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    Definition of a Basic Design for Conversion of an Offshore Fixed Platform on a Depleted Reservoir Into a Sustainable Plant

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    In the framework of energy transition, a focus is given to the study of the conversion of offshore Oil&Gas (O&G) platforms at the end of their life due to the depletion of the reservoirs on which they operate. Their modular and versatile structure allows the implementation of new processes and innovative sustainable technologies for reducing the environmental impact of a complete decommissioning, especially on the subsea ecosystem that has grown around the jacket, and for guaranteeing cost-saving solutions. Among different conversion options, this paper focuses on the installation on the platform of a system for the production of photovoltaic (PV) energy to be used for seawater desalination and its delivery to other platforms operating in the same area. The project focuses on the definition of technical characteristics of the basic design, on the investigation of the technical feasibility of the conversion process, and on qualitative safety and environmental impact studies. Moreover, the old platform equipment to be decommissioned (i.e., the equipment necessary for hydrocarbons treatment) are identified, and the installation of new equipment is optimized, e.g., the number of PV panels and, therefore, the installed power are maximized. At the same time, decommissioning costs and impacts can be minimized. The basic design is completed with a preliminary structural verification to guarantee that critical situations do not rise, with an indication on the main maintenance activities for the preservation of plant good efficiency and with safety and environmental preliminary analyses for the identification of potential criticalities to be managed at different design levels

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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