287 research outputs found
Condition-specific gene coexpression in ATTED-II
No full textCondition-specific gene coexpression data provided in ATTED-II.
Obayashi et al. (2011) ATTED-II updates: condition-specific gene coexpression to extend coexpression analyses and applications to a broad range of flowering plants. Plant Cell Physiol. 52. 213-9.
https://pubmed.ncbi.nlm.nih.gov/21217125/
The condition-specific gene coexpression data are based on the following AtGenExpress expression data.
https://www.arabidopsis.org/portals/expression/microarray/ATGenExpress.jsp
bio: AtGenExpress biotic treatment
ME00341 (Carine Denoux , Fred Ausubel , Julia Dewdney , Simone Ferrari)
ME00353 (Xinnian Dong)
ME00331 (Birgit Kemmerling , Thorsten Nürnberger)
ME00332 (Frederic Brunner , Thorsten Nürnberger)
ME00342 (Dierk Scheel , Frederic Brunner , Lore Westphal)
ME00354 (Fred Ausubel , Julia Dewdney)
hor: AtGenExpress hormone treatment
ME00333 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00334 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00335 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00336 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00337 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00343 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00344 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00352 (Hideki Goda , Yukihisa Shimada)
ME00356 (Takatoshi Kiba , Takeshi Mizuno)
ME00357 (Hideki Goda , Shigeo Yoshida , Tadao Asami , Yukihisa Shimada)
ME00358 (Hideki Goda , Shigeo Yoshida , Tadao Asami , Yukihisa Shimada)
ME00359 (Hideki Goda , Shigeo Yoshida , Tadao Asami , Yukihisa Shimada)
ME00360 (Hideki Goda , Shigeo Yoshida , Tadao Asami , Yukihisa Shimada)
lig: AtGenExpress light treatment
ME00345 (Thomas Kretsch)
str: AtGenExpress stress series
ME00325 (Cecilia D`Angelo , Joachim Kilian , Joerg Kudla , Oliver Batistic , Stefan Weinl)
ME00326 (Holger Puchta , I-Peng Chen)
ME00327 (Cecilia D`Angelo , Joachim Kilian , Joerg Kudla , Oliver Batistic , Stefan Weinl)
ME00328 (Cecilia D`Angelo , Joachim Kilian , Joerg Kudla , Oliver Batistic , Stefan Weinl)
ME00329 (Jakub Horak , Klaus Harter)
ME00330 (Dierk Wanke , Klaus Harter)
ME00338 (Cecilia D`Angelo , Joachim Kilian , Joerg Kudla , Oliver Batistic , Stefan Weinl)
ME00339 (Lutz Nover , Pascal von Koskull-Döring)
ME00340 (Andrea Ditzer , Dorothea Bartels , Hans-Hubert Kirch)
tis: AtGenExpress development
ME00319 (Detlef Weigel , Jan Lohmann , Markus Schmid
Condition-specific gene coexpression in ATTED-II (LS index)
No full textThe coexpression index has changed in recent versions of ATTED-II.
ATTED-II ver 11: z-score of LS index (larger value indicates stronger coexpression)
ATTED-II ver 10: LS index (larger value indicates stronger coexpression)
ATTED-II ver 4 to ver 9: MR index (smaller value indicates stronger coexpression)
To continue providing the condition-specific gene coexpression data, they were converted to z-score of the LS index.
ATTED-II ver 6.0 (September 2010): MR index. AGI (Arabidopsis Genome Initiative) code.
ATTED-II ver 11.0 (February 2021): z-score of the LS index. EGI (Entrez Gene ID)code.
Reference of condition-specific gene coexpression data in ATTED-II
Obayashi et al. (2011) ATTED-II updates: condition-specific gene coexpression to extend coexpression analyses and applications to a broad range of flowering plants. Plant Cell Physiol. 52. 213-9.
https://pubmed.ncbi.nlm.nih.gov/21217125/
Detail of the condition-specific gene coexpression data
The condition-specific gene coexpression data are based on the following AtGenExpress expression data.
