1,322 research outputs found
Davallon J., Gramont G. & Schiele B. (Editeurs) (1992). L’environnement entre au musée. Lyon, Presses Universitaires de Lyon
No full textGiordan André. Davallon J., Gramont G. & Schiele B. (Editeurs) (1992). L’environnement entre au musée. Lyon, Presses Universitaires de Lyon. In: Didaskalia, n°1, 1993. p. 142
Integrating representative and discriminative models for object category detection
No full textCategory detection is a lively area of research. While categorization algorithms tend to agree in using local descriptors, they differ in the choice of the classifier, with some using generative models and others discriminative approaches. This paper presents a method for object category detection which integrates a generative model with a discriminative classifier. For each object category, we generate an appearance codebook, which becomes a common vocabulary for the generative and discriminative methods. Given a query image, the generative part of the algorithm finds a set of hypotheses and estimates their support in location and scale. Then, the discriminative part verifies each hypothesis on the same codebook activations. The new algorithm exploits the strengths of both original methods, minimizing their weaknesses. Experiments on several databases show that our new approach performs better than its building blocks taken separately. Moreover, experiments on two challenging multi-scale databases show that our new algorithm outperforms previously reported results
Artistic presentation of seizure semiology—A remarkable painting
No full textZusammenfassung Ein Gemälde wird gezeigt, das die Anfallssemiologie der Patientin, Koautorin und Malerin Martina Schiele visualisiert. Es wird aufgezeigt, dass der künstlerische Akt half, das verbal Schwerbeschreibliche zu erfassen und darzustellen. Es erfolgen eine epileptologische Kontextualisierung und ein Ausblick auf Epilepsie und Kunst.A painting is shown that depicts the seizure semiology of a patient, i.e., Martina Schiele the painter and co-author of this article. It is illustrated that the artistic act helped to express and better understand her symptoms, which were hardly describable in words. A contextualisation and perspective on epilepsy and art is given.Open Access funding enabled and organized by Projekt DEAL.Universitätsklinikum Erlangen (8546
Synopsis iuris Imperii Romano-Germanici
No full textFecha de frontis calc., 1677Marca tip. en portFecha de front. calc., 1677Sign. : []\p1\s, A\p11\s, B-O\p12\s, P\p11\s, Q\p12\s, R\p11\sPort. a dos tintasIndice en alemán y en letra góticaSign.: []¡1, A¡11, B-O¡12, P¡11, Q¡12, R¡11Indice en alemán y en l. gó
Video Segmentation with Superpixels
No full textDue to its importance, video segmentation has regained interest recently. However, there is no common agreement about the necessary ingredients for best performance. This work contributes a thorough analysis of various within- and between-frame affinities suitable for video segmentation. Our results show that a frame-based superpixel segmentation combined with a few motion and appearance-based affinities are sufficient to obtain good video segmentation performance. A second contribution of the paper is the extension of [1] to include motion-cues, which makes the algorithm globally aware of motion, thus improving its performance for video sequences. Finally, we contribute an extension of an established image segmentation benchmark [1] to videos, allowing coarse-to-fine video segmentations and multiple human annotations. Our results are tested on BMDS [2], and compared to existing methods
Steven Schiele, Saving the legacy: an oral history of Utah\u27s World War II veterans, ACCN 2070, American West Center, University of Utah
