1,720,962 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
The Place of Haló in Peacebuilding and Social Reconstruction among the Anlo-Ewe
The constitution and performance of violence in Anlo-Ewe haló engendered lasting vicious cycles in which individuals and groups continue to re-identify with their traumatic memories in very precarious ways. Indigenous reconciliation rituals and government interventions have proved insufficient in repairing psychological, social, physical and spiritual damages that halo has inflicted on interpersonal and intergroup relations. This paper draws on cumulative field materials on both haló and contemporary Anlo-Ewe performance traditions--in which conflict and violence continue to be celebrated, albeit in veiled ways--to formulate alternative paths to social and interpersonal healing, with focus on the centrality and performance resources and reworked indigenous reconciliation rituals. Theoretical arguments draw on select recent research ideas in applied ethnomusicology and related fields, including notions of “poetics of violence” (McDonald 2009, Whitehead 2004); “religion-violence-nexus” (Basedau and Juan 2008); “metaphysical” and “symbolic” violence (Stewart, 2002; Parkin, 1986; Abink, 1999); Schechner’s notion of “transformation” in relation to performance and social drama (Avorgbedor, 1999); Schechner, 1987), and on the perspective of “ displacement of violent memory is enabling rather than repressive” (Shaw, 2007). A systematic program of action-participatory research involving select communities, reconstructed and new music genres which integrate relevant symbols and reconciliation rituals is outlined
Prelomi, spoji in razlika: Vloga glasbe in obredne performativnosti pri določanju »tradicije« v sodobnih kraljevskih slovesnostih v Gani
Royal rituals and festivities are vibrant sites of cultural continuity among the Ewe of Ghana. The rituals exhibit elements of hyperreal, sonic, and sacred/secular sensibilities that frame performance and embodied affectivity. The royal event complex engages the multisensory, the carnivalesque and interstices of the sacred/secular in Ewe spirituality and religious outlook.Kraljevski obredi in praznovanja so živahna okolja kulturne kontinuitete ljudstva Ewe v Gani. Izvedbo in utelešeno afektivnost teh obredov zaobjemajo elementi hiperrealnih zvočnih in sakralnih/sekularnih senzibilnosti. Kraljevski večplastni dogodki prepletajo multisenzoričnost, karnevalskost in vmesnost sakralne/sekularne duhovnosti in religioznosti ljudstva Ewe
- …