https://www.arabidopsis.org/portals/expression/microarray/ATGenExpress.jsp
bio: AtGenExpress biotic treatment
ME00341 (Carine Denoux , Fred Ausubel , Julia Dewdney , Simone Ferrari)
ME00353 (Xinnian Dong)
ME00331 (Birgit Kemmerling , Thorsten Nürnberger)
ME00332 (Frederic Brunner , Thorsten Nürnberger)
ME00342 (Dierk Scheel , Frederic Brunner , Lore Westphal)
ME00354 (Fred Ausubel , Julia Dewdney)
hor: AtGenExpress hormone treatment
ME00333 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00334 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00335 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00336 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00337 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00343 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00344 (Hideki Goda , Shigeo Yoshida , Yukihisa Shimada)
ME00352 (Hideki Goda , Yukihisa Shimada)
ME00356 (Takatoshi Kiba , Takeshi Mizuno)
ME00357 (Hideki Goda , Shigeo Yoshida , Tadao Asami , Yukihisa Shimada)
ME00358 (Hideki Goda , Shigeo Yoshida , Tadao Asami , Yukihisa Shimada)
ME00359 (Hideki Goda , Shigeo Yoshida , Tadao Asami , Yukihisa Shimada)
ME00360 (Hideki Goda , Shigeo Yoshida , Tadao Asami , Yukihisa Shimada)
lig: AtGenExpress light treatment
ME00345 (Thomas Kretsch)
str: AtGenExpress stress series
ME00325 (Cecilia D`Angelo , Joachim Kilian , Joerg Kudla , Oliver Batistic , Stefan Weinl)
ME00326 (Holger Puchta , I-Peng Chen)
ME00327 (Cecilia D`Angelo , Joachim Kilian , Joerg Kudla , Oliver Batistic , Stefan Weinl)
ME00328 (Cecilia D`Angelo , Joachim Kilian , Joerg Kudla , Oliver Batistic , Stefan Weinl)
ME00329 (Jakub Horak , Klaus Harter)
ME00330 (Dierk Wanke , Klaus Harter)
ME00338 (Cecilia D`Angelo , Joachim Kilian , Joerg Kudla , Oliver Batistic , Stefan Weinl)
ME00339 (Lutz Nover , Pascal von Koskull-Döring)
ME00340 (Andrea Ditzer , Dorothea Bartels , Hans-Hubert Kirch)
tis: AtGenExpress development
ME00319 (Detlef Weigel , Jan Lohmann , Markus Schmid
Tadao Ando: minimal art y humanidad
No full textEl Minimalismo o Minimal Art es una corriente artística caracterizada por el empleo de un número reducido de elementos, mediante una extrema simplificación geométrica y desde un punto de vista material y cromático. En ese sentido, geometría, material y color pasan a ser las tres claves del lenguaje formal minimalista. Sin embargo, la componente intelectual es también fundamental, debido a la apuesta por una esencialidad que descarta lo innecesario. Por otro lado, en la primera mitad del siglo XX se produjo una tendencia hacia la abstracción, la cual se había iniciado con el Suprematismo de Malevich y su obra “Blanco sobre blanco” de 1917. Así, el Minimal Art fue un movimiento artístico heredero de movimientos artísticos como el Constructivismo ruso, el Neoplasticismo holandés o la Bauhaus alemana. En relación con la obra de Tadao Ando, los dos rasgos esenciales de la misma son, en palabras de Vittorio Gregotti, la voluntad de una arquitectura universal, mediante el lenguaje de la geometría, la simplicidad, la uniformidad material y la atemporalidad, así como la integración en el paisaje. Según este mismo autor, son además claras las influencias de dos artistas minimalistas, Carl Andre y Richard Serra. Se trata, por ello, de analizar y clarificar el potencial implícito de los recursos artísticos del Minimal Art en la obra de Tadao Ando. Así, cobran importancia cuestiones tales como la impresión sensorial, en relación con un reduccionismo formal, pero también su implicación conceptual, habida cuenta del papel de protagonismo del espectador.Minimalism or Minimal Art is an artistic current characterized by the use of a small number of elements, through an extreme geometric simplification and from a material and chromatic point of view. In that sense, geometry, material and color become the three keys to the minimalist formal language. However, the intellectual component is also fundamental, due to the commitment to an essentiality that discards the unnecessary. On the other hand, in the first half of the twentieth century there was a tendency towards abstraction, which had begun with Malevich's Suprematism and his work "White on White" of 1917. Thus, Minimal Art was an artistic movement heir to artistic movements such as Russian Constructivism, Dutch Neoplasticism or the German Bauhaus. In relation to the work of Tadao Ando, the two essential features of it are, in the words of Vittorio Gregotti, the will of a universal architecture, through the language of geometry, simplicity, material uniformity and timelessness, as well as integration into the landscape. According to this same author, the influences of two minimalist artists, Carl Andre and Richard Serra, are also clear. It is, therefore, to analyze and clarify the implicit potential of the artistic resources of Minimal Art in the work of Tadao Ando. Thus, issues such as sensory impression, in relation to a formal reductionism, but also its conceptual implication, take on importance, given the role of the viewer's protagonism
Water as an element of the idea and composition in Tadao Ando's architecture
