113,712 research outputs found
Gemini Apollo Effect of High G Stress Apollo 13
No full textA Data Graph that is labeled Effect of High G Stress on Astronaut 1, Apollo 13, during Reentry
L’Inno ad Apollo di Alceo
No full textAlcaeus’ Hymn to Apollo · In this article, I reconsider Alcaeus’ Hymn to Apollo (fr. 307 V.), with particular reference to (@) the consistency of the corpus of Al- caic ‘hymns’, their place in Alexandrian editions and their performative purpose; (2) the definition of the genre in the witnesses (hymn, paean or proem?) and the prob- lem of the presence of the Delphic Apollo in Lesbos; (3) the relationship between fr. 7 V. and the alleged journey of Alcaeus to Delphi; (4) the paraphrase of the hymn in Imerius. This is followed by (5) final considerations on the origin of this ‘hymn’, the Alcaeus’ hymns and Alexandrian editions, and the reliability of Imerius’ testimony
APOLLO ΞΥΝΕΤΟΣ E ΣΚΑΙΟΣ NEL DRAMMA ATTICO
No full textApollo ξυνετός and σκαιός in the Attic Drama. The paper considers some epithets defining Apollo in Greek tragedy (as for instance ξυνετός in S. OT, σκαιός in E. El.). These terms habitually imply a judgement towards the god and his action. In Aeschylus’ and Sophocles’ plays, characters tend to condemn Apollo’s ministers and seers for their weird oracles, whereas in Euripides the accusations against the god and his confusing and apparently deceitful prophecies are more direct and blatant. These accusations are for Euripides the symptom of the limits of human knowledge
Apollo di frontiera: un caso di studio
No full textThe contribution analyzes the dedication to Apollo present in the lucus Pisaurensis; in light of the new archaeological findings and the progress of studies, it examines the circumstances of its apposition, the skills exercised by the divinity, the relationships with the other deities of the local pantheon and the ritual episodes that may have required his involvement
A Study of PM2.5 and PM2.5-Associated Polycyclic Aromatic Hydrocarbons at an Urban Site in the Po Valley (Bologna, Italy)
No full textApollo : la divina bellezza
No full textIl volume contiene il racconto dei miti di cui è protagonista il dio Apollo, un'antologia di brani letterari commentati e una bibliografia
Lunar meteorite regolith breccias: an in situ study of impact melt composition using LA-ICP-MS with implications for the composition of the lunar crust
No full textDar al Gani (DaG) 400, Meteorite Hills (MET) 01210, Pecora Escarpment (PCA) 02007, and MacAlpine Hills (MAC) 88104/88105 are lunar regolith breccia meteorites that provide sampling of the lunar surface from regions of the Moon that were not visited by the US Apollo or Soviet Luna sample return missions. They contain a heterogeneous clast population from a range of typical lunar lithologies. DaG 400, PCA 02007, and MAC 88104/88105 are primarily feldspathic in nature, and MET 01210 is composed of mare basalt material mixed with a lesser amount of feldspathic material. Here we present a compositional study of the impact melt and impact melt breccia clast population (i.e., clasts that were generated in impact cratering melting processes) within these meteorites using in situ electron microprobe and LA-ICP-MS techniques. Results show that all of the meteorites are dominated by impact lithologies that are relatively ferroan (Mg#10), and have low incompatible trace element (ITE) concentrations (i.e., typically 10 ppm Sm), High Magnesium Suite (typically >70 Mg#) or High Alkali Suite (high ITEs, Sc/Sm ratios <2) target rocks. Instead the meteorite mafic melts are more ferroan, KREEP-poor and Sc-rich, and represent mixing between feldspathic lithologies and low-Ti or very low-Ti (VLT) basalts. As PCA 02007 and MAC 88104/05 were likely sourced from the Outer-Feldspathic Highlands Terrane our findings suggest that these predominantly feldspathic regions commonly contain a VLT to low-Ti basalt contribution
Apollo Belvedere—Front, 2011
No full text"Apollo Belvedere—Front" by G. James Brown was executed as a contemporary response to the long tradition of interpretative artworks. The drawing addresses the antique sculpture, "Apollo Belvedere", from the standpoint of a contemporary North Queensland artist's perception of the light and treatment of the portrayed subject. By design, the drawing is a point of comparison between European practices in the nineteenth century in translating the antique sculpture into drawings and the artist's personal art practice. An article discussing this drawing and its context may be found at: http://www.printsandprinciples.com/2012/05/james-brown-illustration-referencing.htm
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