No full textTranscript (39 pages) of an interview by John C. Worsencroft with Steven Schiele on February 22, 2010. From tape number IA-36 in the "Saving the Legacy" Oral History ProjectSchiele (b. 1956) was born in Davenport, Iowa, and lived in Denver, Colorado, Cheyenne, Wyoming and Granger, Utah. Steven talks about his decision to enlist in the Air Force in high school, which was influenced by his brothers\u27 service and seeing a Jimmy Stewart movie called Strategic Air Command when he was young. He discusses basic training where he became a squad leader. After basic training he went to Chanute Air Force Base where he became a general vehicle maintenance mechanic and then reported to Francis E. Warren for three and a half years. He describes his duties and his life with his family at Francis E. Warren. He talks about his decision not to reenlist with the Air Force after serving for four years. After his enlistment with the Air Force, Steven joined the Air National Guard because it allowed him to be closer to planes. He describes his work for the Air National Guard during the eighties were he was deployed to Moron, Spain several times. In the nineties Steven worked as a crew chief and was able to see the world. He describes his deployments to the United Arab Emirates, Italy, and Kosovo. He talks about the conditions and the atmosphere with the locals in Souda Bay, Crete where they were stationed during the Kosovo mission. After this Steven became student flight coordinator in charge of new recruits and then a first sergeant. Interviewed by John C. Worsencroft. 39 pages
Jak drapieżny ptak chcę okrążyć miasto. Egon Schiele – melancholik skandalista
No full textEgon Schiele is one of the most distinctive painters of the early twentieth century. Known primarily as the author of scandalous acts. But also symbolic compositions, antropomorphic landscapes and still-life work for to his credit. The article presents the silhouette of the artist - egocentric, rebelious and eccentric. The artist who talks about his experience in a shamelessly open and honest way. The artist seeking knowledge about man in all of its abundance of uniqueness and weakness. The text is an attempt to answer the question about the phenomenon of the Viennese painter who courageously followed melancholic clues in one of the groundbreaking moments in the history - the decaying era.Egon Schiele to jeden z najbardziej charakterystycznych malarzy początku XX wieku. Znany przede wszystkim jako twórca skandalizujących aktów, ma w swoim dorobku również kompozycje symboliczne oraz pejzaże przedstawiające antropomorfizowane krajobrazy i martwe miasta. Artykuł przedstawia sylwetkę malarza – egocentryka, buntownika, ekscentryka – artysty mówiącego o swoim doświadczeniu w sposób bezwstydnie otwarty i szczery, szukającego wiedzy o człowieku w całym bogactwie jego słabości i niezwykłości. Tekst stanowi próbę odpowiedzi na pytanie o fenomen wiedeńskiego malarza, który z odwagą podążył za melancholijnymi tropami w jednym z przełomowych momentów historycznych – upadającej epoki
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Letter to H.B. Stenzel from Donald J. Schiele on 1960-02-09
No full textJackson School of Geoscience
Classifier Based Graph Construction for Video Segmentation
No full textVideo segmentation has become an important and active research area with a large diversity of pro-posed approaches. Graph-based methods, enabling top-performance on recent benchmarks, consist of three essen-tial components: 1. powerful features account for object ap-pearance and motion similarities; 2. spatio-temporal neigh-borhoods of pixels or superpixels (the graph edges) are modeled using a combination of those features; 3. video segmentation is formulated as a graph partitioning prob-lem. While a wide variety of features have been explored and various graph partition algorithms have been pro-posed, there is surprisingly little research on how to con-struct a graph to obtain the best video segmentation perfor-mance. This is the focus of our paper. We propose to com-bine features by means of a classifier, use calibrated classi-fier outputs as edge weights and define the graph topology by edge selection. By learning the graph (without changes to the graph partitioning method), we improve the results of the best performing video segmentation algorithm by 6% on the challenging VSB100 benchmark, while reducing its runtime by 55%, as the learnt graph is much sparser
(A) Study of Egon Schiele's Art
No full text20세기초 유럽에서는 印象主義 이후 많은 유파가 대두되었는데, 그 중 표현주의 예술가들은 강렬한 색채의 사용이나 형태의 왜곡 등을 통하여 작가의 內面世界를 자유롭게 표출하였던 화가들이었다.
이 논문에서는 20세기초 表現主義 회화 중 인간의 내면세계를 중점적으로 표현한 에공 쉴레(Egon Schiele 1890-1918)의 생애와 작품세계를 통하여 그 시대의 역사적 상황과 그가 이룩한 예술세계를 작품 분석을 통해 알아보고자 한다.
