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La place du Severnyj vestnik et de A. Volynskij dans les débuts du mouvement symboliste
No full textAny Barda, The place of Severnyi vestnik and of A. Volynskij at the beginning of the symbolist movement.
The Severnyi vestnik which appeared in St. Petersburg from 1886 to 1896 bears the brand of its editor, A. Volynskii (Akim L'vovich Flekser). Its pages reflect the polemic that starts between "decadents", "impressionnists" and "symbolists" on the eve of the nineties. On the other hand, the stand adopted by Volynskii who forsakes gradually realistic art for the idealistic, can be taken as a model: he formulates all the fundamental problems that will be those of the new current: what is the nature of Art, its essence, its justification? What is the artistic creation?Any Barda, La place du Sevemyj vestnik et de A. Volynskij dans les débuts du mouvement symboliste.
Le Sevemyj vestnik qui paraît à Saint-Pétersbourg de 1886 à 1896 sera marqué de l'empreinte de son rédacteur en chef, A. Volynskij (Akim L'vovič Flekser). Ses pages reflètent toute la polémique qui s'ouvre au seuil des années 90 entre « décadents », « impressionnistes » et « symbolistes ». D'autre part la seule démarche de Volynskij, qui refuse progressivement l'art réaliste pour aller vers un art « idéaliste » est exemplaire ; par lui se posent tous les problèmes fondamentaux qui seront ceux du nouveau courant : quelle est la nature de l'Art, son essence, sa justification ? Qu'est-ce que la création artistique ?Barda Any. La place du Severnyj vestnik et de A. Volynskij dans les débuts du mouvement symboliste. In: Cahiers du monde russe et soviétique, vol. 22, n°1, Janvier-Mars 1981. pp. 119-125
La place de N. Minskij dans le renouveau de la pensée à la fin du XIXe siècle
No full textAny Barda, The role played by Minskii in the revival of intellectual trends at the end of the nineteenth century.
Minskii, considered by decadent and symbolist poets as one of their intellectual guides, has played a major part in the formation of this trend. Rejecting the materialistic and scientific theories which were at the basis of populist Utopia, Minskii proposed towards the 1890' s his meonism, a new and complex approach to the absolute. This concept, re-interpreted and developed, will become the starting point of the new poetical research.Any Barda, La place de Minskij dans le renouveau de la pensée à la fin du XIXe siècle.
Considéré par les poètes décadents et symbolistes comme un de leurs maîtres à penser, Minskij joue un rôle déterminant dans la formation de ce courant. Rejetant, en effet, les théories matérialistes et scientifiques qui avaient été la base de l'utopie populiste, Minskij, au seuil des années 90, propose avec son méonisme une approche nouvelle et complexe de l'absolu qui, interprétée et enrichie, sera le point de départ des nouvelles recherches poétiques.Barda Any. La place de N. Minskij dans le renouveau de la pensée à la fin du XIXe siècle. In: Cahiers du monde russe et soviétique, vol. 24, n°3, Juillet-Septembre 1983. L'avant-garde russe : un dossier. pp. 241-246
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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