1,720,989 research outputs found
Phrasal Monarchy of Choudhary in Indian English Poetry
Arbind Kumar Choudhary is basically a big gun of the literary passages whose racy style of versification, Indianised version of sonnets, phrasal passages, proverbial pigments and uses of various figures of speech glitter like butter for the aster of its nectar. The popularity of his innovative poetic passages persuades a number of his verse-suitors and compels them to abide by his track of versification. Being a game person of the creative groves Arbind Kumar Choudhary tried his best to set the Thames on fire without fear or favour. His immense popularity amidst the creative writers in a short span of his poetic career makes him a poet of high water mark in Indian writing in English. Arbind Kumar Choudhary is really a poet of high water mark in Indian English poetry without mystery
Phrasal Movement in Indian English Poetry
Indian English poetry has produced a number of literary movements; Aurobindonean School of Poetry, Ezekielen School of Poetry, Confessional School of Poetry, Subaltern School of Poetry and, above all, the Phrasal Movement for the spiritual whirlwind for Tom, Dick and Harry in general and the versifiers in particular in spite of the materialistic monarchy infecting the society. The Phrasal Movement in Indian English Poetry that runs wild from alpha and omega of the verses of the poet Arbind Kumar Choudhary speaks volumes about his gigantic poetic personality in and outside India
The Phrasal King in Indian English Poetry
H. L.V. Derozio, R. N. Tagore, Aurobindo, Kamala Das, Sarojini Naidu, Deen Mohammed, Nissim Ezekiel, Toru Dutta, and Arbind Kumar Choudhary have been honored with the literary designations of first Indian English poet, Indian Shakespeare, Indian Milton, Indian Sylvia Plath, Nightingale of India, first diaphoric writer of Indian origin, father of post- independence Indian English verse, first Indian English poetess and the Phrasal King in the firmament of English poetry in general and the Indian English poetry in particular. The junction of the phrasal words fires the poetic potion of the peeping poets for the Phrasal Movement in Indian writing in English. This concept of literary tradition that is sprouted from the soil of India makes the muse lovers proud of themselves.
 
Dysregulated microbiota-gut-brain axis
Purpose
This paper aims to summarize the available literatures, specifically in the following areas: metabolic and other side effects of aspartame; microbiota changes/dysbiosis and its effect on the gut-brain axis; changes on gut microbiota as a result of aspartame usage; metabolic effects (weight gain and glucose intolerance) of aspartame due to gut dysbiosis; and postulated effects of dysregulated microbiota-gut-brain axis on other aspartame side-effects (neurophysiological symptoms and immune dysfunction).
Design/methodology/approach
Aspartame is rapidly becoming a public health concern because of its purported side-effects especially neurophysiological symptom and immune dysregulation. It is also paradoxical that metabolic consequences including weight gain and impaired blood glucose levels have been observed in consumers. Exact mechanisms of above side-effects are unclear, and data are scarce but aspartame, and its metabolites may have caused disturbance in the microbiota-gut-brain axis.
Findings
Additional studies investigating the impact of aspartame on gut microbiota and metabolic health are needed.
Originality/value
Exact mechanism by which aspartame-induced gut dysbiosis and metabolic dysfunction requires further investigation.
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Screening of pigeonpea genotypes for nutrient uptake efficiency under aluminium toxicity
Exploring the Explorer: My Conversation With Dr. A. K. Choudhary
Arbind Kumar Choudhary, the propagator of the cultural beauty of India to the world, needs no recognition in the contemporary literary society in India and abroad who credits more than 1200 sensational poems published in India, Mongolia , Canada, China, Cyprus, Greece, Malta and England besides two journals, national and global awards and fifty published interviews in Malta, Romania, Albania and India for the prosperity of Indian culture all around the corner. There are a number of his poetry suitors in India and abroad, the chief among them consist: Bernard. M. Jackson, Les Merton,Kurt.F.Svatek, JoyRaineyKing,John.B.Lee,Stephen Gill,Prof.NDRChandra, Prof.SCDwivedi,Prof.Mahendra Bhatnagar,Prof.TVReddy, poet Mahashweta Chaturvedi,Biplab Majumder, B.K. Dubey and a host of others. As an explorer Dr.Choudhary has been credited with two new models of versification --- Indianized version of sonnets and racy style unanimously called Arbindonean Sonnets and Arbindonean Racy Style by a number of the poetry lovers in India and abroad. ‘Poetic Pigments of A.K.Choudhary’, a critical anthology on his works is already published in 2010. His name is enlisted in Cambridge Dictionary of International Writers (2009),and World Poetry Almanac(2008),Mongolia.This quatrain- king explores the new technique of this chronological sequence of the alphabets in a single quatrain that promotes his poetic personality to the rank of global celebrity. The rhyming pattern of his quatrain legs behind even the big stalwarts of the creative milieu in which innovation has become his poetic mission to stir a man of action for sanctification. Like Keats’ Odes his quatrains are also the literary jewels so far the composition, racy style, philosophy and thought are concerned. Arbind Kumar Choudhary, a big shot, a master spirit, a sphinx and, above all, a game person of the literary world, sets the Thames on fire with nine wonderful poetry collections, two literary journals, several international awards in India, China and America, a number of literary titles – Indian Keats, quatrain king, phrasal king, proverbial Samarat, mythical messiah, poet’s poet ,Indian sonneteer and many more and more than fifty published interviews in India, Malta, Mongolia and Romania in the history of Indian English poetry that glitter like butter even in sun and shower for the cluster of the aster .
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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