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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
صورة صياح الأطفال التابع في بلدان النزاعات في شعر أعطونا الطفولة: تجديد السياق لفكرة غياتري ش. سبيفاك ليجاب مسألة التابعية عن تنفيذ الحقوق الأطفال
Get PDFمستخلص البحث
تطور الصراع والحرب الذي حدث في بعض البلدان لم يظهر نقطة هبوط، بل إنه يشتد. إن اهتمام العالم الدولي - وبخاصة وسائل الإعلام الرئيسية – بصراع الذي حدث في بعض الولاية المتعارضة كان مؤكد وصاخب في مسئلة التوزيع الوجستيات والصيدليات؛ عدد مرافق البنية التحتية المتضررة؛الضحية المتوفاة؛ المواجهة بين النخبة السياسية في الدولة؛ وكذلك بعض لومة وشتيمة تنطقها أكثر الدول. لم نوجد الخبر الذي يتركز ويتكلم عن مسألة حظ وحال الأطفال وفي الحقيقة يكون الأطفال كتابع في تلك الولاية. في الواقع، إذا نظرنا أعمق، فإن هؤلاء الأطفال يواجهون مشاكل أكثر خطورة ويحتاجون إلى اهتمام كبير بالمشاكل التي يواجهونها. لذلك تهدف هذه الدراسة إلى: 1) معرفة كيف الخلفية الاجتماعية والسياسية والثقافية في شعر الغنائي "أعطونا الطفولة" عند كتبتها، 2) معرفة كيفية تجديد السياق في شعر "أعطونا الطفولة" لفكرة غاياتري شاكرافورتي سبيفاك ليجاب مسألة التابعية عن تنفيذ حقوق الأطفال في بلدان النزاعات.
أما نوعية هذا منهج البحث هي بحث النوعي. ومصدر البيانات الأساسية المستخدمة في هذه الدراسة يعنى شعر الغنائي تحت العنوان "أعطونا الطفولة" الذي رنّم ريمي بندالي في عام 1984 ميلادي. أما مصادر البيانات الإضافية المستخدمة هي كتب وأطروحة المجلة ونتائج البحث التى ترتبط ارتباطًا وثيقًا بدراسة التابعية، وأخبار لوسائل الإعلام العامة التي تسلط الضوء على قضايا القمع في بعض البلدان. وطريقة جمع البيانات استخدمها الباحث هي طريقة الملاحظة (نظر) وطريقة الكتابة. أما بالنسبة لطريقة تحليل البيانات، فقد استخدم الباحث طريقة تحليل البيانات "زنبرك العمل" (Spiral activity) لجوهن و. كريسويل، وهي: 1) تنظيم البيانات، 2) القراءة والكتابة، 3) تصنيف البيانات وتفسيرها، 4) تفسير البيانات، 5) تصور البيانات.
ونتائج البحث بعد التحليل والمناقشة أن 1) ظهور أغنية "عطونة الطفولة" كان مدفوعا بـ أ) الصراع الاجتماعي في شكل تضارب في المصالح بين الجماعات في لبنان، ب) الجهود المبذولة للاستيلاء على السلطة من قبل النخب والأجانب، ج) وجود الهيمنة الثقافة الغربية على الشرق أو سيطرة ثقافة الأغلبية على ثقافة الأقلية و تمثلها في حالة النزاعات وقع في لبنان وشينجيانغ وأراكان وفلسطين، حيث تؤدي كل هذه الأحداث إلى بتر حقوق الأطفال وتجعلهم ضحايا نزاعات طويلة، 2) تتوافق رؤية سبيفاك للمجموعة التابع مع أحداث القمع التي تحدث في بعض المناطق حيث يجب على الأطفال التعبير عن أنفسهم باستمرار من أجل الهروب من فخ الهيمنة الغربية والنخبة أو هيمنة مجموعة الأغلبية القمعية للغاية.
ABSTRACT
The development of conflict and war that occurred in several countries has not shown a point of subsidence, and even heats up. The attention of the international world - especially the mainstream media - to conflict and war so far has only been limited to the issue of logistics and drug distribution; the number of damaged infrastructure facilities; fallen victims; confrontation between state political elites; as well as some of the criticisms and curses made by other countries. It is very rare to mention the issue of the fate and condition of children who are positioned as subalterns in these conflict areas. In fact, if we look deeper, these children experience far more serious problems and need great attention to the problems they experience. Therefore this study aims to: 1) find out how the social, political, and cultural background in the poem 'Atouna el-Tofoule' when it is made, 2) find out how to recontextualize the poem 'Atouna el-Tofoule' in responding to the subalternity fulfillment of children's rights children in conflict areas according to Gayatri C. Spivak thought.
