Search CORE

9,592 research outputs found

Café Royal Books Archive Two

Author: Atkinson Craig
Publication venue
Publication date: 07/12/2015
Field of study

Archive Two 100 books (the second 100 publications from the current series) 423mm x 214mm x 210mm Rigid paper covered tray with lift off lid Three Inner compartments 1500 Microns black lined board Black Wibalin Buckram Foil blocked Edition of 10, published July 2016 Contents: Barbórka Justin Leighton 150 140mm x 200mm 36 Stanhope Daniel Zvereff 150 140mm x 200mm 36 New York in the 70s John Claridge 150 140mm x 200mm 36 No foursomes allowed at peak periods, in Scarborough Craig Atkinson 1000 150mm x 210mm 60 Thamesmead and Abbey Wood 1977 - 1982 George Plemper 200 140mm x 200mm 36 Sheffield The Remains of Some Buildings Around the Don Valley John Darwell 150 140mm x 200mm 36 “All My Pictures Look the Same” David J Carol 250 140mm x 200mm 36 Liverpool Flags and Badges John Stoddart 200 140mm x 200mm 28 Billy Childish Brian David Stevens 200 140mm x 200mm 28 London Circus Craig Atkinson 150 140mm x 200mm 28 Berlin 09.11.89 Justin Leighton 200 140mm x 200mm 36 MEXICO 1973 Mazatlan and Heading South Homer Sykes 150 140mm x 200mm 36 Social Landscapes East London in the 1970s Tony Bock 200 140mm x 200mm 36 Spectators David Walker 150 140mm x 200mm 36 After the Fall Afghanistan 2002 Stewart Weir 150 140mm x 200mm 36 Thamesmead Riverside School 1976 - 1978 One George Plemper 200 140mm x 200mm 28 Sheffield in Transition John Darwell 150 140mm x 200mm 28 Stockport Gypsies Daniel Meadows 200 140mm x 200mm 24 Manplan One Patrick Ward 200 140mm x 200mm 36 Biddy Boys Ireland 1972 Homer Sykes 150 140mm x 200mm 36 Preston Market Craig Atkinson 200 140mm x 200mm 36 Shankly One Ken Grant 200 140mm x 200mm 28 Thamesmead Riverside School 1976 - 1978 Two George Plemper 200 140mm x 200mm 28 Bancroft Shed Weaving 1976 Daniel Meadows 200 140mm x 200mm 36 “Keep off Sexy Drugs” Southport Stephen McCoy 200 140mm x 200mm 28 University of Leeds Craig Atkinson 200 140mm x 200mm 36 Wrexham Leisure 1982 - 1984 Colin Thomas 200 140mm x 200mm 36 Bancroft Shed Engine House 1976 Daniel Meadows 200 140mm x 200mm 20 Trawlermen Peter Dench 150 140mm x 200mm 28 Rhyl Seafront Stephen Clarke 150 140mm x 200mm 28 Millennium Britain Derek Hudson 150 140mm x 200mm 36 Weldone Boiler Fluers 1976-1977 Daniel Meadows 200 140mm x 200mm 24 Made in Roath Homer Sykes 150 140mm x 200mm 36 Balfron Tower Craig Atkinson 200 140mm x 200mm 36 Steeplejack 1976 Daniel Meadows 200 140mm x 200mm 20 Manplan Two Patrick Ward 200 140mm x 200mm 36 Shankly Two Ken Grant 200 140mm x 200mm 28 Alexandra Road Estate. Detail Craig Atkinson 200 140mm x 200mm 28 Pig Killing 1975—1976 Daniel Meadows 200 140mm x 200mm 36 Rhyl Caravan Parks Stephen Clarke 150 140mm x 200mm 36 Alexandra Road Estate. Park & Plant Craig Atkinson 200 140mm x 200mm 28 Chinatown 1984 Martin Parr 250 140mm x 200mm 36 Welfare State International 1976—1983 Daniel Meadows 200 140mm x 200mm 36 One Day in July near Cable Street Southport Ken Grant 200 140mm x 200mm 28 Running Riots and the Days After Homer Sykes 150 140mm x 200mm 36 Clayton Ward 1978 Daniel Meadows 