본 연구는 관련 문헌자료 및 작품의 수집과 이의 분석을 통하여 작성하였다. 먼저 제 Ⅱ장에서는 쉴레 작품의 사상적 배경이 되는 표현주의 개념을 넓은 의미에서의 '전체 예술 경향상의 表現主義'와 좁은 의미에서의 '미술에 있어서의 표현주의'로 나누어 설명하여보고, 보다 구체적으로 비엔나를 중심으로 쉴레가 속하였던 오스트리아 표현주의의 형성과정과 특성에 대하여 고찰하였다.
제 Ⅲ 장에서는 쉴레 작품의 배경이 되는 성장 과정과 작품 세계를 개괄적으로 살펴보고, 그의 예술활동의 전환점이 되는 1909년을 基点으로 象徵主義에서 벗어나 表現主義로 변화하는 모습을 통하여 쉴레 회화의 특성과 중요성에 대해 알아보았다.
제 Ⅳ장에서는 쉴레 회화를 肖像畵, 女體, 自畵像, 삶과 죽음, 藝術家와 社會 등으로 나누어 좀 더 자세하게 그의 작품을 분석, 종합하면서 쉴레의 미적 추구의 본질을 이해하고자 하였다.
예술 양식의 하나로서 인간의 감정과 사상을 주관적으로 나타내는 표현주의는 20세기초 유럽을 중심으로 인간의 내면세계를 표출하는 방식의 하나로 발전하여, 미술에 있어서 표현주의 회화로 형성된다. 이 시기는 전반적으로 사회 상황이 불안해지고 기존의 가치관이 흔들리면서 인간의 정신적 위기가 고조되었고 이에 따라 새로운 해결책이 요구되었던 시기였다. 이러한 혼란한 시기에 작가의 내면적 불안과 고뇌, 비통 등을 그대로 나타내어 인간으로서의 自我 表出이 자유롭게 진행되면서 표현주의는 태동하게 되었다.
쉴레는 그의 작품활동 초기에 클림트(Gustav Klimt)의 영향과, 아울러 예술가의 내면세계를 자유롭게 나타낸 후기인상주의 화가 고호(Van Gogh), 고갱(Paul Gauguin)이나 뭉크(Edvard Munch)의 영향을 받아, 자신만의 독자적인 예술세계를 직접적인 방식으로 표현하기 시작하였다.
본 논문에서는 표현주의 작가로서 자신의 독자적 작품 활동을 전개한 쉴레의 작품 분석 결과를 4가지로 요약하였다.
첫째 쉴레는 인간을 주제로 인간의 외모나 사실적인 인간에 중점을 둔 전통적 초상화보다는, 그 시대는 보이지 않는 정신적 동향과 예술가의 감성적 능력을 표출하면서 인간의 모습을 그리고자 하였다. 즉, 쉴레는 초상화를 통해 인간의 본능, 인물에 대한 자신의 느낌과 시각을 자유롭게 나타내고 있다.
둘째 쉴레가 가장 흥미를 가졌던 주제중의 하나는 女體의 표현이었다. 이것은 그에게 있어서 性에 대한 자유와 초월, 육체적 사랑, 왜곡된 性의 쾌락등의 인간의 본성을 그 당시 인습적인 사회규범에서 벗어나 자유롭게 표현하는 중요한 수단이 되었다.
셋째, 쉴레의 자화상은 內面的 苦痛과 肉體的 本能의 표현으로 나누어 볼 수 있다. 즉 쉴레는 인간의 삶을 내면적, 육체적 고통으로 생각하면서 동시에 그 안에 무의식의 세계, 본능, 충동의 세계가 있고 그것이 인간의 근원적 속성이라고 생각하였다. 따라서 그는 자화상을 통해 인간의 내면세계를 표현하고 있다.
