1,720,955 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Representasi Ideologi Komunisme Dan Kepentingan Politis Dalam Lukisan Hendra Gunawan

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    Penelitian ini berupaya menggali kepentingan politik dan ideologi komunisme yang dianggap terepresentasi dalam lukisan Hendra Gunawan oleh rezim Orde Baru. Dengan menggunakan metode analisis isi, penelitian ini akan melihat kembali maksud yang berusaha disampaikan Hendra Gunawan dalam l0 lukisan bertema kehidupan rakyat yang berasal dari rentang tahun 1950-1968, suatu fase dimana intervensi partai politik dalam ranah kesenian dicurigai banyak terjadi. Dengan melihat kesesuaian antara pesan yang disampaikan Hendra dalam lukisannya, dengan indikator yang dirancang berdasarkan Prinsip Kesenian 1959 yang banyak memuat kepentingan politik kelompok komunis diranah kebudayaan, dapat dikatakan bahwa lukisan Hendra Gunawan merupakan lukisan yang cukup ideal bagi kepentingan kelompok komunis, dengan memenuhi 4 dari 5 aspek, yaitu aspek ideologis, perjuangan kelas, nilai budaya, dan aspek praktis. Namun tidak terpenuhinya 1 aspek berupa penggambaran kondisi ideal revolusi menghasilkan kemungkinan bahwa idealisme Hendra masih terjaga, satu kemungkinan yang sekaligus menjadi kelemahan dari penelitian ini, selain dari fokus penelitian yang hanya mengangkat 1 tokoh. Terlepas dari hal tersebut upaya pengungkapan fakta tentang Hendra Gunawan sangat penting untuk dilakukan sebab pada masanya Hendra dengan karyanya diakui sebagai salah satu maestro lukis yang dikenal secara luas, maka hilangnya sosok Hendra dari buku-buku sejarah telah menghilangkan salah satu bagian terpenting dari dunia Kesenian Indonesia

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Studi Analisis Isi: Representasi Kritik Politik dan Ideologi Komunis pada Lukisan Karya Hendra Gunawan

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    This study seeks to explore the political interests and ideology of communism which are considered to be represented in the paintings of Hendra Gunawan by the Orde Baru regime. Using the content analysis method, this study will review the intent that Hendra Gunawan was trying to convey in 10 paintings themed on people\u27s lives from 1950 to 1968, a phase where political party intervention in art is suspected. The results showed that there was a match between the political interests of the communist group and the interpretation of the painting in the form of messages expressed by Hendra in his paintings. By looking at the compatibility between the message conveyed by Hendra in his painting, and the indicators designed based on the Prinsip Kesenian 1959, most of which contain the political interests of the communist group in the cultural realm. So it can be concluded that Hendra Gunawan\u27s painting is a painting that is quite ideal for the interests of the communist group, by fulfilling 4 of 5 aspects, namely ideological aspects, class struggle, cultural values, and practical aspects. However, the non-fulfillment of 1 aspect in the form of describing the ideal conditions of the revolution resulted in the possibility of Hendra\u27s idealism being maintained, a possibility that is also a weakness of this research, in addition to the focus of research which only raises 1 character. Apart from that, it is very important to reveal the facts about Hendra Gunawan, because at that time Hendra with his work was recognized as one of the widely known masters of painting. It is hoped that, even though his paintings contain the ideology of communism, this does not necessarily become the reason for the disappearance of Hendra\u27s figure from history books. Because by eliminating the name Hendra Gunawan, it means you have removed an important part of the Indonesian art heritage. Key Words : representation, politics, communism, paintings, hendra gunawan  Penelitian ini berupaya menggali kepentingan politik dan ideologi komunisme yang dianggap terepresentasi dalam lukisan Hendra Gunawan oleh rezim Orde Baru. Dengan menggunakan metode analisis isi, penelitian ini akan melihat kembali maksud yang berusaha disampaikan Hendra Gunawan dalam 10 lukisan bertema kehidupan rakyat yang berasal dari rentang tahun 1950-1968, suatu fase dimana intervensi partai politik dalam ranah kesenian dicurigai banyak terjadi. Hasil penelitian menunjukkan adanya kesesuaian antara kepentingan politik kelompok komunis dengan hasil interpretasi lukisan berupa pesan yang diungkapkan Hendra dalam lukisannya. Dengan melihat kesesuaian antara pesan yang disampaikan Hendra dalam lukisannya, dengan indikator yang dirancang berdasarkan Prinsip Kesenian 1959 yang banyak memuat kepentingan politik kelompok komunis diranah kebudayaan. Sehingga dapat disimpulkan bahwa lukisan Hendra Gunawan merupakan lukisan yang cukup ideal bagi kepentingan kelompok komunis, dengan memenuhi 4 dari 5 aspek, yaitu aspek ideologis, perjuangan kelas, nilai budaya, dan aspek praktis. Namun tidak terpenuhinya 1 aspek berupa penggambaran kondisi ideal revolusi menghasilkan kemungkinan bahwa idealisme Hendra masih terjaga, satu kemungkinan yang sekaligus  menjadi kelemahan dari penelitian ini, selain dari fokus penelitian yang hanya mengangkat 1 tokoh. Terlepas dari hal tersebut upaya pengungkapan fakta tentang Hendra Gunawan sangat penting untuk dilakukan, sebab pada masanya Hendra dengan karyanya diakui sebagai salah satu maestro lukis yang dikenal secara luas. Diharapkan, meski ideologi komunisme terdapat dalam karya lukisannya, namun hal itu tidak serta merta dapat dijadikan alasan hilangnya sosok Hendra dari buku-buku sejarah. Karena dengan menghapus nama Hendra Gunawan, berarti telah menghilangkan salah satu bagian penting dari dunia kesenian Indonesia. Kata Kunci: Komunisme, Ideologi, Lukisan, Hendra Gunawan   &nbsp

