species, were compared with 28 strains of coryneform bacteria by numerical taxonomy methods. The nitrogen-fixing hydrogen bacteria formed a well defined cluster; their similarity to the other strains tested was low, however. Furthermore, the chemotaxonomic characters of these strains excluded them from the coryneform bacteria. Therefore C. autotrophicum was reclassified, following the keys of Bergey's Manual of Determinative Bacteriology (8th ed.) as a species of the family Azotobacteraceae. Although taxonomically close to Beijerinckia and Derxia, the nitrogen-fixing, hydrogen-oxidizing bacteria are regarded as representing a new genus, for which we propose the name Xanthobacter. C. autotrophicum Baumgarten, Reh, and Schlegel is transferred to the new genus as Xanthobacter autotrophicus (Baumgarten et al.) comb. nov
Involving migrants in shaping their primary care
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160818.pdf (Publisher’s version ) (Open Access)Radboud University, 22 november 2016Promotor : Weel, C. van Co-promotores : Weel-Baumgarten, E.M. van, Muijsenbergh, M.E.T.C. van de
Engaging service-users in co-designing primary health care: assessing the potential of Participatory Learning & Action (PLA)
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183426.pdf (Publisher’s version ) (Open Access)Radboud University, 07 maart 2018Promotores : Weel, C. van, Macfarlane, A., Muijsenbergh, M.E.T.C. van den Co-promotor : Weel-Baumgarten, E.M. va
Problem-solving treatment during general practice residency: feasibility, and effectiveness for patients with emotional symptoms in primary care.
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82618.pdf (Publisher’s version ) (Open Access)Radboud Universiteit Nijmegen, 12 oktober 2010Promotor : Weel, C. van Co-promotores : Weel-Baumgarten, E.M. van, Lucassen, P.L.B.J., Beek, M.M.L.176 p
O. Baumgarten, Protestantische Seelsarge, Tübingen, S. C. B. Mohr, (P. Siebeck), 1931
No full textBouttier Gabriel. O. Baumgarten, Protestantische Seelsarge, Tübingen, S. C. B. Mohr, (P. Siebeck), 1931. In: Revue d'histoire et de philosophie religieuses, 13e année n°2, Mars-avril 1933. pp. 194-196
Métaphysique de l'Art et esthétiques du goût. Une relecture dialogique d'Alexander Gottlieb Baumgarten
No full textLe présent ouvrage souhaite montrer que la création de l esthétique philosophique par Alexander Gottlieb Baumgarten, ainsi que la multiplication des écrits théoriques sur l art orientés à partir de la problématique du goût, sont deux tentatives différentes de répondre à la question métaphysique du dualisme des substances ainsi qu aux problèmes posés par leurs interactions réciproques. L enjeu de cette recherche est double. Il s agit, d une part, de donner la réplique à Kant qui, dans un note devenue célèbre de la CRP, affirme qu esthétique et critique du goût sont des termes synonymes. Il sera démontré que ces deux termes ne sont pas synonymes, qu esthétique philosophique et critique du goût ne sont pas deux manières équivalentes de questionner l art, bien qu elles partagent, sur le plan ontologique, un certain nombre de présupposés. D autre part, et c est là que l enjeu historiographique croise l enjeu philosophique, nous verrons que ces présupposés ne sont pas propres au 18e siècle mais proviennent d une longue tradition des rapports texte-image, du statut théologique et ontologique de l image, de la représentation sculptée, de la mímêsis. Aussi, l intérêt des questions formulées à partir du constat de l échec patent de la métaphysique de l Art et du caractère très largement insuffisant des esthétiques du goût dépasse largement le cadre du siècle des Lumières.This book intends to demonstrate that the creation of philosophical aesthetics by A. G. Baumgarten, as well as the multiplication of theoretical writings about art guided by the problematics of taste, are two different ways to propose a solution to solve the metaphysical question of the dualism of substances and the problem of theirs mutual interactions. The stake is double. First, it is a response to Kant, who says in a CPR s note which became famous that aesthetics and critics of taste are the same thing. It will be shown that it is not the case, although those two approaches share similar presuppositions. We will also see, and on that point the historiographic stake meets the philosophical one, that those presuppositions are not specific to the 18th century but came from the long tradition of text-image relations, of theological and ontological status of image, of carved representation, of mímêsis. So, the interest of the questions which are formulated because of the evident failure of metaphysics of Art and the failings of aesthetics of taste exceeds widely the framework of Enlightenment.PARIS4-Bib. électronique (751059905) / SudocSudocFranceF
Baumgarten, Kant y la filosofía práctica
No full textReseña de: Baumgarten, A. G., & Kant, I.. Baumgarten’s Elements of First Practical Philosophy. A Critical Translation with Kant’s Reflections on Moral Philosophy. Edición y traducción: C. D. Fugate y J. Hymers. London, New York: Bloomsbury Academic, 2020. ISBN: 978-1-4742-8265-9, 375 pp
Knowledge to Be Made: An Introduction
No full textThe global turn demands that we rethink our most fundamental assumptions about the discipline of Art History established in nineteenth-century Europe during the formative period of modern nation-states. Attention to the migration of visual culture and the conditions of its circulation has introduced research concerned with the function, reception, and power of specific kinds of images and other objects of human manufacture of all times and places. Case studies experimenting with global approaches to the history of art and material culture have opened up the discourse along many new investigative trajectories, but the compelling new research invariably emphasizes the complexity of the situations involved and the difficulty of drawing generalizations. Knowledge to Be Made, as we refer to the book’s title in shorthand, aims to go beyond the current cumulative case study approach by contributing to the discipline from a methodological perspective. This Introduction introduces shared epistemological and ontological issues that the individual chapters pursue in depth. As much as they differ in their subject matter, evidence, and methodology, the chapters collectively situate the central art historical concern with creative processes – the language of which derives historically from European concepts of art – into broader, transcultural frameworks that include intellectual, social, economic, historical, and political factors
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