200 140mm x 200mm 36 The Thames Path Johny Pitts 150 140mm x 200mm 28 wure In Leisure Matthew Murray 200 140mm x 200mm 28 My Britain 1970—1980s Homer Sykes 150 140mm x 200mm 36 The Miners Patrick Ward 200 140mm x 200mm 36 Sancta Maria Abbey, Nunraw Colin McPherson 150 140mm x 200mm 36 Boxing Boys Simon Roberts 200 140mm x 200mm 36 Haslingfield Scarecrows Brian David Stevens 200 140mm x 200mm 36 Tunnock’s Sophie Gerrard 140mm x 200mm 28 Dookits Stephen McLaren 150 140mm x 200mm 28 Personal Space Stephen McCoy 150 140mm x 200mm 28 North Sea Fishing Jeremy Sutton-Hibbert 150 140mm x 200mm 36 Sloanes and Rahs Homer Sykes 150 140mm x 200mm 36 From the Provy to the Derry Ken Grant 200 140mm x 200mm 28 Dirty Dozen Patrick Ward 200 140mm x 200mm 36 The Dark River Bolton — Farnworth John Darwell 150 140mm x 200mm 24 Reflections on Dark River Paul Herrmann 100 140mm x 200mm 12 Nelson Mandela — Glasgow 1993 Jeremy Sutton-Hibbert 150 140mm x 200mm 28 The Troubles Northern Ireland Homer Sykes 150 140mm x 200mm 36 Klondykers Shetland 1994 Jeremy Sutton-Hibbert 150 140mm x 200mm 28 Archaeology of a Carpet Stephen McCoy 150 140mm x 200mm 28 The Dark River Kearsley — Clifton John Darwell 150 140mm x 200mm 24 Christmas Turkey Market, Dublin 1990—1993 Tony O’Shea 200 140mm x 200mm 36 Vatersay 1985 Paul Glazier 150 140mm x 200mm 36 Patrick Procktor and Friends Homer Sykes 150 140mm x 200mm 36 South Liverpool Docks 1985 Tricia Porter 150 140mm x 200mm 32 The Tetley Archive Craig Atkinson 250 140mm x 200mm 28 Balsall Heath 1970 Des Gershon 150 140mm x 200mm 36 Esholt Sewage Works Bradford 1977—78 Ian Beesley 150 140mm x 200mm 28 The Royal Wdding 1981 David Williams 150 140mm x 200mm 28 M11 Link Road Protest David Solomon 200 140mm x 200mm 28 The Miners 1984 Michael Kerstgens 150 140mm x 200mm 36 Selborne 1980—1982 Tricia Porter 150 140mm x 200mm 36 Dog Days Ceredigion Colin Thomas 150 140mm x 200mm 36 Jewellery Quarter Colin Shaw 150 140mm x 200mm 36 The Dark River Kearsley Power Station John Darwell 150 140mm x 200mm 24 Slightly Unusual David Leveson 150 140mm x 200mm 36 Shipbuilding on The River Clyde Jeremy Sutton-Hibbert 150 140mm x 200mm 28 Weymouth '76—'77 The Watchers Iain McKell 200 140mm x 200mm 20 Momentum Series Alejandro Guijarro 200 140mm x 200mm 36 Northern Ireland One Victor Sloan 150 140mm x 200mm 32 Eton a Private Public School Homer Sykes 150 140mm x 200mm 36 Industry Year 1986 Tricia Porter 150 140mm x 200mm 36 Through the Mill Ian Beesley 150 140mm x 200mm 28 Liverpool: Before the Exodus John Stoddart 150 140mm x 200mm 28 Weekend Away Paddy Summerfield 200 140mm x 200mm 36 Yates's Martin Parr 500 140mm x 200mm 36 Farm Work Colin Shaw 200 140mm x 200mm 36 Birkenhead 1985 Colin Thomas 150 140mm x 200mm 36 Weymouth '76—'77 Beach Iain McKell 200 140mm x 200mm 28 "The Dark River Clifton — Death Valley Agecroft" John Darwell 150 140mm x 200mm 36 East End Dancers and Chancers David Hoffman 200 140mm x 200mm 36 Anti Austerity Stuart Franklin 150 140mm x 200mm 24 India in the 1970s John Claridge 200 140mm x 200mm 24 Impossible Accidents John Deakin 200 140mm x 200mm 24 Northern Ireland Two Victor Sloan 150 140mm x 200mm 2

