2,112 research outputs found
Box 53, Neg. No. 58940B: Ted Atkinson
No full textThis black and white photograph features a portrait of Ted Atkinson - he is sitting with his left arm resting on his leg and he is wearing a suit. Ted Atkinson ordered the photograph.https://scholars.fhsu.edu/stafford_county/7122/thumbnail.jp
Group at retirement party Olene Walker, Aileen Clyde, Pamela Atkinson
No full textColor photograph of Olene Walker, Aileen Clyde, and Pamela Atkinson at Ted Capener\u27s retirement party
The elegies of Ted Hughes
No full textThe purpose of this study is to make the case that Ted Hughes (1930-1998) is one of the pre-eminent elegists writing in English in the latter half of the twentieth century. Whilst his poetry has been widely criticised for its apparent preoccupation with violence and death, it is puzzling that the links these topics have in common with elegy have never been clearly verified. This might be because Hughes's elegies do not appear to bear the characteristics frequently associated with traditional poetic laments; however, as this study shows, closer scrutiny reveals not only many similarities, but also acts of resistance within the broader scope of elegy. Drawing on both established and contemporary critical debates surrounding Hughes and elegy, this study undertakes a comprehensive reading of the poet's major works from The Hawk in the Rain to Birthday Letters, whilst also paying attention to limited editions of his verse, including Recklings, Capriccio and Howls & Whispers. Posthumous publications, including the Collected Poems. Selected Translations and Letters of Ted Hughes, are accounted for. so that (alongside the chronological reading of the poems) Hughes's development as an elegist is fully realised. One of the aims of the thesis is to demonstrate that the poet's elegies are unified in presenting what I term the ‘actual'; that is to say, that Hughes does not fabricate sensations or forge experiences that purport to be beyond the realm of recognisable human endeavour. This I term his 'unfalsifying dream’. This is striking because quite often traditional elegies appear to present the opposite: a language which is ๐mate and images which are close to beatifying the deceased, putting them at a remove from human experience and existence. 'The Hawk in the Rain' is used to illustrate Hughes's theoretical position, especially in the case of his earlier war elegies and the circumstances of Remains of Elmet and Moortown Diary. He is both the observational, seemingly dispassionate poet (the hawk), capable of a detaching himself from the experience he wishes to relay in his verse, and yet, he is also the wanderer 'in the rain, one who is immersed in the momentous instant of his own language and experience. Like his personas, Hughes is divided. He is complicit with many of elegy's practices and traditions, but he is also a reformer and renovator of elegy, writing invigorating verse which brings the realities of mortality closer to the reader. In doing so, he reaffirms the significance of life and how this life might be better lived in closer harmony to poetry and contemporary ecological urgencies. 'The Elegies of Ted Hughes' aims to prove that far from being just a 'poet of nature', Hughes has been an exemplary elegist in our own time
My Maine piece by author Ted Gup who describes with tenderness and humor his m
No full textMy Maine piece by author Ted Gup who describes with tenderness and humor his morning ritual of removing mice from the live traps in his cabin and walking them to a clearing for release back into nature
Clarence E. Atkinson
No full textLabeled "Ted and Ed, 1945" An early picture of Atkinson at war's end
Clarence E. Atkinson
No full textLabeled "Ted and Ed, 1945" An early picture of Atkinson at war's end
Ted Pelton Reading and Workshop
No full textAuthor Ted Pelton recites the mythology of the trickster Woodchuck, which includes tales of Woodchuck\u27s creation by God, his assassination of President John F. Kennedy, and his inexplicable habit of carrying a very personal possession in a box, in this February 20th, 2008 edition of the Rooftop Poetry Club podcast
Panel. Revisioning Miscegenation and Trauma in Faulkner and the African American South
No full textMiscegenation and Progression: The First Americans of Jean Toomer and William Faulkner / Andrew Leiter, Lycoming CollegeNatasha Trethewey\u27s Joe Christmas and the Reconstruction of Mississippi Nativity / Ted Atkinson, Mississippi State UniversityContemporary Black Writing and Southern Social Belonging Beyond the Faulknerian Shadow of Loss / Lisa Hinrichsen, University of Arkansa
Welcome, Award Presentations
No full textNoel Wilkin, UM Provost and Robyn Tannehill, Mayor of OxfordJohn W. Hunt Scholars presented by Ted Atkinson, President, William Faulkner SocietyEudora Welty Awards in Creative Writing presented by Rebecca Lauck Cleary, UM Center for the Study of Southern Cultur
Ted Conover, 33rd Annual ODU Literary Festival
No full textTed Conover is the critically-acclaimed author of Rolling Nowhere: Riding the Rails with America’s Hoboes; Whiteout; Coyotes: A Journey Across the Border with America’s Mexican Migrants; and Newjack: Guarding Sing Sing, which was a finalist for the Pulitzer Prize and winner of the National Book Critics Circle Award. His latest work is The Routes of Man, which explores the ways roads are changing the world
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