123,438 research outputs found
Les phrases nominales en oḍā et en marāţhi
No full textKshirsagar Aparna. Les phrases nominales en oḍā et en marāţhi. In: Faits de langues, n°10, Septembre 1997. Les langues d'Asie du Sud. pp. 173-178
J. C. Berland, No Five Fingers Are Alike. Cognitive Amplifiers in Social Contexts
No full textRao Aparna. J. C. Berland, No Five Fingers Are Alike. Cognitive Amplifiers in Social Contexts. In: L'Homme, 1984, tome 24 n°2. pp. 130-131
Des Nomades méconnus Pour une typologie des communautés péripatétiques
No full textRao Aparna. Des Nomades méconnus Pour une typologie des communautés péripatétiques. In: L'Homme, 1985, tome 25 n°95. pp. 97-120
J. C. Berland, No Five Fingers Are Alike. Cognitive Amplifiers in Social Contexts
No full textRao Aparna. J. C. Berland, No Five Fingers Are Alike. Cognitive Amplifiers in Social Contexts. In: L'Homme, 1984, tome 24 n°2. pp. 130-131
La literatura dalit no es más que literatura humana: una lectura de poemas seleccionados de Aparna Lanjewar Bose
Get PDFRefusal to be pigeonholed in categories forms one of the distinct features of Aparna Lanjewar Bose’s poetry. The annoyance and fury which is prevalent in many of her poems bear the imprint of her frustration at the extremely divided way of thinking in India. Still, she is definitely a poet of the world; she defamiliarizes her subjects rather consciously, withholding personal even in her most intimate poems, she projects a worldview that breaks free from the parochial, localized- casteist identities of India. This paper focuses on selected poems of Aparna Lanjewar Bose where she finds her voice not just in Anglophone poetic space but in the broader field of Dalit poetry also. I will also look into her delicate handling of ‘Dalit’ as a category that is neither reductive nor merely rhetoric. Caste oppression is no longer limited to the Indian context, it is a humanitarian crisis that has been and needs to be continuously addressed at the international level. Hence, Aparna’s subject suffers not particular Indian suffering, instability, and slippages; but an entirely humane quandary that needs to be addressed at all levels.La negativa a ser encasillado en categorías constituye una de las características distintivas de la poesía de Aparna Lanjewar Bose. La molestia y la furia que prevalecen en muchos de sus poemas llevan la impronta de su frustración por la forma de pensar extremadamente dividida en la India. Aún así, definitivamente es una poeta del mundo; ella desfamiliariza a sus temas bastante conscientemente, ocultando lo personal incluso en sus poemas más íntimos, proyecta una visión del mundo que se libera de las identidades parroquiales y localizadas de castas de la India. Este artículo se centra en poemas seleccionados de Aparna Lanjewar Bose, donde encuentra su voz no solo en el espacio poético anglófono sino en el campo más amplio de la poesía dalit también. También examinaré su delicado manejo de \u27Dalit\u27 como una categoría que no es ni reduccionista ni meramente retórica. La opresión de castas ya no se limita al contexto indio, es una crisis humanitaria que ha sido y debe ser abordada continuamente a nivel internacional. Por lo tanto, el tema de Aparna no tiene el sufrimiento, la inestabilidad y los deslices particulares de los indios; es totalmente un dilema humano que debe abordarse en todos los niveles
A Multi-Language Comparison of Influences on Author Verification using Character N-Grams
No full textWe create a new multi-language corpus for author verification based on Wikipedia talkpages, and evaluate the influence that differences in topic and time have on character n-gram author profiles. Topic alignment between two texts is found to increase author verification precision, and an authors writing style is found to change over time, but not more significantly after 3 years than after 1 year.Information ArchitectureWISElectrical Engineering, Mathematics and Computer Scienc
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Bolboceras insulare Krikken 2013
No full textBolboceras insulare Krikken, 2013 Material examined. “ India, Tamil Nadu Distr., Viluppuram Auroville, 12°0[0]’ N 79°48’ E, leg. F. Burger, 01.viii.–05.x.2012 ”, 1 male (OHCB). Remarks. The species was previously only known from Sri Lanka. The specimen cited here represents a new country record for India.Published as part of Kalawate, Aparna & Hillert, Oliver, 2018, A new species and new records of the genus Bolboceras Kirby, 1819 (Coleoptera: Geotrupidae: Bolboceratinae) from India, pp. 595-599 in Zootaxa 4457 (4) on page 598, DOI: 10.11646/zootaxa.4457.4.10, http://zenodo.org/record/145799
The vanishing author in computer-generated works: a critical analysis of recent Australian case law
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The use of software is ubiquitous in the creation of many copyright works, yet the requirement in copyright law that every work have a human author who engages in independent intellectual effort means that its use may prevent copyright subsistence. Several recent Australian cases have refocused attention on authorship as an essential criterion of copyright subsistence, and these cases suggest that much computer-produced output may be authorless and thus lack copyright protection. This article, the first in a two-part series, analyses how each case deals with the question of authorship of computer-produced works and why the use of software diminishes copyright protection for a significant number of computer-generated works. The article critiques the application of conventional notions of human authorship developed in the pre-computer age to modern productions and suggests alternative approaches to authorship that satisfy both the major objectives of copyright policy and the need to adapt to the computer age. The article argues that, without a broader judicial approach to authorship of computer-generated works, Parliament must remedy the lacuna in protection for these ‘authorless’ works. Possible solutions for reform are suggested. In a forthcoming article, the author comprehensively examines those reform proposals
Diffusive author(s), cohesive author: Analysis of S/N (1994)
No full textThis study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
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