10 research outputs found
Lontaran vokal dalam deklamasi puisi
No full textKertas penelitian ini membincangkan keberkesanan lontaran vokal dalam deklamasi puisi. Lontaran vokal yang baik penting untuk memastikan makna dan mesej yang terkandung dalam puisi sampai kepada penonton. Kajian ini menggunakan kaedah kualitatif. Penyelidikan Jerry dalam penulisan Nizila Asin (2007), menyebutkan bahawa variasi vokal saling berkaitan dengan konteks iaitu maksud pada setiap perkataan dalam setiap ayat yang merujuk dialog dalam sesebuah pesembahan. Antara komponen variasi vokal mengikut Jerry et.al adalah (1) nada (pitch) dan lingkungan (range), (2) infleksi, (3) kekuatan, (4) kadar atau tempo, (5) tekanan suara, (6) berhenti sekejap (pause) dan (7) irama. Kemampuan membezakan suara dalam barisan tone yang indah akan menciptakan kepelbagaian variasi vokal agar vokal tidak monoton atau statik. Perbincangan ini meneliti tiga (3) bacaan puisi terbaik iaitu pemenang dalam Sayembara Deklamasi Puisi Kemerdekaan ke-35 peringkat Kebangsaan tahun 2021, anjuran Dewan Bahasa dan Pustaka (DBP). Hasil penelitian ini memperlihatkan bahawa peranan variasi vokal amat penting dan memberikan manfaat kepada pemantapan mutu dalam penyampaian deklamasi puisi
Akhlakul Karimah dalam puisi tradisional Melayu dan peranannya sebagai medium dakwah Bil-Qalam
No full textPenelitian ini bertujuan untuk mendiskripsikan sifat Akhlakul Karimah (akhlak yang baik dan terpuji) dalam puisi tradisional melayu, seterusnya melihat kepentingannya sebagai medium dakwah bil-qalam. Terdapat dua buah puisi tradisional melayu yang menjadi topik perbincangan sepanjang penulisan ini iaitu pantun dua kerat nasihat dan syair pohon buluh. Dalam puisi radisional melayu yang dikaji ini dilihat mempunyai tema dan makna yang sangat sesuai dalam mendidik dan menyampaikan dakwah kepada masyarakat dan khususnya remaja. Penelitian ini mempunyai dua objektif utama, iaitu pertama (i) mengenal pasti setiap makna dalam setiap rangkap puisi tradisional yang mengandungi tema berteraskan sifat akhlakul karimah dan yang kedua (ii) menghuraikan makna dalam setiap rangkap puisi tradisional melayu yang mempunyai peran penting sebagai medium dakwah bil-qalam kepada remaja. Metode yang digunakan dalam penyeidikan ini adalah analisis teks (Content Analysis) yang bersifat kualitatif. Pengakaji juga telah menggunakan konsep akhlak Al-Ghazali dalam menganalisis penulisan ini. Konsep akhlak Al-Ghazali terbahagi kepada tiga (3) komponen iaitu (1) Akhlak terhadap Allah, (2) Akhlak terhadap manusia dan (3) Akhlak terhadap lingkungan yang berlandaskan kepada Al-Quran dan As-Sunnah. Implikasi kajian menunjukkan kedua-dua puisi tradisional melayu ini mempunyai peranan khusus dalam kalangan masyarakat terutamanya remaja, kerana puisi tersebut mengandungi epistemologi akhlak Islamiah yang penting dalam pembentukan peribadi muslim yang sejati
Ritual 'Palmanis' masyarakat Suluk di Sandakan, Sabah
No full textPalmanis rituals are still practiced by the Suluk ethnic in the East Coast of Sabah, especially in the Sandakan district. The palmanis rituals are inherited from their ancestors. In fact, palmanis rituals are also part of their survival. The objective of this paper is to explore the various types of palmanis ritual and their functions to the Suluk ethnic in Sandakan, Sabah. This study finds out ten types of palmanis rituals that considered important to this community which are; (1)Palmanis Paiguk Bulan (2) Dua’ Lasa (3) Palmanis lompat Lasa (4) Palmanis Pamudlai (5) Palmanis Kielai (6) Palmanis Papa (7) Palmanis Dua Pandang (8) Palmanis Yusuf (9) Palmanis Salam Tilik (10) Two Repentance Married. This study uses a qualitative method of research in which interviews and observation are used to collect data. This study finds out that the practice of palmanis rituals in the Suluk ethnic in Sandakan, Sabah are well practised. It shows that the elements of belief, customs and traditions of ancestors are still relevant, able to grow and survive in modern society