CLoK

Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan

Author: Massey Ian
Publication venue
Publication date
Field of study

This critical review forms a reflection on the research published within the following publications: Patrick Procktor: Art and Life (Unicorn Press, 2010) Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012) The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art. Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history

University of Huddersfield Repository

Café Royal Books Archive One

Author: Atkinson Craig
Publication venue
Publication date: 07/12/2015
Field of study

Archive One Café Royal Books 100 books 423mm x 214mm x 210mm Rigid paper covered tray with lift off lid Three Inner compartments 1500 Microns black lined board Black Wibalin Buckram Foil blocked Edition of 10. Each book is an edition of IRO200. Published on the occasion of Café Royal Books tenth birthday. December 2015, with celebratory event at The Photographers' Gallery, London. The first 100 books of the current series. Contents as follows: CRB104 Revisiting Utopia: Modernist Architecture in the Post-regenerate City Craig Atkinson & In Certain Places (Elaine Speight and Charles Quick) 300 (first edition) 140mm x 200mm 24 b/w digital CRB105 Photograph Converted into Base 64 Code Matthew Birchall 100 140mm x 200mm 24 b/w digital CRB110 Another Time Another Place John Claridge 100 140mm x 200mm 28 b/w digital CRB111 Berlin Autobus Craig Atkinson 100 140mm x 200mm 40 b/w digital CRB112 Along The Thames John Claridge 100 140mm x 200mm 28 b/w digital CRB115 The Salvation Army John Claridge 100 140mm x 200mm 28 b/w digital CRB120 Peopled Streets John Claridge 100 140mm x 200mm 28 b/w digital CRB122 East End Graphics John Claridge 100 140mm x 200mm 28 b/w digital CRB123 British Rituals David Levenson 100 140mm x 200mm 28 b/w digital CRB124 Someone Else's Friends and Family Craig Atkinson 100 140mm x 200mm 28 b/w digital CRB125 Ten ’til Late Mark McNulty 100 140mm x 200mm 28 b/w digital CRB126 America 29.01.13 Craig Atkinson 100 140mm x 200mm 28 b/w digital CRB127 The Burry Man David Levenson 100 140mm x 200mm 16 b/w digital CRB128 Preston Bus Station: Lost and Found Craig Atkinson 150 140mm x 200mm 28 b/w digital CRB129 Monoliths, Sculptures, Fun and Death John Claridge 150 140mm x 200mm 28 b/w digital CRB130 Blitz Kids, Skins & Silver Spoons Homer Sykes 150 140mm x 200mm 28 b/w digital CRB132 Promise Land… Joni Sternbach 150 140mm x 200mm 28 b/w digital CRB133 Working Men: Club and Coal Homer Sykes 150 140mm x 200mm 28 b/w digital CRB134 Coal Miners 1971 John Claridge 150 140mm x 200mm 28 b/w digital CRB136 East End Shops Tony Hall 100 140mm x 200mm 28 b/w digital CRB137 East End Panoramas Tony Hall 100 140mm x 200mm 28 b/w digital CRB139 Brick Lane and Co: Whitechapel in the 1970s Homer Sykes 150 140mm x 200mm 28 b/w digital CRB140 Britannia Coco-nut Dancers David Levenson 150 140mm x 200mm 28 b/w digital CRB141 Afternoons Well Spent John Claridge 150 140mm x 200mm 28 b/w digital CRB142 A Tinker’s Tale John Claridge 150 140mm x 200mm 28 b/w digital CRB143 Electric Tears and All Their Portent J A Mortram 150 140mm x 200mm 28 b/w digital CRB145 The Gorbals John Claridge 150 140mm x 200mm 28 b/w digital CRB146 South Liverpool 1976 - 1982 Phil Maxwell 150 140mm x 200mm 28 b/w digital CRB147 Scottish Landscapes John Claridge 150 140mm x 200mm 28 b/w digital CRB148 East End Pubs & Markets Tony Hall 150 140mm x 200mm 28 b/w digital CRB150 Whitechapel 1983 -1999 Phil Maxwell 150 140mm x 200mm 28 b/w digital CRB151 Someone Else’s Skiing Holiday Craig Atkinson 150 140mm x 200mm 28 b/w digital CRB152 The Industrial Past John Claridge 150 140mm x 200mm 28 b/w digital CRB153 Stonehenge:1970’s Counterculture Homer Sykes 150 140mm x 200mm 28 b/w digital CRB154 Alexandra Road Estate Craig Atkinson 150 140mm x 200mm 28 b/w digital CRB155 Kings of Grey Luke Overin 150 140mm x 200mm 28 b/w digital CRB156 The Common Riding Jeremy Sutton-Hibbert 150 140mm x 200mm 28 b/w digital CRB157 Suited and Booted Peter Dench 150 140mm x 200mm 28 b/w digital CRB158 Someone Else's Summer in Moritz Craig Atkinson 150 140mm x 200mm 28 b/w digital CRB159 Underground Phil Maxwell 150 140mm x 200mm 28 b/w digital CRB160 London Barbican Craig Atkinson 150 (first edition) 140mm x 200mm 28 b/w digital CRB161 Toff’s Hat Flat Cap Homer Sykes 150 140mm x 200mm 28 b/w digital CRB162 Living With Epilepsy J A Mortram 150 inc 30 signed 140mm x 200mm 32 b/w digital CRB163 London Circus Craig Atkinson 150 140mm x 200mm 28 b/w