1,721,093 research outputs found
Fig. 6 in New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres
No full textFig. 6. Right lateral view of the mandible of Litolophus gobiensis (IVPP V16149). Scale 5 3 cm.Published as part of Bai, Bin, Wang, Yuanqing & Meng, Jin, 2010, New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres, pp. 1-28 in American Museum Novitates 3688 on page 7, DOI: 10.1206/678.1, http://zenodo.org/record/535886
Fig. 10 in New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres
No full textFig. 10. Occlusal view of lower cheek teeth of Litolophus gobiensis (IVPP V16149). Scale 5 1 cm.Published as part of Bai, Bin, Wang, Yuanqing & Meng, Jin, 2010, New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres, pp. 1-28 in American Museum Novitates 3688 on page 10, DOI: 10.1206/678.1, http://zenodo.org/record/535886
Fig. 13 in New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres
No full textFig. 13. Majority rule (50%) consensus of 48 equally most parsimonious trees.Published as part of Bai, Bin, Wang, Yuanqing & Meng, Jin, 2010, New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres, pp. 1-28 in American Museum Novitates 3688 on page 18, DOI: 10.1206/678.1, http://zenodo.org/record/535886
Fig. 4 in New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres
No full textFig. 4. Occipital view of the skull of Litolophus gobiensis (IVPP V16139). Abbreviation: nld, nuchal ligament depression; see legend for figure 2 for other abbreviations. Scale 5 3 cm.Published as part of Bai, Bin, Wang, Yuanqing & Meng, Jin, 2010, New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres, pp. 1-28 in American Museum Novitates 3688 on page 6, DOI: 10.1206/678.1, http://zenodo.org/record/535886
Fig. 5 in New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres
No full textFig. 5. Ventral view of the right petrosal of Litolophus gobiensis (IVPP V16139). Abbreviations: feo, fenestra ovalis; fr, fenestra rotunda; nf, nutrient foramen; pr, promontorium; smf, stapedius muscles fossa; tafc, tympanic aperture of the facial canal. Scale 5 5 mm.Published as part of Bai, Bin, Wang, Yuanqing & Meng, Jin, 2010, New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres, pp. 1-28 in American Museum Novitates 3688 on page 6, DOI: 10.1206/678.1, http://zenodo.org/record/535886
Fig. 11 in New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres
No full textFig. 11. Log-ratio diagram comparing the mean value of lower teeth dimensions of Litolophus gobiensis (V16149, V16150) (open squares), Grangeria canina (filled squares), Eomoropus amarorum (filled circles; as standard), G. anarsius (open triangles), and E. quadridentatus (filled triangles). Data sources from Lucas and Shoch (1989, table 23.2) (L, length; AW, trigonid width; PW, talonid width).Published as part of Bai, Bin, Wang, Yuanqing & Meng, Jin, 2010, New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres, pp. 1-28 in American Museum Novitates 3688 on page 12, DOI: 10.1206/678.1, http://zenodo.org/record/535886
New Craniodental Materials of Litolophus gobiensis (Perissodactyla, “Eomoropidae”) from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres
No full textBai, Bin, Wang, Yuanqing, Meng, Jin (2010): New Craniodental Materials of Litolophus gobiensis (Perissodactyla, ''Eomoropidae'') from Inner Mongolia, China, and Phylogenetic Analyses of Eocene Chalicotheres. American Museum Novitates 3688: 1-28, DOI: 10.1206/678.1, URL: http://www.bioone.org/doi/abs/10.1206/678.
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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