Elemen teater dalam ritual Pag Pasahaya Baihu’ etnik suluk daerah Kudat, Sabah
No full textMakalah ini memfokuskan pada ritual Pag Pasahaya Baihu’ atau lebih dikenali sebagai ritual kecantikan. Ritual ini dikaitkan dengan unsur-unsur spiritual dan ghaib. Seperti upacara lain, pelaksanaan ritual ini perlu menempuhi proses-proses tertentu. Pengkaji telah menganalisis elemen-elemen teater dalam ritual Pag Pasahaya Baihu’ dengan membahagikannya kepada tujuh bahagian utama, iaitu (1) Pelakon/pelaku (2) Waktu dan fungsi (3) Tempat dan ruang (4) Struktur plot (5) Prop (6) Bahasa (lisan dan bukan lisan), dan (7) Watak dan perwatakan. Makalah ini bertujuan untuk mengkaji elemen-elemen teater yang terkandung dalam ritual Pag Pasahaya Baihu’ dalam etnik Suluk di Kudat, Sabah. Penyelidikan ini telah dijalankan di beberapa lokasi terpilih di sekitar Kudat. Kajian mendapati terdapat elemen-elemen teater yang terkandung dalam ritual tersebut. Dengan wujudnya elemen-elemen teater dalam ritual ini, ianya akan memberikan definisi dan konteks baharu kepada ritual Pag Pasahaya Baihu’. Secara tidak langsung akan menyumbang kepada nilai kesenian dalam peradaban etnik Suluk itu sendiri
Psychological elements in modern poems “Bintang Hati”
No full textThis research paper discusses the psychological elements found in modern KOMSAS poetry. This study employs a qualitative method, specifically text analysis. Four modern poems from the Bintang Hati anthology are the focus of this study, namely: (1) Kijang yang Lelah, (2) Pesan Ibu Beribu-ribu, (3) Senja di Palang Besi, and (4) Bintang. This research applies Maslow’s psychological theory of human needs, which encompasses aspects such as physiological needs, safety, love, self-esteem, and self-actualization. The findings of this study indicate that psychological elements in KOMSAS poems significantly help readers gain a deeper understanding of the meaning the author intends to convey
Psychological Elements in Modern Poems “Bintang Hati”
No full textThis research paper discusses the psychological elements found in modern KOMSAS poetry. This study employs a qualitative method, specifically text analysis. Four modern poems from the Bintang Hati anthology are the focus of this study, namely: (1) Kijang yang Lelah, (2) Pesan Ibu Beribu-ribu, (3) Senja di Palang Besi, and (4) Bintang. This research applies Maslow’s psychological theory of human needs, which encompasses aspects such as physiological needs, safety, love, self-esteem, and self-actualization. The findings of this study indicate that psychological elements in KOMSAS poems significantly help readers gain a deeper understanding of the meaning the author intends to convey
Magombok reimagining traditional performance (Ritual-Theatre) for heritage sustainability
No full textFacing cultural erosion, the endangered Magombok ritual of Sabah's Bajau Laut may be revitalized through theatrical transformation. This research explores bridging ritual and performance, guided by Schechner and Turner's theories. By integrating performance elements with ritual perspectives, the study aims to empower local identity, preserve cultural heritage, and enrich Sabah's traditional theatre scene. Practical adaptation methods offer a path to cultural sustainability. The reimagined Magombok holds potential as a cultural tourism asset, boosting the socio-economic well-being of the local community and ensuring the tradition's continued existence. This innovative approach offers a sustainable future for cultural preservation
Element Teater Dalam Ritual Pag Pasahya Baihu Etnik Suluk Daerah Kudat, Sabah
