2,640 research outputs found

    Inventons un nouvel écosystème du temps

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    Aznar Guy. Inventons un nouvel écosystème du temps. In: Autres Temps. Cahiers d'éthique sociale et politique. N°46, 1995. pp. 8-16

    Guy Aznar — Le travail c'est fini (à plein temps, toute la vie, pour tout le monde) et c'est une bonne nouvelle !

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    Parant Alain. Guy Aznar — Le travail c'est fini (à plein temps, toute la vie, pour tout le monde) et c'est une bonne nouvelle !. In: Population, 46ᵉ année, n°4, 1991. pp. 1023-1027

    Tous à mi-temps ou Le scénario bleu / Guy Aznar

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    Contient une table des matièresAvec mode text

    A history of work

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    Directed by Guylaine Laframboise ; written by Bernard Montas ; producer, Vincent Leduc ; produced by Productions Coscient Inc. Narrator, George Morris; guests: Herbert Applebaum, Bernard Arcand, Guy Aznar, Bernard Bernier.This program examines work from the early egalitarian hunter/gatherer and agrarian societies to the modern world-a world of multinationals and child slavery, of leisure and hard labor. Noted anthropologists, such as Professor Herbert Applebaum of SUNY, offer insights into how work has evolved and the challenges faced today, when millions are unemployed and the economic disparity between the First and Third Worlds is becoming ever greater. Originally broadcast as an episode of the television program Ecce homo in 1998

    Guy Aznar, Alain Caillé, Jean-Louis Laville, Jacques Robin et Roger Sue, Vers une économie plurielle. Un travail, une activité, un revenu pour tous, 1997

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    Juan Salvador. Guy Aznar, Alain Caillé, Jean-Louis Laville, Jacques Robin et Roger Sue, Vers une économie plurielle. Un travail, une activité, un revenu pour tous, 1997. In: Les Annales de la recherche urbaine, N°77, 1997. Emplois du temps. pp. 125-126

    A Medida Provisória nº 1045/21 e a Redução da Jornada de Trabalho: Reflexões a partir de Guy Aznar e Pedro Gomes

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    Provisional Measure 1045/21 (MP 1045/21) discusses significant changes in the Brazilian labor market, with the aim of stimulating job creation and professional qualification of young workers and vulnerable groups. However, the proposal generated intense debates, beingcriticized by entities and experts, who point out risks of precarious working conditions and salary reduction. Given this scenario, this study seeks to analyze the impacts of MP 1045/21 on the creation of jobs and the reduction of youth unemployment and vulnerable groups, considering the perspectives of Guy Aznar and Pedro Gomes on the reduction of working hours. While Pedro Gomes argues that adopting a four-day week can improve workers' quality of life and increase companies' productivity, Guy Aznar proposes a more significant reduction in working hours, focusing on job creation and economic growth. The research contextualizes the Brazilian labor market, raises the positive and negative aspects of MP 1045/21 and discusses the feasibility of reducing working hours as an alternative for improving working conditions and economic performance, through a bibliographic and descriptive study.A Medida Provisória 1045/21 (MP 1045/21) discute mudanças significativas no mercado de trabalho brasileiro, com o objetivo de estimular a geração de empregos e a qualificação profissional de jovens trabalhadores e grupos vulneráveis. No entanto, a proposta gerou intensos debates, sendo criticada por entidades e especialistas, que apontam riscos de precarização das condições de trabalho e redução salarial. Diante desse cenário, este estudo busca analisar os impactos da MP 1045/21 na criação de empregos e na redução do desemprego juvenil e de grupos vulneráveis, considerando as perspectivas de Guy Aznar e Pedro Gomes sobre a redução da jornada de trabalho. Enquanto Pedro Gomes argumenta que a adoção da semana de quatro dias pode melhorar a qualidade de vida dos trabalhadores e aumentar a produtividade das empresas, Guy Aznar propõe uma redução mais expressiva da jornada, focando na geração de empregos e no crescimento econômico. A pesquisa contextualiza o mercado de trabalho brasileiro, levanta os aspectos positivos e negativos da MP 1045/21 e discute a viabilidade da redução da jornada como alternativa para a melhoria das condições laborais e do desempenho econômico, através de um estudo bibliográfico e descritivo.La Medida Provisional 1045/21 (MP 1045/21) discute cambios significativos en el mercado laboral brasileño, con el objetivo de estimular la creación de empleo y la calificación profesional de trabajadores jóvenes y grupos vulnerables. Sin embargo, la propuesta generó intensos debates, siendo criticada por entidades y expertos, que señalan riesgos de precarización de condiciones laborales y reducción salarial. Ante este escenario, este estudio busca analizar los impactos de la MP 1045/21 en la creación de empleos y la reducción del desempleo juvenil y de grupos vulnerables, considerando las perspectivas de Guy Aznar y Pedro Gomes sobre la reducción de jornada laboral. Mientras Pedro Gomes sostiene que adoptar una semana de cuatro días puede mejorar la calidad de vida de los trabajadores y aumentar la productividad de las empresas, Guy Aznar propone una reducción más significativa de la jornada laboral, centrándose en la creación de empleo y el crecimiento económico. La investigación contextualiza el mercado laboral brasileño, plantea los aspectos positivos y negativos de la MP 1045/21 y discute la viabilidad de reducir la jornada laboral como alternativa para mejorar las condiciones de trabajo y el desempeño económico, a través de un estudio bibliográfico y descriptivo

