1,720,978 research outputs found
Cuento de un cipote: Memoria, niñez y literatura en Siglo de o(g)ro de Manlio Argueta
This manuscript highlights the literary career of Manlio Argueta and comments on the Siglo de o(g)ro, where the author reflects his childhood and adolescence. This work studies the novelist aspect of the writer, used to denounce the social effervescence of those years, since El Salvador faces a civil war. In this novel, past times are redeemed, the author's category of memory is rescued.Este manuscrito destaca la trayectoria literaria de Manlio Argueta y comenta la Siglo de o(g)ro, donde el autor refracta su niñez y adolescencia. Con esta obra se estudia la faceta de novelista del escritor, usada para denunciar la efervescencia social de esos años, pues El Salvador enfrenta una guerra civil. En esta novela se redimen los tiempos pasados, se rescata la categoría de memoria en el autor
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Biblioteca Nacional y custodia del patrimonio
Two years before its 150th. anniversary, the National Library has become a silent leader for the regulations of all public libraries in the country. As part of its work, it has complied with the duties of protecting, preserving, and promoting the bibliographic heritage of El Salvador. Its function as a regulating leader has been ignored by both politicians and society in general although they are aware of the relevance that such intellectual resource has for the cultural identity of the people and the knowledge necessary for human development. Knowing the heart of the most important library in the country allows us to find a bibliographic wealth of national history, which now has to compete in disadvantage with the digital era and the new technologies.A dos años de cumplir un siglo y medio en su función de proteger, conservar y promover el patrimonio bibliográfico de El Salvador, la Biblioteca Nacional se ha convertido en la rectora silenciosa de los lineamientos que deben seguir las pocas bibliotecas públicas que existen en el país. Es una tarea que por años ha pasado inadvertida por políticos y sociedad en general, a sabiendas de la importancia que juega este recurso intelectual para la identidad cultural de los pueblos y el conocimiento para el desarrollo humano. Conocer el interior de la biblioteca más importante del país, permite hallar una riqueza bibliográfica en historia nacional la cual compite, con desventaja, con la era digital y las nuevas tecnologías
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Antología de poesía femenina de El Salvador
Ana Escoto- Invitación a ser niño- El hombre que quería construir su propio aviónMiroslava Rosales- Venida- Tus ojos- Tu corazón- Tus manos- Sismo y reposo- Estar ahí en el silencio- Tierno árbol- Solo- El puenteXochitl Cabrera- Misericordia- Aborto- Encuentro- Cuarto MenguanteAlondra Umanzor- Conjugación perfecta- Ceumo- Cambro- Soy mujerLauri García- Mi hermano- Quiero habitar tus noches- Más allá de tus pájarosLigia Molina- Cuando quiera decir si pero no encuentre la palabra- Flotando en la misma nube- Retrato de la respuesta primera- Succubus- En tus ojos- En tu cabello hace neblina- Mujer y muerte- Alicia recomienda- Domesticidades- El deseo- Las noches en un balcón del VirreyesElena Salamanca- Cuando yo sea medieval- Sobre el mito de Santa Tecla- Encuentro- Sin título ni ánimo de lucro- Oración para el que no vuelve- Usted- Novios comunes- Al muchacho lo suspiro- Él tiene pies de agua- Los odios- Los enamorados no sabenSusana reyes- Álbum de niñas con abuelaRoxana Méndez- Memoria- Puntos de luz…- Fotografía aún no tomada- Los pájaros- Al final de la nocheElizabeth Torres- Perturbación- Petición urgente- Una vida nueva- Los ladrone
La fantasía creadora.
Para adentrarse con mejor claridad al problema de la fantasía quizás sea bueno partir desde los conceptos que de ella tenemos por el conocimiento vulgar: Así decimos de un niño que se construye mundos fantásticos, hablando de seres inexistentes; o del adulto que su fantasía le hace producir "sueños de grandeza"
- …