digital CRB164 London, Nine Miles from Hounslow Craig Atkinson 150 140mm x 200mm 28 b/w digital CRB165 Once a Year: 1970s Folklore in Britain Homer Sykes 200 140mm x 200mm 28 b/w digital CRB166 Sheffield Tinsley Viaduct John Darwell 150 140mm x 200mm 28 b/w digital CRB167 Glasgow, The River Underground Hugh Hood 150 140mm x 200mm 28 b/w digital CRB168 Preston Bus Station: Pie and Blow Dry Craig Atkinson 150 140mm x 200mm 28 b/w digital CRB169 Tyburn Hemp Brian David Stevens 150 140mm x 200mm 28 b/w digital CRB170 Harris Flights Craig Atkinson / In Certain Places 150 140mm x 200mm 28 b/w digital CRB171 “Where’s The Monkey?” David J Carol 250 140mm x 200mm 28 b/w digital CRB172 Sheffield Meadowhall, Hyde Park, Ponds Forge John Darwell 150 140mm x 200mm 28 b/w digital CRB173 Vintage London John Claridge 150 140mm x 200mm 28 b/w digital CRB174 Glasgow Streets Hugh Hood 150 140mm x 200mm 28 b/w digital CRB175 Ribble Steam Railway John Claridge 200 140mm x 200mm 28 b/w digital CRB177 Leiston, Suffolk 1966 Libby Hall 150 140mm x 200mm 28 b/w digital CRB178 London, Trellick Tower Craig Atkinson 150 140mm x 200mm 28 b/w digital CRB179 Once a Year: Folklore in Britain Now Homer Sykes 200 140mm x 200mm 28 b/w digital CRB180 Old Ladies of Whitechapel Phil Maxwell 150 140mm x 200mm 28 b/w digital CRB181 Photographs Converted into Morse Code Matthew Birchall 150 140mm x 200mm 98 b/w digital CRB182 Red Neck Land Tilney1 150 140mm x 200mm 16 b/w digital CRB183 Glasgow Streets The New Era Hugh Hood 150 140mm x 200mm 28 b/w digital CRB185 Small Town Inertia Diary Entries J A Mortram 150 140mm x 200mm 28 b/w digital CRB186 Preston Bus Station Exit Town Centre Craig Atkinson 150 140mm x 200mm 28 colour digital CRB187 Skelmersdale 1984 Stephen McCoy 150 140mm x 200mm 28 b/w digital CRB188 Grangemouth and the Forth Estuary John Darwell 150 140mm x 200mm 28 b/w digital CRB189 Rotherhithe Photographs Geoff Howard 150 140mm x 200mm 28 b/w digital CRB190 Mayday Brian David Stevens 150 140mm x 200mm 28 b/w digital CRB191 Electronic Music New York City 1995 Tim Soter 150 140mm x 200mm 28 b/w digital CRB192 Saltaire 1981 Still a Model Mill Village Homer Sykes 150 140mm x 200mm 28 b/w digital CRB193 Preston Bus Station Up and Over Craig Atkinson 150 140mm x 200mm 28 colour digital CRB194 The Passengers Joni Sternbach 150 140mm x 200mm 36 b/w digital CRB195 “Here’s the Deal…” David J Carol 150 140mm x 200mm 28 b/w digital CRB197 Brighton Beach Stewart Weir 150 140mm x 200mm 28 b/w digital CRB198 Annual General Meeting David Levenson 200 140mm x 200mm 28 b/w digital CRB199 Recreation and Romance 1970’s London Geoff Howard 150 140mm x 200mm 28 b/w digital CRB200 Glasgow 1974-1978 Hugh Hood First edition 140mm x 200mm 36 b/w digital CRB201 Sunderland and South Shields in the 1980’s George Plemper 150 140mm x 200mm 36 b/w digital CRB202 Social Landscapes London in the 1970s Tony Bock 150 140mm x 200mm 28 b/w digital CRB203 Crash Happy Grant Scott 150 140mm x 200mm 28 b/w digital CRB204 Preston Bus Station Babies, Ladies and Gentlemen Craig Atkinson 150 140mm x 200mm 28 colour digital CRB205 Israel 1967 John Claridge 150 140mm x 200mm 28 b/w digital CRB206 Modernist Revival Jonathan Mortimer 150 140mm x 200mm 28 b/w digital CRB207 Glasgow Steamies Allan Bovill 150 140mm x 200mm 28 b/w digital CRB208 Ocean Beach Rhyl Stephen Clarke 150 140mm x 200mm 28 b/w digital CRB209 Manchester 42 Bus Claire Atkinson 150 140mm x 200mm 28 b/w digital CRB210 Bristol 04.13 Craig Atkinson 200 140mm x 200mm 28 b/w digital CRB211 Sheffield Things Seen Whilst Wandering Around Attercliffe John Darwell 150 140mm x 200mm 36 b/w digital CRB213 Housing Estates 1979 - 1981 Stephen McCoy 150 140mm x 200mm 28 b/w digital CRB214 Social Landscapes Britain in the 1970s Tony Bock 150 140mm x 200mm 36 b/w digital CRB215 Social X-rays New York Dafydd Jones 200 140mm x 200mm 36 b/w digital CRB216 Notting Hill Sound Systems Brian David Stevens 150 140mm x 200mm 36 b/w digital CRB217 North of Barnet Geoff Howard 150 140mm x 200mm 28 b/w digital CRB219 Egypt 1963 One Arthur Tress 150 140mm x 200mm 36 b/w digital CRB220 Egypt 1963 Two Arthur Tress 150 140mm x 200mm 36 b/w digital CRB221 Notting Hill Sound Systems Brian David Stevens 150 140mm x 200mm 36 b/w digital CRB222 Millbank and That Van Marc Vallée 150 140mm x 200mm 36 b/w digital CRB223 Holy Ireland Croagh Patrick Geoff Howard 150 140mm x 200mm 36 b/w digital CRB224 Robin Hood Gardens Craig Atkinson 250 140mm x 200mm 36 b/w digital CRB302 Archive One Various 10 423mm x 214mm x 210mm 100 books mixe

