161 research outputs found
Paléographie musicale médiévale
Colette Marie-Noëlle, Atkinson Charles M. Paléographie musicale médiévale. In: École pratique des hautes études. Section des sciences historiques et philologiques. Livret-Annuaire 16. 2000-2001. 2002. pp. 159-163
Paléographie musicale médiévale
Colette Marie-Noëlle, Atkinson Charles M. Paléographie musicale médiévale. In: École pratique des hautes études. Section des sciences historiques et philologiques. Livret-Annuaire 16. 2000-2001. 2002. pp. 159-163
Claire Maître. - La réforme cistercienne du plain-chant. Étude d'un traité théorique.Brecht, Cîteaux : commentarii cistercienses, 1995 (Cîteaux : Studia et documenta, VI) Claire Maître, éd. introd. - Un antiphonaire cistercien pour le temporal, XIIe siècle. Poitiers, Université, 1998 (Manuscrits notés, I) Claire Maître, éd. introd. Un antiphonaire cistercien pour le sanctoral XIIe siècle. Paris, Bibliothèque nationale de France, nouvelles acquisitions latines 1412. Paris, CTHS, 1999 (Manuscrits notés, II)
Atkinson Charles M. Claire Maître. - La réforme cistercienne du plain-chant. Étude d'un traité théorique.Brecht, Cîteaux : commentarii cistercienses, 1995 (Cîteaux : Studia et documenta, VI) Claire Maître, éd. introd. - Un antiphonaire cistercien pour le temporal, XIIe siècle. Poitiers, Université, 1998 (Manuscrits notés, I) Claire Maître, éd. introd. Un antiphonaire cistercien pour le sanctoral XIIe siècle. Paris, Bibliothèque nationale de France, nouvelles acquisitions latines 1412. Paris, CTHS, 1999 (Manuscrits notés, II). In: Cahiers de civilisation médiévale, 44e année (n°174), Avril-juin 2001. pp. 192-194
Jesus Christ, the 'Prince of pilgrims' : a critical analysis of the ontological, functional, and exegetical christologies in the sermons, writings, and lectures of Charles Haddon Spurgeon (1834-1892)
This thesis centers on the doctrine of Christ in the theology of Charles Haddon
Spurgeon through the lens of Spurgeon’s highly developed metaphor, that of Jesus
Christ, the “Prince of pilgrims.” That no scholarly work has thus analyzed or surveyed
Spurgeon’s ontological, functional, and exegetical Christologies warrants continued
contribution to the field of scholarship. Though not a systematician, Spurgeon stood
in direct theological continuity with his Nonconformist Puritan predecessors and
transmitted a highly developed Christology that was Chalcedonian in creed and
Alexandrian in style. This thesis positions Spurgeon’s Christology against the
backdrop of a complex Victorian religious context that, through the use of scientific
enquiry, sought to recover the full humanity of Christ. Though reacting against
modern conclusions concerning the person, natures, and work of Christ, Spurgeon
also sought to recover Christ’s humanity, though his theological presuppositions stood
in marked contradistinction to the spirit of the age. Particular attention is given to
Spurgeon’s utilization of an allegorical hermeneutic to the end that his vernacular, at
times, potentially deviates from traditional, orthodox Christological teachings. The
scope of this research is a survey of Spurgeon’s Christology by way of his sermons,
published writings, lectures, and letters. The purpose of this study is to analyze
Spurgeon’s doctrine of Christ in the context of the wider theological tradition through
an investigation of his allegorical and innovative rhetoric
Early Postglacial Environment of a Small Kettle in Mercer County, Ohio
Author Institution: Soil Conservation Service, Defiance, Ohio and Bowling Green State University, Bowling Green, OhioExcavation of a series of pits in a filled kettle at St. Charles Seminary, in southeastern Mercer County, revealed nine to twelve feet of lacustrine silty-clay sediments above clayrich till. Near the bottom, in the middle of the kettle, the sediments were mostly clays, and contained organic material. Fragments of Picea (spruce) and a few specimens of the mollusks, Helisoma anceps striatum, Gyraulus altissimus, and Amnicola limosa, from the bottom imply an open kettle (lake) in a boreal climate at this time of initial sedimentation. Sediments immediately above this level contained Thuja (northern white cedar), which could indicate either boreal or somewhat less cold conditions. Strata higher in the section were more silty and contained some seepage, but lacked any organic material. Soils of the Montgomery series have developed in the fill of the kettle; soils in the surrounding ground moraine are in the Blount and Morley series
The critical nexus: tone-system, mode, and notation in early medieval music
Electronic access restricted; authentication may be required:978019514888
Valdosta Project Change, Scrapbook, July 1998
Valdosta Project Change. “Valdosta Project Change Scrapbook, July 1998,” Lowndes County Historical Society. Valdosta State University Archives and Special Collections, MS-181: Valdosta Project Change Scrapbook Collection, 1997-2003. 1 PDF document and scans, 11pages. 219 MB (229,985,195 bytes).7/5- Racial politics still with us- Bill Shipp; 7/7- Three men indicted in dragging death- no author; 7/13- Even Clinton can’t bridge a racial gap- Marsha Mercer; 7/14- NAACP president Mfume calls Supreme Court members ‘hypocrites’- Associated Press; 7/15- Are we will really ready to live with the truth? - Charles Moore; 7/15- Powell urges NAACP to empower black youth- no author; 7/16- Assessing the Value of Desegregation (Two Copies)- Bill Maxwell; 7/17- Black Civil War soldiers remembered at Arlington- no author; 7/17- NAACP convention closes, saluting return of civil rights- Associated Press
