1,726,600 research outputs found
Anthony F. Mira (1820-85)
Full text linkAnthony F, Mira was a Master Baker, He lived at 505 E. President Street in Lot Number 21 or the Green Ward, Anthony F, Mira was a illustrious businessman and devoted family man, Anthony F, Mira had a deep interest for politics and even ran for office once.https://digitalcommons.georgiasouthern.edu/sav-bios-lane/1196/thumbnail.jp
Interview with Anthony F. Janson
No full textAnthony F. Janson is a retired professor and former Department Chair for the UNCW Department of Art and Theatre [retired December 2002]. This interview covers his complete life and career. He discusses his relationship with his art historian father, H.W. Janson, including his relationship as son and co-author and editor of the Janson texts on art history. The interview covers Tony's career as a scholar, book editor, author, art museum curator [at Indianapolis Art Museum and North Carolina Art Museum], and as a professor. Throughout, he comments on important artists in history and his philosophy of art history. He also includes stories of his time in the Vietnam War
Interview with Anthony F. Janson
No full textAnthony F. Janson is a retired professor and former Department Chair for the UNCW Department of Art and Theatre [retired December 2002]. This interview covers his complete life and career. He discusses his relationship with his art historian father, H.W. Janson, including his relationship as son and co-author and editor of the Janson texts on art history. The interview covers Tony's career as a scholar, book editor, author, art museum curator [at Indianapolis Art Museum and North Carolina Art Museum], and as a professor. Throughout, he comments on important artists in history and his philosophy of art history. He also includes stories of his time in the Vietnam War
Anthony F. Upton, Charles XI and Swedish Absolutism
No full textSchnakenbourg Éric. Anthony F. Upton, Charles XI and Swedish Absolutism. In: Annales. Histoire, Sciences Sociales. 56ᵉ année, N. 2, 2001. pp. 549-550
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
It am de hunt ob Cudjo dat nigger so bold [first line of chorus]
No full textstrophicpiano and voiceCover is duplicated in 020.067.Johns Hopkins University, Levy Sheet Music Collection, Box
018, Item 061Written by Anthony F. Winnemore.Sung by the Ethiopean [sic] Serenaders with Great ApplauseLith. of Endicott [lithograph of caricatures of the Ethiopian Serenaders, with identification of each member
It am de hunt ob Cudjo dat nigger so bold [first line of chorus]
No full textstrophicpiano and voiceCover is duplicated in 020.067.Johns Hopkins University, Levy Sheet Music Collection, Box
018, Item 061Written by Anthony F. Winnemore.Sung by the Ethiopean [sic] Serenaders with Great ApplauseLith. of Endicott [lithograph of caricatures of the Ethiopian Serenaders, with identification of each member
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