CLoK

Patrick Chamoiseau Recovering Memory

Author: McCusker Maeve.
Publication venue
Publication date
Field of study

This timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Title Page -- Contents -- Introduction -- 1: Beginnings: The Enigma of Origin -- 2: 'Une tracée de survie': Autobiographical Memory -- 3: Memory Re-collected: Witnesses and Words -- 4: Memory Materialized: Traces of the Past -- 5: Flesh Made Word: Traumatic Memory in Biblique des derniers gestes -- Afterword -- Notes -- Bibliography -- IndexThis timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries

Archivsystem Ask23

The Psalms of Solomon: Texts, Contexts, and Intertexts

Author: Atkinson Kenneth
Pouchelle Patrick
Keddie G. Anthony
Publication venue
Publication date: 2021
Field of study

The Psalms of Solomon: Texts, Contexts, and Intertexts explores a unique pseudepigraphal document that bears witness to the 63 BCE Roman conquest of Jerusalem. Essays address a variety of themes, notably their political, social, religious, and historical contexts, through the lens of anthropology of religion, cognitive science, socioeconomic theory, and more. Contributors include Kenneth Atkinson, Eberhard Bons, Johanna Erzberger, Angela Kim Harkins, G. Anthony Keddie, Patrick Pouchelle, Stefan Schreiber, Shani Tzoref, and Rodney A. Werline. -- Provided by the publisherhttps://scholarworks.uni.edu/facbook/1524/thumbnail.jp

University of Northern Iowa

"Automatic tune family identification by musical sequence alignment" supplementary metadata