    Méthodes créatives : La créativité appliquée

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    Bessis Pierre, Aznar G. Méthodes créatives : La créativité appliquée. In: Les Cahiers de la publicité, n°19, La révolution informatique. pp. 110-115

    Spectacular Developments: Guy Debord's Parapolitical Turn

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    Following the attacks of September 11th, 2001, Guy Debord’s concept of ‘the spectacle’ re-emerged in the work of a variety of theorists as a critical prism through which the attacks and subsequent ‘War on Terror’ could be approached. Debord’s first book on the spectacle (1967) was written in the context of France’s post-war boom; his later reflections, contained in a series of minor works written throughout the seventies and eighties, are heavily influenced by Italy’s ‘Years of Lead’ and a broader geopolitical climate of armed struggle, terrorism, counter-insurgency and espionage. Nearly all post-9/11 invocations of Debord’s concept draw on the version elucidated in Debord’s 1967 book, with its emphasis on commodity fetishism, ideology, and alienation, and fail to engage his later work and its focus on terrorism, secrecy, and conspiracy. Among those that do in fact reference Debord’s later work are several writers whose work could pejoratively be labelled ‘conspiracy theory’. Looking at Debord’s oeuvre as whole, and investigating how it combines a critique of late capitalism in its totality with parapolitcal concerns of ‘systemic clandestinity’, Spectacular Developments: Guy Debord’s Parapolitical Turn provides a bolstered conception of the spectacle that aims to reconfigure the conceptual foundations of this debate. This conception of the spectacle allows one to approach the 9/11 attacks and all that followed in their wake with both a precision and a breadth lacking in these other works, demonstrating the superficiality of readings that make the concept synonymous with the mass media or that attempt to unravel nefarious conspiracies of power. Simultaneously, this approach foregrounds the epistemological and strategic challenges faced by researchers, politicians and activists working in and on the society of the spectacle

    Maupassant contista traduzido em analogias brasileiras: paratextos

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014O presente trabalho tem como objetivo principal analisar os elementos paratextuais presentes em doze antologias, dos séculos XX e XXI, traduzidas no Brasil, de Guy de Maupassant, autor francês do século XIX, pretendendo revelar como o autor e sua obra são apresentados ao leitor brasileiro, através dos paratextos. Foram analisadas somente as antologias traduzidas com contos do autor francês, não considerando as publicações mistas. O principal referencial teórico abordado foi fundamentado nas reflexões de Gérard Genette (2009) e Marie-Hèléne C. Torres (2011).Abstract: The main objective of this work is to examine the paratextual elements in twelve anthologies of the French author Guy de Maupassant's short stories, translated and published in the 20th and 21st centuries in Brazil, in order to disclose how the writer and his oeuvre are presented to the Brazilian reader, through the use of paratexts. I analysed only the translated anthologies with short stories from the author himself; anthologies that had other authors as well were not considered. The main theoretical framework was based on the reflections of Gérard Genette (2009) and Marie-Hèléne C. Torres (2011)
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