This type of research is qualitative research. The primary data source used in this study is the song poem titled 'Atouna el-Tofoule' sung by Remi Bendali in 1984. While the secondary data sources used, namely in the form of books, journal articles and research results that are closely related to subaltern studies, and mass media news that highlights issues of oppression in several countries. Data collection techniques used by researchers are observation techniques (see) and note taking techniques. As for data analysis techniques, researchers used the John W. Cresswel activity spiral data analysis techniques, namely, 1) Organizing data, 2) Reading and memoing, 3) Classifying and interpreting data, 4) Interpretation of data, 5) Data visualization.
The results showed that 1) The emergence of the song 'Atouna el-Tofoule' was motivated by a) social conflict in the form of conflicting interests between groups in Lebanon, b) efforts to seize power carried out by elites and foreigners, and c) the existence of hegemony Western culture towards the East or the majority culture domination over minority culture which in this case is represented in conflicts in Lebanon, Xinjiang, Rakhine, and Palestine, where all these events result in amputation of children's rights and make them victims of prolonged conflict, 2) Spivak's view of subaltern groups is consistent with the events of oppression that occur in some areas where children must continuously articulate themselves in order to escape the snares of Western hegemony and the elite or the dominance of the oppressive majority groups.
ABSTRAK
Perkembangan konflik dan peperangan yang terjadi di beberapa negara belum menunjukkan titik reda, dan bahkan semakin memanas. Perhatian dunia internasional –terutama media arus utama- terhadap konflik dan peperangan selama ini hanya terbatas pada persoalan distribusi logistik dan obat-obatan; banyaknya sarana infrastruktur yang rusak; korban yang berjatuhan; konfrontasi antar elit politik negara; serta beberapa kecaman dan kutukan yang dilontarkan negara-negara lain. Jarang sekali yang menyinggung tentang persoalan nasib dan kondisi anak-anak yang berposisi sebagai subaltern di wilayah-wilayah konflik tersebut. Padahal, jika kita amati lebih dalam, anak-anak tersebut mengalami persoalan yang jauh lebih serius dan perlu perhatian besar terhadap persoalan yang mereka alami. Oleh karena itu Penelitian ini bertujuan untuk: 1) mengetahui bagaimana latar sosial, politik, dan budaya dalam syair ‘Atouna el-Tofoule” tatkala dibuat, 2) mengetahui bagaimana rekontekstualisasi syair ‘Atouna el-Tofoule’ dalam menjawab persoalan subalternitas pemenuhan hak anak-anak di wilayah-wilayah konflik menurut pemikiran Gayatri C. Spivak.
Jenis penelitian ini adalah penelitian kualitatif. sumber data primer yang digunakan dalam penelitian ini adalah syair lagu berjudul ‘Atouna el-Tofoule’ yang dinyanyikan oleh Remi Bendali pada tahun 1984. Sedangkan sumber data sekunder yang digunakan, yaitu berupa buku, artikel jurnal dan hasil penelitian yang berkaitan erat dengan kajian subaltern, serta berita media massa yang menyoroti isu-isu penindasan di beberapa negara. Teknik pengumpulan data yang digunakan peneliti adalah teknik pengamatan (tonton) dan teknik catat. Adapun mengenai teknik analisis data, peneliti menggunakan teknik analisis data spiral aktivitas John W. Cresswel yaitu, 1) Pengorganisasian data, 2) Pembacaan dan memoing, 3) Pengklasifikasian dan penafsiran data, 4) Interpretasi data, 5) Visualisasi data.
Hasil penelitian menunjukkan bahwa 1) Munculnya syair lagu ‘Atouna el-Tofoule’ dilatarbelakangi oleh a) konflik sosial berupa pergesekan kepentingan antar kelompok yang ada di Lebanon, b) upaya-upaya perebutan kekuasaan yang dilakukan oleh elite maupun asing, dan c) adanya hegemoni budaya Barat terhadap Timur atau dominasi budaya kaum mayoritas terhadap budaya kaum minoritas yang dalam hal ini direpresentasikan dalam konflik di Lebanon, Xinjiang, Rakhine, dan Palestina, di mana semua peristiwa tersebut berakibat pada amputasi hak anak-anak dan menjadikan mereka korban dari konflik berkepanjangan, 2) Pandangan Spivak mengenai kelompok subaltern selaras dengan peristiwa penindasan yang terjadi di beberapa wilayah di mana anak-anak harus mengartikulasikan dirinya sendiri secara terus-menerus agar bisa lepas dari jerat hegemoni Barat dan elite atau dominasi kelompok mayoritas yang sangat menindas
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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