1,720,960 research outputs found
Eddington's gravity in immersed spacetime
We formulate Eddington's affine gravity in a spacetime that is immersed in a larger eight-dimensional space endowed with a hypercomplex structure. The dynamical equation of the first immersed Ricci-type tensor leads to gravitational field equations which include matter. We also study the dynamical effects of the second Ricci-type tensor when added to the Lagrangian density. A simple Lagrangian density constructed from a combination of the standard Ricci tensor and a new tensor field that appears due to the immersion, leads to gravitational equations in which the vacuum energy gravitates with a different cosmological strength as in Demir (2014 Phys. Rev. D 90 064017), rather than with Newton's constant. As a result, the tiny observed curvature is reproduced due to large hierarchies rather than fine tuning
Separate Einstein-Eddington spaces and the cosmological constant
Based on Eddington affine variational principle on a locally product manifold, we derive the separate Einstein space described by its Ricci tensor. The derived field equations split into two field equations of motion that describe two maximally symmetric spaces with two cosmological constants. We argue that the invariance of the bi-field equations under projections on the separate spaces, may render one of the cosmological constants to zero. We also formulate the model in the presence of a scalar field. The resulted separate Einstein-Eddington spaces maybe considered as two states that describe the universe before and after inflation. A possibly interesting affine action for a general perfect fluid is also proposed. It turns out that the condition which leads to zero cosmological constant in the vacuum case, eliminates here the effects of the gravitational mass density of the perfect fluid, and the dynamic of the universe in its final state is governed by only the inertial mass density of the fluid
Are there really conformal frames? Uniqueness of affine inflation
Here, we concisely review the nonminimal coupling dynamics of a single scalar field in the context of purely affine gravity and extend the study to multifield dynamics. The coupling is performed via an affine connection and its associated curvature without referring to any metric tensor. The latter arises a posteriori and it may gain an emergent character like the scale of gravity. What is remarkable in affine gravity is the transition from nonminimal to minimal couplings which is realized by only field redefinition of the scalar fields. Consequently, the inflationary models gain a unique description in this context where the observed parameters, like the scalar tilt and the tensor-to-scalar ratio, are invariant under field reparametrization. Overall, gravity in its affine approach is expected to reveal interesting and rich phenomenology in cosmology and astroparticle physics.TUBITAK (115F212
Cosmological consequences of a variable cosmological constant model
We derive a model of dark energy which evolves with time via the scale factor. The equation-of-state is studied as a function of a parameter α introduced in this model as = (1 - 2α)/(1 + 2α). In addition to the recent accelerated expansion, the model predicts another decelerated phase. These two phases are studied via the parameter α. The age of the universe is found to be almost consistent with the observation. In the limiting case, the cosmological constant model, we find that vacuum energy gravitates with a tiny gravitational constant which evolves with the scale factor, rather than with Newton's constant. This enables degravitation of the vacuum energy which in turn produces the tiny observed curvature, rather than a 120 orders of magnitude larger value
Affine inflation
Affine gravity, a gravity theory based on affine connection with no notion of metric, supports scalar field dynamics only if scalar fields have nonvanishing potential. The nonvanishing vacuum energy ensures that the cosmological constant is nonvanishing. It also ensures that the energy-momentum tensor of vacuum gives the dynamically generated metric tensor. We construct this affine setup and study primordial inflation in it. We study inflationary dynamics in affine gravity and general relativity, comparatively. We show that nonminimally coupled inflaton dynamics can be transformed into minimally coupled ones with a modified potential. We also show that there is one unique frame in affine gravity, as opposed to the Einstein and Jordan frames in general relativity. Future observations with higher accuracy may be able to test affine gravity.TUBITAK (115F212
Induced affine inflation
Induced gravity, metrical gravity in which gravitational constant arises from vacuum expectation value of a heavy scalar, is known to suffer from Jordan frame vs Einstein frame ambiguity, especially in inflationary dynamics. Induced gravity in affine geometry, as we show here, leads to an emergent metric and gravity scale, with no Einstein-Jordan ambiguity. While gravity is induced by the vacuum expectation value of the scalar field, nonzero vacuum energy facilitates generation of the metric. Our analysis shows that induced gravity results in a relatively large tensor-to-scalar ratio in both metrical and affine gravity setups. However, the fact remains that the induced affine gravity provides an ambiguity-free framework.TUBITAK (115F212
Separate Einstein-Eddington Spaces and the Cosmological Constant
Based on Eddington affine variational principle on a locally product manifold, we derive the separate Einstein space described by its Ricci tensor. The derived field equations split into two field equations of motion that describe two maximally symmetric spaces with two cosmological constants. We argue that the invariance of the bi-field equations under projections on the separate spaces, may render one of the cosmological constants to zero. We also formulate the model in the presence of a scalar field. The resulted separate Einstein-Eddington spaces maybe considered as two states that describe the universe before and after inflation. A possibly interesting affine action for a general perfect fluid is also proposed. It turns out that the condition which leads to zero cosmological constant in the vacuum case, eliminates here the effects of the gravitational mass density of the perfect fluid, and the dynamic of the universe in its final state is governed by only the inertial mass density of the fluid
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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