No full textTadao Ando to japoński twórca kojarzony zazwyczaj z architekturą betonową. W jego ascetycznych, utrzymanych w nurcie minimalizmu realizacjach dostrzec można udane przykłady włączenia elementów natury w geometrię tworzonej przez niego architektury. Woda stanowi jeden z kluczowych elementów natury, który Ando wykorzystuje zarówno do kształtowania głównej idei architektonicznej budynku, jak i do komponowania formy obiektu czy jego bezpośredniego otoczenia. Analizując dokonania realizacyjne Ando należy uznać go za jednego z najbardziej konsekwentnych architektów współczesności, który w tak różnorodny sposób wprowadza element wody do swoich licznych projektów. Na przykładzie dokonań Tadao Ando starano się wskazać możliwości estetycznego wykorzystania elementu wody we współczesnej architekturze, który to znajduje zastosowanie zarówno w kształtowaniu zamysłu głównej idei architektonicznej budynku, jak i jako środek kompozycji w tworzeniu wyrafinowanej i subtelnej formy obiektu oraz jego najbliższego otoczenia.Tadao Ando is a Japanese artist usually associated with concrete architecture. His ascetic minimalist works include examples that successfully incorporate the elements of nature into the geometry of the architecture he creates. Water constitutes one of the key elements of nature that Ando uses both to shape the main architectural idea of the building and to compose the form of the structure or its immediate surroundings. The analysis of the artist’s architectural achievements allows one to consider Ando one of the most consistent contemporary architects who introduces water element to his numerous projects in such a variety of ways. Presenting Tadao Ando’s achievements, the author attempts to indicate the possibilities of the aesthetic use of water in contemporary architecture, which finds application both in shaping the main architectural idea of the building and, as a means of composition, in creating a refined and subtle form of the structure and its immediate surroundings
Potential of Basic Geometric Shapes in Architecture Case study: Tadao Ando
No full textTwo thousand years ago, Roman author and architect, Vitruvius (c. 80–70 BC – after c. 15 BC) insisted that all buildings should have three attributes: firmitas (strength), utilitas (utility), and venustas (beauty). While the first two components are precisely defined, third one, because of its artistic features, is relatively undefined and the topic of many discussions between different theorists even nowadays. Starting from the point of view that the architectural form is not simply the manifestation of geometric shapes that participated on the composition, but also the nature of materials, textures, light and many other components, the focus of this paper is to highlight and define the potential of basic geometric shapes (Platonic Solids) on the overall esthetic communication of the architectural form. In this context, has been analyzed the opus of one of the most significant architects of nowadays, Tadao Ando, who is notable for shaping his buildings using very pure geometrical shapes
Creation of function regulators of plant hormones and their application to physiology, genetics and agriculture
No full textTadao Umesao’s Sketch Materials from his Fieldwork in Inner Mongolia
No full text国立民族学博物館の創設に尽力し，初代館長をつとめた梅棹忠夫は，1944 年
から45 年にかけて現在の中国内モンゴル自治区で現地調査を行い，多くの資
料をのこした。それらの資料のうち約200 点のスケッチは，当時の物質文化に
関する優れた民族誌資料となっている。本稿では，共同研究の成果にもとづい
て，オリジナルな資料の概要を紹介し，変容しつつある現在から歴史的価値を
確認するTadao Umesao who devoted himself to founding the National Museum
of Ethnology in Japan and was its first director, undertook fieldwork in Inner
Mongolia during his youth, from 1944 to 1945. He left many files and documents
and about 200 sketches, which are regarded as good materials for ethnography.
In this report the author outlines this original material based on
joint international research and confirms its historical value for material culture
studies from the point of view of presented day fieldwork.Working Paperdepartmental bulletin pape
Creation of function regulators of plant hormones and their application to physiology, genetics and agriculture
No full textThe Bible in imperial Japan, 1850-1950
No full textThis thesis undertakes to apply some of the insights from postcolonial criticism to understand the history of Christianity in Japan, focusing on key Christian thinkers in the period since Japan’s national isolation ended in the mid 19th century.
It studies these theologians' interaction with the the Bible as a “canonical” text in the Western civilisation, arguing for a two-way connection between Japan’s reception of Christianity and reaction to the West. In particular, it considers the process through which Christianity was employed to support or criticise Japan’s colonial discourse against neighbouring Asian countries. In this process, I argue that interpretation of the Bible was a political act, informed not simply by the text itself, but also by the interpreter’s positionality in the society.
The thesis starts by reviewing the history of Christianity in Japan. The core of the thesis consists of three chapters, each of which considers the thought of two contemporaries. Ebina Danjo (1866-1937) and Uchimura Kanzo (1861-1930) were two first-generation Christians who converted to Christianity through missionaries from the United States, and responded to Japan’s westernisation and military expansion from opposite perspectives. Kagawa Toyohiko (1888-1960) and Yanaihara Tadao (1893-1961) spoke about the country’s situation in the years preceding the Asia-Pacific War (1941-1945), and again reached two different conclusions. Nagai Takashi (1908-1951) and Kitamori Kazo (1916-1998) were Christian voices immediately after the war, and both dealt with the issue of suffering. Each chapter explores how the formation of their thoughts was driven by their particular historical, economic, and social backgrounds. The concluding chapter outlines Christian thought in Japan today and deals with the major issue facing Japanese theology: cultural essentialism
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