12,097 research outputs found
Side A: RGA discussion -- Side B: talk by Helen Ware
No full textSide A: RGA discussions, 31 Jul 1979, 1 hour 05 min 19 sec -- Side B: Helen Ware, 7 Aug 1979, 55 min 28 se
Ware, Shirley
No full textWare is the niece of M. B. Mayfield. She has lived in Ecru, MS for her entire life
Designing 21st Century Standard Ware: The Cultural Heritage of Leach and the Potential Applications of Digital Technologies
No full textThis practice-based research investigates the potential applications of digital manufacturing technologies in the design and production of hand-made tableware at the Leach Pottery. The methodology for the research establishes an approach grounded in my previous experience as a maker that is informed by an open, experimental, emergent, and responsive framework based on Naturalistic Inquiry.
A critical contextual review describes the cultural heritage of Leach which, for the purposes of the research, is developed through the Leach Pottery as a significant site, the historical production of the iconic Leach Standard Ware and the contemporary production of Leach Tableware. This is followed by an examination of Potter’s Tools in the Leach production environment, and a review of makers’ digital ceramic practice.
The contextual review is followed by an explication of ‘standards’ presented through visual lineages of Standard Ware and Leach Tableware to define ‘standard’ at a design (macro) level, followed by an examination of how ‘standard’ operates at a making (micro level) level. This chapter presents new knowledge in relation to defining the visual field of Leach Pottery tableware production and its standards of design.
A chapter focussed on practice presents the outcomes and analysis of my engagement with digital manufacturing technologies which resulted in the development of new tools to support Leach Tableware production and the interrogation of Leach forms, in different mediums, which led to the creation of Digital-Analogue Leach forms. The practice culminated in the design and development of new 21st century Standard Ware: a range of 9 forms, called Echo of Leach, that were developed by myself using digital and analogue methods: the designs were realised by myself, the Leach Studio, and a further four makers. The outcomes of the research were presented in a three month exhibition at the Leach Pottery in 2013.
The conclusions of the research draw on the key points raised in the analysis of the practice and relate these to the approaches to making pottery that are highlighted in the cultural heritage of Leach in the contextual review. These are also discussed in relation to ways in which these findings could be taken forward into development of knowledge about Standard Ware, especially in a broader studio pottery context
Ware, J B, 437033
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/424010Surname: WARE. Given Name(s) or Initials: J B. Military Service Number or Last Known Location: 437033. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 55510.251761
Item: [2016.0049.56271] "Ware, J B, 437033
Letter from Daniel Hitt & Thomas Ware to James B. Finley
No full textDaniel Hitt and Thomas Ware (Agents of Book Concern, New York), write to ask Finley for payment on behalf of the Ohio Conference [presumably for books/tracts sold by Finley & other preachers]. They are in bad financial straits. Unless they receive payment soon, they will have to borrow money. Abstract Number - NOAB 9https://digitalcommons.owu.edu/finley-letters/2220/thumbnail.jp
1956 -- Correspondence, Miscellaneous -- letter, 1956-10-23
No full textLetter from Ware, Martin to Sabin, Albert B. dated 1956-10-23.Sabin Collection Fair Use Policy</a
Current Research [the journal] -- 1951 -- Files, General -- letter, 1951-06-15
No full textLetter from Cattell, Ware to Sabin, Albert B. dated 1951-06-15.Sabin Collection Fair Use Policy</a
Workings of whiteness: interview with Vron Ware
No full textIn this edited interview, Vron Ware talks honestly about the political inspiration and personal engagement that flows through her entire body of work. From Beyond the Pale (1992) which introduced a new and challenging approach to the intersecting discussions on feminism and anti-racism, to Out of Whiteness (2001) which was written with sociologist Les Back and critiqued what the field of critical whiteness studies had become, to Ware's latest work on Britishness (Who Cares about Britishness? 2007) and the British military (forthcoming). Ware's political, feminist and anti-racist engagement not only keeps her alert and attuned to the undercurrent of racist attitudes in multicultural Britain, but also informs her methodology and her approach to doing research and to thinking through conversations with colleagues all over the world
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