No full textThis paper focuses on the rituals of Pag Pasahaya Baihu’ which is also known as a beauty ritual. The ritual is associated with spiritual and supernatural elements. As in the case of other ritual ceremonies, it is necessary for the implementation of Pag Pasahaya Baihu’ to undergo certain processes. The researcher analyzed the elements of theatre in Pag Pasahaya Baihu by dividing it into seven main sections namely (1) actors (2) time and function, (3) place and space, (4) plot structure, (5) props, (6) language (verbal and non-verbal), and (7) character and characterization. This paper examines the elements of theatre in the Pag Pasahaya Baihu’ ritual of the Suluk ethnic community in Kudat, Sabah. Fieldwork in selected was conducted locations around Kudat. The study found the theatre elements in the rituals provide a new definition and context to Pag Pasahaya Baihu’ and indirectly contribute to the artistic value of the Suluk ethnic civilization itself
Magombok: Reimagining traditional performance (ritual-theater) for heritage sustainability
No full textThe Magombok ritual, a traditional healing practice of the Bajau Laut community in Semporna, Sabah, stands at a critical juncture. Modernization's relentless march has eroded traditional beliefs and lifestyles, placing this cultural heritage on the brink of extinction. The community finds itself torn between the ancient pagan beliefs of their ancestors and the tenets of Islam, the dominant religion, creating a complex challenge for the ritual's survival. Simultaneously, Sabah's traditional theatres grapple with their own set of problems, often confined to conceptual stages or limited to social dramas, hindering their full potential. This research delves into the possibility of transforming the Magombok ritual into a vibrant traditional theatre performance, drawing upon the concepts of liminal and liminality. Inspired by Richard Schechner's performance theory and Victor Turner's ritual theory, the study seeks to bridge the gap between ritual and theatre. By combining the four universal characteristics of performance with the four perspectives of ritual, the research aims to establish a pathway for the ritual's successful transformation into a theatrical form. This transformation is envisioned as a means of empowering the local ethnic identity, providing a platform for cultural expression and preservation. The research further proposes practical methods and processes for transforming ritual performances into theatrical productions. This integrated approach offers an alternative strategy for safeguarding and sustaining the ethnic traditional cultural heritage. Beyond mere preservation, the transformation process has the potential to shape the future of traditional Sabah theatre performances, enriching the state's artistic landscape. The theatrical adaptation of Magombok holds immense promise as a cultural tourism product, attracting visitors to experience the unique traditions of Semporna. This, in turn, can bolster the socio-economic well-being of the local ethnic group, fostering a sense of pride and cultural ownership. The transformation of Magombok into a captivating theatre performance offers a multifaceted solution, ensuring the survival of a cherished tradition while enriching the cultural and economic fabric of Sabah.
Keywords: Magombok Rituals; Heritage Preservation; Liminal; Sabah Traditional Theate
Sacredness of Food Offerings for Spirits in the Spiritual Healing Practices of the Bajau Laut Ethnic
No full textThis study explores the role of food offerings in Bajau Laut's spiritual healing rituals as a medium of sacred communication. These offerings are rooted in transcendental connections with ancestral spirits and symbolize beliefs, values, and religious systems passed down through generations. Using Peirce's semiotic framework, the study classifies food as icons, indexes, and symbols, each carrying distinct meanings. Employing a qualitative, phenomenological approach, data is gathered through participatory observation and interviews. Findings reveal that sacred communication in these rituals is a dynamic interpretative process, highlighting food's role in spiritual-human interaction and contributing to the discourse on semiotics and food anthropology