넷째 쉴레는 사회규범을 초월한 작품을 제작하게 되는데, 이것은 사회규범에서 벗어난 과도한 性的 描寫나 주제 선택으로 인한 사회와의 갈등의 표현이었다. 이러한 예술가와 사회에 관련된 작품을 통해 에로티시즘과 종교, 삶과 죽음등 새로운 정신적 가치를 추구하였다.
결론적으로 그의 작품세계의 특징이나 중요성으로는 현대 미술의 抽象的 慾求와 인간을 중심 주제로 삼는 傳統과의 조화와 균형을 이루어, 이를 再創造함으로써 독특한 회화세계를 구축하였다는 점이다. 또한 인간의 육체적 본능과 정신적 고통, 절망을 지속적으로 다루어 自我의 자각에 깊이 도취되어 작품을 전개하였고, 새로운 자아발견과 내면세계를 性이라는 인간의 본원적 속성을 통하여 숨김없이 드러내 보임으로써, 현대 회화의 내용과 형식에 선택의 폭을 넓혀준 화가로 평가할 수 있다는 점에 있다.;This study aims to see the Schiele's artistic achievement in Expressionism by analyzing his painting's through themes.
For this aim, the study sets the following process;
1. explaining the concept of Expressionism, in particular, Austrian Expressionism, which is the background of Schiele's paintings.
2. briefly reviewing the significant characteristics and aspects of Schiele's art by tracing his career, focusing on the shift from Symbolism to Expressionism, one of the most important transformations in the early history of modern art.
3. analyzing his works through themes, such as portraits, female nudes, self-portraits, life & death, and artist & society, so as to understand the substance of his artistic pursuit.
What was found as a result of this study is as follows;
1. Schiele dealt with humanistic themes in a fresh new way. He confronted directly with reality, reshaping and recreating it so that it became a new and independent pictorial entity. It was a kind of super reality charged with the psychic power of artist's vision, with his ideas, feelings and emotions.
2. The dominant themes of Schiele's art were expressed principally through the two aspects of the world which most interested him- women and himself.
Female nudes were unprecedented in great art in their degree of sexual. completeness. They presented us with a view of the human figure which was new to art. They were a pure projection of male sexual feelings. There was no precedent in their range, freedom, and intensity.
3. The self-portraits can broadly be divided into two groups, those expressive of metaphysical Angst and those expressive of sexual Angst. In both categories, of course, Schiele was obsessively concerned with the self and revealed the important inner world the descriptive of himself.
4. In the theme of the relationship of the artist in society, Schiele saw the artist as a privileged and outside the rules of normal society. He seemed to have been bewildered, as well as being moved contempt and anger by the indifference, incomprehension and hostility of society. The obsessive sexuality and his depictions of female nude insulted social values causing a gap to open between him and society.
In conclusion, Schiele's importance lies in his outstanding contribution to the development of what is the most significant and most typical of all modes of modern art - Expressionism. 'Figures as the representation of a psychic state', a new idea of the nineteenth century was developed to the utmost by him. Art of Expressionist, as in the works of Schiele, achieve a perfect synthesis and balance between the modernist demand for abstraction and the powerful European 'Renaissance' tradition, in which man is represented naturalistically.목차 = ⅳ
論文槪要 = ⅶ
Ⅰ. 序論 = 1
Ⅱ. 理論的 背景 = 3
A. 表現主義의 槪念 = 3
B. 오스트리아 表現主義 = 7
Ⅲ. 에공 쉴레의 繪畵 = 12
A. 成長과 作品世界 = 12
B. 쉴레의 表現主義的 傾向의 作品 = 18
Ⅳ. 에공 쉴레의 作品 分析 = 25
A. 주제별 분석 = 25
1. 肖像畵 = 25
2. 女體 = 29
3. 自畵像 = 31
B. 作品內容別 分析 = 34
1. 삶과 죽음 = 34
2. 藝術家와 社會 = 39
Ⅴ. 結論 = 43
參考文獻 = 46
參考圖板 = 48
ABSTRACT = 6
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