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Apollonius von Pergen ebene Oerter
Apollonius von Pergen ; wiederhergestellt von Robert Simson ; aus dem Lateinischen übersezt, mit Berechnungen, Bermerkungen, und einer Sammlung geometrischer Aufgaben begleitet von Johann Wilhelm Camere
Imagery of psychological motivation in Apollonius Rhodius’ Argonautica and early Greek poetry
This thesis adopts a cognitive-phenomenological approach to Apollonius’
presentation of psychological imagery, thus eschewing the cultural-determinist
assumptions that have tended to dominate Classical scholarship. To achieve this, I
analyse relevant theories and results from the cognitive sciences (Theory of Mind,
agency, gesture, conceptual metaphor), as well as perceived socio-literary influences
from the post-Homeric tradition and the various advances (for example, medical)
from contemporary Alexandria. This interdisciplinary methodology is then applied to
the Argonautica in three large case studies: Medea and the simile of the sunbeam
(3.755-60), Heracles and the simile of the gadfly (1.1286-72), and, finally, the
poem’s overall psychological portrayal of Jason. In so doing, I show that Apollonius
conforms to cognitive universal patterns of psychological expression, while also
deploying and deepening his specific culture’s poetic, folk, and scientific models
Dramatische Szenen und andere Dichtungen / [Apollonius von Maltitz]
DRAMATISCHE SZENEN UND ANDERE DICHTUNGEN / [APOLLONIUS VON MALTITZ]
Dramatische Szenen und andere Dichtungen / [Apollonius von Maltitz] (1)
Cover (1)
Title page (3)
Titelseite (5)
Inhalt (7)
Das erste Verzeihn (9)
Zwei Gesänge zum Epos des ewigen Juden (47)
I. (49)
II. (67)
Anhang. (85)
Die Mutter und die Kinder. - Nach der Schlacht von Kollin. (87)
Die Begegnung. - Das letzte Lied. (103
Graz, Universitätsbibliothek Ms 1016 : Petrus Lombardus. Apollonius. Duo opera
1. (fol. 1r-42v) Petrus Lombardus: Questiones 2.-4. libri sententiarum2. (fol. 42v-45v) Tabula3. (fol. 45v-46r) a) Nota exegetica in Exod. 20, 20. b) Computacio Esdre4. (fol. 47v-71v) Apollonius: De arte notoria SalomonisTitel fingiert, Stand 2025Historische Signatur der Universitätsbibliothek Graz: 39/19 (Spiegelblatt vorne
Graz, Universitätsbibliothek Ms 1016 : Petrus Lombardus. Apollonius. Duo opera
1. (fol. 1r-42v) Petrus Lombardus: Questiones 2.-4. libri sententiarum2. (fol. 42v-45v) Tabula3. (fol. 45v-46r) a) Nota exegetica in Exod. 20, 20. b) Computacio Esdre4. (fol. 47v-71v) Apollonius: De arte notoria SalomonisTitel fingiert, Stand 2025Historische Signatur der Universitätsbibliothek Graz: 39/19 (Spiegelblatt vorne
Apollonii de tactionibus quae supersunt, ac maxime lemmata Pappi in hos libros graece...cum vietae librorum Apollonii restitutione..ac problematis Apolloniani historia; a Joanne Guilielmo Camerer
Apollonios Von Perg
Miracle-workers and magicians in the Acts of the Apostles and Philostratus' Life of Apollonius of Tyana.
The miracle-workers and magicians we meet in the Greco-Roman world and on the pages of Greco-Roman narratives are among the most difficult characters for modem scholars to understand. While Greco-Roman writers presume their readers will share their socio-cultural script and understand how one distinguishes between a legitimate miracle-worker and an illegitimate magician, this script is lost on modem scholars. Hindered first by absolute definitions for miracle and magic from social anthropology and then by relative definitions from the sociology of knowledge, this thesis calls for a re-engagement of the "historic imagination" with respect to these sorts of characters. In particular, this thesis suggests that a detailed investigation into the operation of characters labelled as performers of miracles or magic can reveal the criteria which distinguished the two in the minds of Greco-Roman Mediterraneans as well as revealing the practical outworking of the criteria themselves. Two narratives are chosen for this task-the canonical Acts of the Apostles, representing a Jewish- Christian angle, and Philostratus' Life of Apollonius of Tyana, representing a pagan angle. Methodologically the study proceeds by converting these narratives into "narrative worlds" and then subjecting the narrative worlds to a social investigation using models suggested by the work of Mary Douglas and Peter Brown. Under the rubric of "gaining power, " "intersecting power, " and "defending power" the two narrative worlds projected by these texts are compared and contrasted with respect to the criteria being used to distinguish miracle-worker from magician. The conclusion reached is that in both texts legitimacy for a mediator of divine power is found especially in demonstrating power without appearing desirous of personal gains. A miracle-worker is successful in this regard; a magician is one who fails in this regard
Suspense in Philostratus' Apollonius
This paper aims to show the ways in which suspense works in Philostratus' Apollonius. The author tries to keep his narrative unsurprising by making use of the ‘basic narrative pattern', a template which guarantees Apollonius' victory over any rival character he meets during his worldwide travels. We repeatedly find the protagonist gaining an upper hand over other socially distinguished figures and, through that process, come to be able to keep ourselves calm in the face of whatever happens to the Tyanean sage. The established pattern also allows the author to arrange his episodes in any order he wants because whatever he tells us in a given episode, his goal is always the same --the winner is Apollonius. So basically we have no choice but to acknowledge that Apollonius' conversations, which cover a large part of the work, are predictable and that the whole narrative is quite loosely structured. We, however, have the two important exceptions: the Nero episode and the Domitian episode. In these episodes, we can find Philostratus taking special care of his narrative arrangement to make the episodes exciting to read. More precisely, the author offers us various kinds of suspense, by which he makes the reader uncertain of the future of the protagonist, who is confronted with Nero's and Domitian's threatening antipathy. Even though we can expect Apollonius' victory over the tyrants relying on the ‘basic narrative pattern', still we cannot easily dismiss the possibility of his subordination to them. From these observations, we can conclude that Philostratus is not always an unthinking cataloguer. At least in the two episodes that feature Apollonius' conflict with the ‘anti-philosophy' emperors, the author can be seen as a sophisticated storyteller who struggles to entertain his readers by carefully arranging narrative components
Adiectae sunt eiusdem authoris annotatiunculae non aspernandae earum rerum quae tùm in ipso authore, tùm in commentariis notatu dignae visae sunt, inque certas classes seu locos communes distributae
Decuria locorum memorabilium ex Apollonii Rhodii Argonauticis, & in eadem vetustissimis scholiis excerptorum autore Valentino RotmaroDruckermarken, ZierinitialenSignaturen: [alpha]-[beta]⁸, a-p⁸, A-T⁸, V⁴, Aa-Tt⁸, Vu⁴, AA-HH⁸Translatio und Decuria locorum je mit eigener TitelseiteErscheinungsjahr gemäss Kolophon am Ende des griechischen Teils: "Basileae, ex officina Henricpetrina anno recuperatae nostrae salutis M D LXXII. mense Martio."Translatio eingeleitet mit einem Carmen von Philipp Menze
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