11,569 research outputs found
Anne-Catherine Wagner, Les nouvelles élites de la mondialisation : une immigration dorée en France, Paris, Presses Universitaires de France, 1998
No full textMailal Anne, Tissot Françoise. Anne-Catherine Wagner, Les nouvelles élites de la mondialisation : une immigration dorée en France, Paris, Presses Universitaires de France, 1998. In: Formation Emploi. N.65, 1999. Immigration. p. 121
Shari Wagner
No full textShari Wagner, Poet Laureate of Indiana and Author, shares her poetry. Students share a few favorite poems by various authors
Madeleine Wagner, peintre. Le cheminement de l’émerveillement
No full textAlkan-Aubry Anne. Madeleine Wagner, peintre. Le cheminement de l’émerveillement. In: Diplômées, n°155, 1990. Les femmes et les arts. p. 263
Bey dem Tode der wohlgebohrnen Frau, Frau Annen Christinen Sophien Wagnerin, geb. v. Mützschefall, klagt Jhre getreueste Freundinn Eleonora Offeneyn, geb. v. Drosdowsky : Ellrich, im October 1759.
No full textGedächtnisgedicht auf Anne Christine Sophie Wagner, geb. von Mützschefall, +28. Okt. 1759Autopsie nach Ex. der ULB Sachsen-AnhaltVorlageform des Erscheinungsvermerks: Wernigeroda, gedruckt bey Joh. Ge. Struck, Hochgräfl. Stolberg-Wernigerödischen Hofb
Matthias Wagner : author profile
No full textThe author presented on this page has published his 10. article in Angewandte Chemie in the last 10 years
Michael Aris, Patrick Booz, S. B. Sutton, Jeffrey Wagner, Lamas, Princes and Brigands
No full textChayet Anne. Michael Aris, Patrick Booz, S. B. Sutton, Jeffrey Wagner, Lamas, Princes and Brigands. In: Arts asiatiques, tome 48, 1993. pp. 169-170
Michael Aris, Patrick Booz, S. B. Sutton, Jeffrey Wagner, Lamas, Princes and Brigands
No full textChayet Anne. Michael Aris, Patrick Booz, S. B. Sutton, Jeffrey Wagner, Lamas, Princes and Brigands. In: Arts asiatiques, tome 48, 1993. pp. 169-170
'The cracked mirror': Anne Sexton's poetics of self-representation
No full textThis thesis re-evaluates the work of the poet Anne Sexton (1928-1974), concentrating, in particular, on the indeterminacies, contradictions and aporia which it finds to be characteristic of her ostensibly frank and self-revelatory writing. The study is based on a close textual
analysis of Sexton's writing, is informed by oststructuralist theories, and is sustained by an
examination and discussion of archive collections of her previously unpublished papers. In seeking an understanding of Sexton's poetics, the thesis identifies and interrogates the strategies of denial and obfuscation apparent in her own explication of her work - principally, by scrutiny of the unpublished, and previously unresearched, drafts of a series of lectures
which she delivered in 1972. Chapters One and Two consider the origins of `confessional' or - Sexton's preferred term - 'personal' poetry and reassess her place within contemporary poetry. They suggest that
Sexton's writing is engaged in a process of negotiation and contestation, both with the boundaries and expectations of confessionalism, and with the strictures of T. S. Eliot's theory of `impersonality'. In support of these arguments, Chapter Two offer a reading of Sexton's
little-known poem, `Hurry Up Please It's Time', alongside its intertext, Eliot's The Waste Land. Chapter Three reassesses received views of the supposedly beneficial interrelationship between confessional speaker and reader. It examines Sexton's appropriation of dramatic
masks and personae and her use of metaphors of striptease and prostitution, and suggests that these are employed simultaneously to appease and to repel an intrusive audience. Similarly, Chapters Four and Five trace Sexton's problematisation of two previously-accepted tenets of confessional poetry: its status as autobiography and its truthfulness, drawing attention to the techniques employed in order to give the impression of both. Chapter Six considers Sexton's
problematic engagement with a language which is not malleable, transparent, and referential but, rather, is experienced as uncooperative and occlusive. Finally, the thesis recuperates Sexton from the common charge of narcissism, arguing that it is the writing, rather than the poet, which is self-reflexive and self-conscious. In this respect, it concludes that her work - perhaps unexpectedly - anticipates many of the tendencies of postmodernist writing
Joly Hervé, Patrons d'Allemagne. Sociologie d'une élite industrielle, 1933-1989.
No full textWagner Anne-Catherine. Joly Hervé, Patrons d'Allemagne. Sociologie d'une élite industrielle, 1933-1989.. In: Revue française de sociologie, 1997, 38-1. pp. 166-168
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