Author: Quentin D. Atkinson (619912)
Patrick Savage (762700)
Publication venue
Publication date: 2015
Field of study

Supplementary metadata for Patrick E. Savage, Quentin D. Atkinson. “Automatic tune family identification by musical sequence alignment”, 16th International Society for Music Information Retrieval Conference, 2015. Based on: 1) Bayard, S. P. (1954). Two representative tune families of British tradition. Midwest Folklore, 4(1), 13–33. 2) Machida, K., & Takeuchi, T. (Eds.). (1965). Esashi Oiwake to Sado Okesa: Min’yo genryuukou [Folk song geneologies: Esashi Oiwake and Sado Okesa] [4 LPs]. Kawasaki: Columbia. AL-5047/50.</p

The Francis Crick Institute

Replication Data for: Endogenous Price Commitment, Sticky and Leadership Pricing: Evidence from the Italian Petrol Market

Author: Andreoli Versbach Patrick
Publication venue
Publication date
Field of study

The do-file contains the code to replicate "Endogenous Price Commitment, Sticky and Leadership Pricing: Evidence from the Italian Petrol Market", published in the International Journal of Industrial Organization, vol. 40(C), pages 32-48, by Patrick Andreoli-Versbach and Jens-Uwe Franck. Contact author is Patrick Andreoli-Versbach. E-Mail: [email protected]

Replication Data for: Endogenous Price Commitment, Sticky and Leadership Pricing: Evidence from the Italian Petrol Market

Author: Andreoli Versbach Patrick
Publication venue
Publication date
Field of study

Harvard Dataverse

The investigation in "Dora Bruder" of Patrick Modiano

Author: TOSETTO ALESSANDRO
Publication venue
Publication date: 2024
Field of study

reservedIl presente lavoro si propone di affrontare il tema dell’indagine, dell’inchiesta investigativa nel romanzo “Dora Bruder” dello scrittore francese Patrick Modiano, pubblicato nel 1997. Si tratta del più noto successo editoriale dell’autore, il quale, in una narrazione al contempo biografica ed autobiografica, si mette sulle tracce di Dora Bruder, una giovane ragazza ebrea scomparsa nel 1941, di cui si sono perse definitivamente le tracce. La presente tesi si compone di tre capitoli. Nel primo, si analizzeranno i motivi che spingono l’autore ad occuparsi della vicenda della giovane ragazza scomparsa proprio durante la seconda guerra mondiale. Successivamente, nel secondo capitolo, si passerà ad affrontare come l’autore compie la propria indagine per comprendere che cosa le sia accaduto, diventando una sorta di investigatore su un vecchio caso di scomparsa. Ed infine, nell’ultimo capitolo, si analizzerà quale sarà l’esito della sua indagine.This work proposes to deal with the subject of investigation in the novel "Dora Bruder" by French writer Patrick Modiano, published in 1997. It’s the most known publishing success of the author, which, in a narrative in the meantime biographical and autobiographical, goes on the trail of Dora Bruder, a young Jewish girl disappeared in 1941, of whom all traces have been definitively lost. This thesis is composed by three chapters. In the first, we will analyse the reasons why the author deal with the story of the young girl vanished during the Second World War. Then, in the second chapter, we will approach how the author does his own investigation to understand what happened to her, becoming sort of a detective on an old case of disappearence. Finally, in the last chapter, we focus on which it’ll be the outcome of his investigation

Padua Thesis and Dissertation Archive

William Patrick, 15th Annual ODU Literary Festival

Author: Patrick William
Publication venue
Publication date: 1992
Field of study

William Patrick has published a collection of poetry, Letter to the Ghosts, and a novel in poetry and prose, Roxa, which won the 1990 Great Lakes Colleges Association New Writers Award for the best first work of fiction. He has also written an original teleplay, Rachel\u27s Dinner , which aired in 1991, and starred Olympia Dukakis and Peter Gerety. Mr. Patrick\u27s most recent screenplay, Brand New Me , has been optioned by Force Ten Productions in Hollywood, and he is the author of Who All Killed Cock Robin?, the play which was adapted from The Death of Cock Robin by W.D. Snodgrass and DeLoss McGraw, and whose premiere opens this year\u27s Literary Arts Festival. He is the Coordinator of the Creative Writing Program at Old Dominion University, and Director of this year\u27s Literary Arts Festival

Old Dominion University