    Social Class Representation in Toyota Commercial Series Film: Ending Love in 3 Episodes

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    Mengakhiri Cinta Dalam 3 Episode is a movie series directed by Yandy Laurens and produced in 2018 as part of Toyota\u27s promotional strategy to introduce one of their latest models, Yaris. This hatchback type vehicle was first marketed in Indonesia in 2006 with a market segmentation of consumers from the middle class and the age range of 35-50 years and in the latest model, Toyota shifted the target market of Yaris by targeting the 20-30 age group with the middle to upper economic level called young and affluent drivers. The purpose of this research is to find out how the young and affluent group is represented in the movie series Ending Love in 3 Episodes, as a way for Toyota to reach the new target market. Stuart Hall\u27s representation theory is used as the main theory, along with Rothschild\u27s semiotic theory which is used to analyze the images shown in the film to represent the young and affluent drivers. The research was conducted by analyzing the film series Mengakhiri Cinta Dalam 3 Episode which aired on Toyota Indonesia\u27s Youtube channel, the method used is to separate the signs that appear throughout the film that relate to the representation of the young and affluent driver group.[JV1] The results of this study found that this film series represents certain social groups which are their target market through the depiction of the main character, storyline, setting that represents the traits inherent in the target market.Keywords: Movie Series, Toyota Advertisement, Social Class, Commercial, RepresentationMengakhiri Cinta Dalam 3 Episode is a movie series directed by Yandy Laurens and produced in 2018 as part of Toyota\u27s promotional strategy to introduce one of their latest models, Yaris. This hatchback type vehicle was first marketed in Indonesia in 2006 with a market segmentation of consumers from the middle class and the age range of 35-50 years and in the latest model, Toyota shifted the target market of Yaris by targeting the 20-30 age group with the middle to upper economic level called young and affluent drivers. The purpose of this research is to find out how the young and affluent group is represented in the movie series Ending Love in 3 Episodes, as a way for Toyota to reach the new target market. Stuart Hall\u27s representation theory is used as the main theory, along with Rothschild\u27s semiotic theory which is used to analyze the images shown in the film to represent the young and affluent drivers. The research was conducted by analyzing the film series Mengakhiri Cinta Dalam 3 Episode which aired on Toyota Indonesia\u27s Youtube channel, the method used is to separate the signs that appear throughout the film that relate to the representation of the young and affluent driver group.[JV1] The results of this study found that this film series represents certain social groups which are their target market through the depiction of the main character, storyline, setting that represents the traits inherent in the target market. Keywords: Movie Series, Toyota Advertisement, Social Class, Commercial, Representatio

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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