J.C. Bach's London keyboard sonatas : style and context
J. C. Bach's keyboard works include several sets of accompanied sonatas, a genre that enjoyed a wide popularity during the Classical era, but never
found its way into the concert repertoire. The accompanied sonata was a genre meant for domestic performance; the solo keyboard sonata, on
the other hand, was adopted in due course by concert audiences. J. C. Bach composed works within both genres during most of his productive years, and his output constitutes a corpus of remarkable consistency. J. C. Bach's removal to London in 1762 coincided with his clear adoption of a galant style, marked by the Italianate influence, and the abandonment of most Baroque traits. The British milieu provided additional factors: the rise of the pianoforte, a thriving music-publishing market, and a great interest in domestic music making among the affluent classes. These factors marked J. C. Bach's output at various levels. Keyboard works had to conform to the proficiency of the amateur performer, a
fact reflected in the accompanied output mostly. The number of movements, their length, and the inclusion of particular technical devices are readily observable differences between the two genres. The most remarkable
distinction lies perhaps in the preference for binary sonata format in the accompanied. sonatas from the mid 1760s to the 1770s, in spite of a later tendency for tripartite designs in both genres. J. C. Bach's lifelong preference for motivic phrase structure conditioned his keyboard production and partly explains the gap in quality between some of his works and sonatas composed around the same time by Haydn and Mozart, who developed more effective means to connect the melodic material
to higher structural units. J. C. Bach's influence, however, endured in Mozart's handling of melody, and his keyboard production constitutes, in spite of some flaws, a noteworthy example of elegance and craftsmanship
A Friday in November Photos
Photos for A Friday in November, The JFK Assassination Remembered written and directed by Frank A. Barnhart on November 20-23, 2013 in Nestor Hall Auditorium.
Cast:
Jenna Fridenmaker - Ensemble #1, Ruby Henderson, Marie Muchmore, Reporter, Missouri Female, Mourner
Devon Porter - Ensemble #2, Robert Baskin, Howard Brennan, Reporter, Mourner
Meredith Hunsaker - Ensemble #3, Mary Woodward, Reporter, Alabama Female, Mourner
Daniel Price - Ensemble #4, James Worrell, Officer Bobby Hargis, Mourner
Abra Prentiss - James Jarman, Jr., Orville Nix, Ohio Male, Mourner
Breezy Bookman - Ensemble #5, Mary Moorman, Helen Wagner, Julie Ann Mercer, Delaware Female, Mourner
David Lawler - Ensemble #6, Malcolm Kilduff, Phillip Willis Charles Roberts, Reporter, Mourner
Carla D'Errico - Ensemble #7, Jean Hill, Kentucky Female, Judge Hughes, Maude Shaw, Mourner
Charity Mack - Ensemble #8, Marilyn Sitzman, Nurse Bowron, Oklahoma Female, Mourner
Francois Dean - Ensemble #9, James Altgens, Malcolm Couch, Reporter, Virginia Male, Mourner
Alex Morris - Ensemble #10, Clint Hill, Bill Newman, Nebraska Male, Mourner
Nicki Loomis - Ensemble #11, Nellie Connally, Evelyn Lincoln, Mourner
Bill Darby - Merriman Smith, Roy Kellerman, Reporter, Luigi Verna, Mourner
Zachary Castle - Abraham Zapruder, James Tague, Jim Featherstone, Arkansas Male, Keith Clark
Madison Lee - Kathey Atkinson, Gail Newman, California Female, Mourner
Sharon Kibe - Jackie Kennedy, Mourner
Production Staff
Frank Barnhart - Director/Playwright/Slide Show Development
Nancy Kephart - Technical Coordinator
Dom Joshua - Assistant Director, Sound Designer/Lights
Johanna Breiding - Stage Manager/Lights
Simone Carthon - Costume/Makeup
Halla Jones - Props/Lights
Bill Darby - Set Construction
Allie Stratton - Soundboard/Costume
Case Notes
Torts - Immunity of a Charitable Organization-Applicability as to Duty Imposed by City Ordinance (Bond v. City of Pittsburgh, Pa. 1951)
Torts - Wrongful Death - Right of Survivor to Sue (Deposit Guaranty Bank & Trust Co. v. Nelson, Miss. 1951)
Torts - False Imprisonment - Accomplished by Blocking Driveway (Schanafelt v. Seabord Finance Co., Calif. 1951)
Torts - Mental Suffering - Recovery of Damages for Mental Anguish Caused by Witnessing Injury to Another (Van Hoy v. Oklahoma Coca-Cola Bottling Co., Okla. 1951)
Conflict of Laws - Contracts-Law Governing Validity, Nature and Interpretation (Guy F. Atkinson Co. v. Fimian, Ga. 1951)
Adoption - Discretion-Abuse of Discretion by Trial Court in Denying Adoption (Adoption of Lingol, Calif. 1951)
Corporations - Inherent Authority of Chairman of Board of Directors to Make Contracts (Rothberg v. Manhattan Coil Co., Ga. 1951)
Torts - Contributory Negligence-Railroads (Atlantic Coast Line R . Co. v. Dolan, Ga. 1951)
Torts - Negligence-Liability of Innkeeper for Acts of Transient Guests (Holly v. Meyers Hotel & Tavern, Inc., N. J. 1951)
Contracts - Restraint of Trade-Interpretation of Reasonableness (Domurat v. Mazzaccoli, Conn. 1951)
Husband and Wife - Tenancy by Entirety-Eviction of Mother-in- Law (Fine v. Scheinhaus, N. Y. 1952)
Domestic Relations - Divorce-Jurisdiction Determined by Telephone Conversation (Holman v. Holmaan, Tenn. 1951
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