1,721,243 research outputs found

    Enabling DEMO:POLIS

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    3D City Simulation by Stefan Müller Arisona, FHNW - Institute of 4D Technologies; in collaboration with Ruth Dalton, Northumbria University and Christoph Hölscher, ETH Züric

    Perancangan Video Klip Berbasis Animasi 2D Lagu yang Berjudul Keroncong Dansa dari Band Kos Atos.

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    RINGKASANRahman, Arisona. 2018. Perancangan Video Klip Berbasis Animasi 2D Lagu yang Berjudul Keroncong Dansa dari Band Kos Atos. Tugas Akhir, Program Studi D3 Game Animasi, Jurusan Seni dan Desain FS Universitas Negeri Malang. Pembimbimg: (I) Moch. Abdul Rohman, S.Sn.,M.Sn.Kata kunci: Perancangan, Video Klip, Animasi 2D.Perancangan ini dibuat menggunakan metode perancangan yang bersifat prosedural yang menerangkan langkah-langkah yang dilakukan untuk menghasilkan sebuah produk. Data yang dipakai sebagai acuan berupa data-data yang bersumber dari buku, internet, dan wawancara di lapangan.Hasil dari perancangan ini adalah sebuah video klip berbasis animasi 2D berdurasi 4 menit 36 detik lagu Keroncong Dansa dari Band Kos Atos yang dapat meningkatkan popularitas band Kos Atos.Tujuan dari disusunya perancangan Video Klip berbasis Animasi 2D lagu Keroncong Dansa dari Band Kos Atos ini adalah menghasilkan sebuah video klip berupa video berbasis animasi 2D yang nanti bisa menambah keunikan dari sebuah video klip dan lebih mengangkat potensi dari band Kos Atos

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Live visuals

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    Live visuals have become a pervasive component of our contemporary lives; either as visible interfaces that re-connect citizens and buildings overlaying new contextual meaning or as invisible ubiquitous narratives that are discovered through interactive actions and mediating screens. The contemporary re-design of the environment we live in is in terms of visuals and visualizations, software interfaces and new modes of engagement and consumption. This LEA volume presents a series of seminal papers in the field, offering the reader a new perspective on the future role of Live Visuals. Contributors: Lanfranco Aceti, Brian Herczog, Dominic Smith, Don Ritter, Elif Ayiter, Gabriel Menotti, Jihoon Kim, Kirk Woolford, Leonard J. Paul, Tyler Freeman, Nuno N. Correia, Lukas Treyer, Stefan Muller Arisona, Gerhard Schmitt, Vince Dziekan, Chris Meigh-Andrews, Rowan Blaik, Alan Summers, Atau Tanaka, Yana (Ioanna) Sakellion, Yan Da, Paul Goodfellow, Steve Gibson, Peter Richardson, Jackson 2bears, Jamie Allen, Guerino Mazzola, David Walsh, Lauren Butler, Aleksey Polukeyev, Adriana Sa, Léon McCarthy, Kate Sicchio, Mark Chavez, Yun-Ke Chang, Joshua B. Mailman

    Live Visuals: History, Theory, Practice

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    This volume surveys the key histories, theories and practice of artists, musicians, filmmakers, designers, architects and technologists that have worked and continue to work with visual material in real time. Covering a wide historical period from Pythagoras’s mathematics of music and colour in ancient Greece, to Castel’s ocular harpsichord in the 18th century, to the visual music of the mid-20th century, to the liquid light shows of the 1960s and finally to the virtual reality and projection mapping of the present moment, Live Visuals is both an overarching history of real-time visuals and audio-visual art and a crucial source for understanding the various theories about audio-visual synchronization. With the inclusion of an overview of various forms of contemporary practice in Live Visuals culture – from VJing to immersive environments, architecture to design – Live Visuals also presents the key ideas of practitioners who work with the visual in a live context. This book will appeal to a wide range of scholars, students, artists, designers and enthusiasts. It will particularly interest VJs, DJs, electronic musicians, filmmakers, interaction designers and technologists

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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