115,434 research outputs found
[Portrait of Norman Victor Appleton] [picture] /
Condition: good.; Title from caption on compactus card.; "N. V. Appleton, 1951, L13849" --compactus card
author-bios-SRD-19-0063.R1 – Supplemental material for The Network Structure of Police Misconduct
Supplemental material, author-bios-SRD-19-0063.R1 for The Network Structure of Police Misconduct by George Wood, Daria Roithmayr and Andrew V. Papachristos in Socius</p
History of Education, par F. V. N. Painter, professeur de langues modernes au Roanoke College, New-York. Appleton, 1886
Buisson Benjamin. History of Education, par F. V. N. Painter, professeur de langues modernes au Roanoke College, New-York. Appleton, 1886. In: La revue pédagogique, tome 10, Janvier-Juin 1887. pp. 459-460
Study of coater
Title from folder label.Project report form no. 21 dated February 17, 1959. Installation of the trailing blade coating station, blade honing and blade adjustments / Wallace E. Voeks, Frans Vaurio -- Project report form no. 22 dated March 11, 1959. Preparation of varying rheological systems as coating formulations / Wallace E. Voeks, Frans Vaurio -- Project report form no. 23 dated March 16, 1959. Study of the trailing blade with 45% solids starch-clay formulation modified with ammonium stearate / Wallace E. Voeks, Frans Vaurio -- Project report form no. 24 dated March 16, 1959. Study of the trailing blade with 45%, 60% and 74% solids sucrose-clay formulations / Wallace E. Voeks, Frans Vaurio -- Project report form no. 25 dated March 18, 1959. Treatment of paper with the Institute experimental coater / Wallace E. Voeks, Frans Vaurio -- Project report form no. 26 dated March 23, 1959. Trailing blade coating experiments conducted by Olin Mathieson Chemical Corporation / Wallace E. Voeks, Frans Vaurio -- Project report form no. 27 dated May 22, 1959. Modifying the Institute of Paper Chemistry Experimental coater / F. V. Vaurio -- Project report form no. 28 dated June 17, 1959. Study of the trailing blade with 65% solids coating formulation / Wallace E. Voeks, Frans Vaurio
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Selective delignification of wood and other fibrous materials: a final report on process studies and papermaking characteristics. Project 2500, report nineteen : a progress report to the Grantors
"July 5, 1973.""Institute of Paper Chemistry ... G. A. Nicholls ... V. J. Van Drunen.
Evaluation of analytical procedures for the analysis of kraft effluents. Project 2990, report one : a progress report to the National Council of the Paper Industry for Air and Stream Improvement, inc.
"March 22, 1972.""The Institute of Paper Chemistry, LeRoy G. Borchardt ... Carl V. Piper ... Irwin A. Pearl ... .
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
A Conversation with Wash. U Law Professor Susan Frelich Appleton on What the End of Roe v. Wade Means for Missourians
Takeaways from the Supreme Court’s decision in Dobbs v. Jackson Women’s Health Organizatio
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