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    Phrasal Monarchy of Choudhary in Indian English Poetry

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    Arbind Kumar Choudhary is basically a big gun of the literary passages whose racy style of versification, Indianised version of sonnets, phrasal passages, proverbial pigments and uses of various figures of speech glitter like butter for the aster of its nectar. The popularity of his innovative poetic passages persuades a number of his verse-suitors and compels them to abide by his track of versification. Being a game person of the creative groves Arbind Kumar Choudhary tried his best to set the Thames on fire without fear or favour. His immense popularity amidst the creative writers in a short span of his poetic career makes him a poet of high water mark in Indian writing in English. Arbind Kumar Choudhary is really a poet of high water mark in Indian English poetry without mystery

    Phrasal Movement in Indian English Poetry

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    Indian English poetry has produced a number of literary movements; Aurobindonean School of Poetry, Ezekielen School of Poetry, Confessional School of Poetry, Subaltern School of Poetry and, above all, the Phrasal Movement for the spiritual whirlwind for Tom, Dick and Harry in general and the versifiers in particular in spite of the materialistic monarchy infecting the society. The Phrasal Movement in Indian English Poetry that runs wild from alpha and omega of the verses of the poet Arbind Kumar Choudhary speaks volumes about his gigantic poetic personality in and outside India

    The Phrasal King in Indian English Poetry

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    H. L.V. Derozio, R. N. Tagore, Aurobindo, Kamala Das, Sarojini Naidu, Deen Mohammed, Nissim Ezekiel, Toru Dutta, and Arbind Kumar Choudhary have been honored with the literary designations of first Indian English poet, Indian Shakespeare, Indian Milton, Indian Sylvia Plath, Nightingale of India, first diaphoric writer of Indian origin, father of post- independence Indian English verse, first Indian English poetess and the Phrasal King in the firmament of English poetry in general and the Indian English poetry in particular. The junction of the phrasal words fires the poetic potion of the peeping poets for the Phrasal Movement in Indian writing in English. This concept of literary tradition that is sprouted from the soil of India makes the muse lovers proud of themselves. &nbsp

    Dysregulated microbiota-gut-brain axis

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    Purpose This paper aims to summarize the available literatures, specifically in the following areas: metabolic and other side effects of aspartame; microbiota changes/dysbiosis and its effect on the gut-brain axis; changes on gut microbiota as a result of aspartame usage; metabolic effects (weight gain and glucose intolerance) of aspartame due to gut dysbiosis; and postulated effects of dysregulated microbiota-gut-brain axis on other aspartame side-effects (neurophysiological symptoms and immune dysfunction). Design/methodology/approach Aspartame is rapidly becoming a public health concern because of its purported side-effects especially neurophysiological symptom and immune dysregulation. It is also paradoxical that metabolic consequences including weight gain and impaired blood glucose levels have been observed in consumers. Exact mechanisms of above side-effects are unclear, and data are scarce but aspartame, and its metabolites may have caused disturbance in the microbiota-gut-brain axis. Findings Additional studies investigating the impact of aspartame on gut microbiota and metabolic health are needed. Originality/value Exact mechanism by which aspartame-induced gut dysbiosis and metabolic dysfunction requires further investigation. </jats:sec

    Exploring the Explorer: My Conversation With Dr. A. K. Choudhary

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    Arbind Kumar Choudhary, the propagator of the cultural beauty of   India to the  world, needs  no  recognition   in the contemporary literary society in India and  abroad  who   credits   more  than 1200  sensational poems published in India, Mongolia , Canada, China, Cyprus, Greece, Malta and England  besides  two journals, national  and  global awards  and fifty  published interviews in Malta, Romania, Albania and India  for the  prosperity  of  Indian  culture  all  around the  corner. There   are   a   number of his  poetry   suitors  in India and abroad, the   chief  among them consist: Bernard. M. Jackson, Les Merton,Kurt.F.Svatek, JoyRaineyKing,John.B.Lee,Stephen Gill,Prof.NDRChandra, Prof.SCDwivedi,Prof.Mahendra  Bhatnagar,Prof.TVReddy, poet Mahashweta Chaturvedi,Biplab   Majumder, B.K. Dubey and a host of others. As an explorer Dr.Choudhary  has   been  credited   with   two   new   models   of versification ---   Indianized version of sonnets and racy  style unanimously called  Arbindonean  Sonnets  and  Arbindonean   Racy  Style  by  a number  of  the   poetry  lovers   in   India  and abroad. ‘Poetic  Pigments  of   A.K.Choudhary’, a   critical   anthology on  his  works  is  already published in 2010. His  name   is   enlisted   in   Cambridge  Dictionary of International Writers  (2009),and  World  Poetry Almanac(2008),Mongolia.This quatrain- king  explores   the   new   technique of   this   chronological   sequence  of the   alphabets in  a   single quatrain  that promotes   his   poetic   personality   to the  rank of global  celebrity. The rhyming pattern   of   his   quatrain legs   behind  even  the  big   stalwarts  of  the  creative   milieu    in  which  innovation has  become his poetic mission to stir a man  of  action for sanctification. Like Keats’ Odes  his  quatrains   are   also   the literary jewels  so  far  the  composition,  racy   style,   philosophy   and   thought   are   concerned. Arbind  Kumar  Choudhary, a big shot, a master spirit, a sphinx and, above  all,  a   game  person  of   the  literary world, sets the Thames on fire with  nine  wonderful   poetry   collections, two literary  journals, several   international    awards   in   India, China  and  America, a  number  of  literary titles – Indian Keats, quatrain  king, phrasal king, proverbial Samarat, mythical messiah,  poet’s   poet ,Indian   sonneteer and many more and more than  fifty  published  interviews   in   India,  Malta, Mongolia  and Romania  in  the history of  Indian   English   poetry   that   glitter   like   butter   even   in   sun  and   shower   for   the   cluster   of   the  aster .      

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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