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    Libyan-Italian joint mission in the Jebel Gharbi (Tripolitania). The Holocene sequence of the Jifarah plain

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    The importance of Jebel Gharbi, the mountainous range southwest of Tripoli, like the rest of the Libyan coast, became particularly relevant during the Holocene. At that time the territory may have played a key role in the neolithization process which occurred along the southern coast of the Mediterranean. Thanks to its central location the Jebel can give an important contribution to understand the exchanges which took place along the coast from both the western regions of Maghreb and from those to the East, mediated by the Nile Delta. Another no less important theme to be explored are the relations between the Mediterranean region and the sphere of southern Libya, in the continental Sahara. Though in both regions the pre-production phase is manifest with similar modes of interaction with the environment, the Sahara has its own characteristics belonging to a complex of cultures (the Saharo-Sudanese complex) which knew both very early ceramics together with herding on cattle and caprines. After a long cycle of research aimed at the reconstruction of the chrono-stratigraphic sequence and the paleoenvironment throughout Middle and Upper Pleistocene, during the most recent campaigns the Jebel Gharbi Archaeological Mission investigated the Holocene fine sediments, and sites associated with them, which are particularly numerous at the base of the Jebel escarpment. As a matter of fact, no significant site for the Holocene occupation was encountered in the inner region of the Jebel. On the contrary, the most suited area to the study of the Holocene occupation was the plain that begins at the foot of Jebel and reaches the coast: the Jifarah. Since 2005 the Jifarah plain became the main investigation focus of the Archaeological Mission in Jebel Gharbi, while continuing survey activity also in the southernmost area, to the limits of the Hammada el Hamra. In a strip of land close to the base of the Jebel escarpment, the Jurassic sandstone bedrock is exposed in the beds of many small wadis. At several places the scarce thickness of the alluvial deposits allowed the emergence of groundwater through springs (this phenomenon may have coincided with seismic episodes). The last campaign in the field, in autumn 2010, investigated some relevant sites in Wadi Allohim and the subsequent processing of the fieldwork data has allowed us to establish a basic Neolithic sequence for the Holocene Jifarah occupation. The main problem that our research had to face is the exclusive presence of open air sites in which most of the records, especially concerning the bioarchaeological component, was not preserved. Therefore we had to develop a research methods that could overcome the limits of the archaeological record. To answer this difficulty paleoclimatic and paleoenvironmental reconstruction were emphasized at the maximum. The palaeoclimatic model of the Jifarah indicated the presence of a long phase of relative humidity between 6500 and 3500 BC, preceded and followed by two arid phases, the last of which represents the beginning of the modern aridity. The abundance of water, and the resulting wealth of vegetation, allowed for the continuity of the occupation and encouraged the process of economic change towards pastoral based organization. The Shakshuk, Wadi Bazina and El Jawsh areas appeared the most suitable territories for the survey. A transitional phase in the early Holocene (Jifarah A: Early Neolithic, 6150-5750 cal BC / 8100-7700 cal BP) might have represented a continuation of the broad spectrum exploitation economy by collectors who visited seasonally ponds and marshes. The arid trend typical of this period could have made the marsh areas more favorable locations. Not be ruled out that the economic model of these groups would include already goat breeding, which at this time is known in the Neolithic layers of Haua Fteah in Cyrenaica. During the following phase (Jifarah B: Middle Neolithic, from 4750 to 3650 cal BC / 6700 to 5700 and 5400 cal BP) the same region presents a large number of hearths and mounds. These steinplätze are clear markers of the presence of shepherds groups and a proof of their short living on the territory. Along with the steinplätze larger encampments were detected which functioned as base-camps; they are located in areas rich in vegetation where also gathering activities could be carried out such as site SJ-00-59 at Wadi Bazina or site SJ- 10-96 in the Wadi Allohim. Subsequently, after the arid interval of 3400 cal BC (Jifarah C: Late Neolithic, from 3400 to 2450 BC / 5400- 4400 cal BP) the adoption of nomadic pastoralism seems to have been the preferred solution

    Preservation and restoration of the Wadi Sura caves in the framework of the ‘Gilf Kebir National Park’, Egypt

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    the preservation of the caves with prehistoric rock art located in the Gilf Kebir plateau in southwestern Egypt. The project was part of the cooperation program developed to establish the Egyptian Gilf Kebir National Park (GKNP) protected area. Given their bad state of preservation, the Italian conservation project focused on the Caves of Swimmers and Archers, located along the Wadi Sura. Although only very few studies of this kind have been carried out in the Saharan region, our work in the Gilf Kebir can be considered a pilot study, the results of which should be evaluated in the long term. Results obtained to date and reported in this paper provide analytical petrographic studies of the bedrock, a complete photographic and geodetic survey of the two sites, data from climate monitoring, along with a preliminary consolidation of some of the most at-risk areas of the two caves. Finally, laboratory experimentation led us to select the most suitable materials for the consolidation of the rock, shifting in the direction of nano-technology instead of ethyl silicate use because of the longer cross-linking process of the latter in hyper-arid environments; the use of the latter can in fact result in extremely long and expensive field seasons. These results will be valuable for the continuation and extension of the project, which is currently suspended due to safety concerns in the region

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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