5,214 research outputs found
Boehm, Gottfried
No full textVoce "Gottfried Boehm" per l'Enciclopedia Treccani dell'arte contemporanea
The Nature of Boehm-Bawerk's Capital Market
No full textThe capital market in Böhm-Bawerk's Positive Theory of Capital appears at several places. The last chapter of the book provides the complete exposition of Böhm's view of this market where present goods are exchanged for future goods. Studying this exposition leads to understand that many variables, prices as well as quantities, are determined together in this ``enormous market''. The capital market is a macroeconomic system, the nature of which we try to assess.Böhm-Bawerk, capital, market, macroeconomics
Johannes B. Lotz, S. J., Zwischen Seligkeit und Verdammnis. Ein Beitrag zum Thema: Nietzsche und das Christentum
No full textBoehm Rudolf. Johannes B. Lotz, S. J., Zwischen Seligkeit und Verdammnis. Ein Beitrag zum Thema: Nietzsche und das Christentum. In: Revue Philosophique de Louvain. Troisième série, tome 52, n°34, 1954. pp. 325-326
Productivity-investment fluctuations and structural change
No full textthe dynamics of investment-productivity over the post war growth experience of a number of countries is scrutinized via the approach of regime dynamics, highlighting the presence of repeated structural cycle
Power study results files for manuscript "Testing pleiotropy vs. separate QTL in multiparental populations"
No full textResults files for power study in manuscript "Testing pleiotropy vs. separate QTL in multiparental populations" by F Boehm, E Chesler, B Yandell, and K Broman.</p
Caminos icónicos: Gottfried Boehm lector de Martin Heidegger
No full textResumen: El objetivo de esta investigación es analizar la lectura productiva que hace el historiador de arte y filósofo Gottfried Boehm, discípulo de
Hans-Georg Gadamer, del pensamiento de Martin Heidegger. Lejos está Boehm de ser un mero comentador de la filosofía del profesor de
Friburgo o un “heideggeriano”. Tampoco es un cientista social que busca “aplicar” la teoría del arte heideggeriana en la historia del arte.
Mi hipótesis es que la propuesta filosófica de Boehm, sin perder un ápice de originalidad, se sirve de algunos elementos del pensamiento
heideggeriano que le permite desarrollar conceptos centrales. Principalmente me abocaré a lo desarrollado por el historiador del arte
en Wie Bilder Sinn erzeugen, aunque también se hará referencia a otros textos del autor. Rastrearé este diálogo con Heidegger en tres
ideas clave de Boehm: 1. la relación entre la imagen, el mundo y el sentido; 2. la diferencia icónica y; 3. la indeterminación de la imagen.Abstract: The aim of this research is to analyze the productive reading made by the art historian and philosopher Gottfried Boehm, a disciple of
Hans-Georg Gadamer, of the thought of Martin Heidegger. Boehm is far from being a mere commentator on the philosophy of the Freiburg
professor or a „Heideggerian.“ Neither is he a social scientist seeking to „apply“ Heideggerian art theory to art history. My hypothesis is
that Boehm‘s philosophical proposal, without losing originality, makes use of some elements of Heideggerian thought that allow him to
develop central concepts. Mainly I will focus on what was developed by the art historian in Wie Bilder Sinn erzeugen, although reference
will also be made to other texts by the author. I will trace this dialogue with Heidegger on three key ideas of Boehm: 1. the relationship
between the image, the world and meaning; 2. the iconic difference and; 3. the indeterminacy of the image
Cunigunda Friderici III et Eleonorae Imp. Filiá : nata die 16 Mart. 1465. Alberti IV. Boj. Ducis Conjunx 1487. ingressa est monasterium Bittrich 1508. mortua die 5 Augusti 1520
No full textPorträt von Kunigunde von Österreich (1465-1520), Herzogin von BayernGekrönte Wappen unterhalb des Bildes: geviertes Wappen Bayern-Pfalz und BindenschildB. Boehm pinx. ; J.A. Zim[m]ermann S.E.P. et S.P. Bav. Ch. sc.Datierung aufgrund der Wirkungsdaten von Joseph Anton Zimmermann in MünchenAuf dem Verso Besitzerstempel : "FK" in Kreis Exemplar der Zentralbibliothek Zürich, Graphische Sammlung und Fotoarchi
Gottfried Boehm
No full textGottfried Boehm (b. 1942) is a German art historian, philosopher and founding director of the SNF research center (NCCR) “Bildkritik/Iconic Criticism” (eikones) at the University of Basel in Switzerland. Since the mid-nineties, his work on the question of the image has made a relevant contribution to the development of Bildwissenschaften (Image Studies) and to a consequent transformation—especially to a shift in theoretical and methodological approaches—of art history and related academic disciplines in the German speaking world. Boehm’s approach to images, for which he coined the term “iconic criticism”, is influenced by phenomenology, hermeneutics, literary theory and continental philosophy since Immanuel Kant. It is characterized by an insistence on the singularity of images and the binding of any research into the “logic” of images to historical examples. This article introduces Boehm’s work along the line of three related key concepts: iconic turn, iconic criticism and iconic difference
Industrial Dynamics and Structural Change. A framework for the analysis of sectoral dynamics in a set of countries.*
No full textwith a new approach to structural change based upon a sectoral description of an economy, we compare the growth experience of the European countries with Japan and the U
Dynamic structural changes in selected European countries, with a comparison with Japan and the US
No full textwith a new approach to structural change we review the recent growth experience of a set of European countries and compare it with Japan and the U
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