1,720,980 research outputs found
Novel Dialogue 3.1: On Being Unmoored: Chang-rae Lee Charts Fiction with Anne Anlin Cheng (SW)
No full textSeason three of Novel Dialogue launches in partnership with Public Books and introduces some fresh new voices into the mix. John and Aarthi welcome Chris Holmes, Emily Hyde, Tara Menon, and Sarah Wasserman into the ND pod as guest hosts. And have they brought a series of scintillating conversations with them! In our series premiere, Sarah sits down with acclaimed novelist Chang-rae Lee and Anne Anlin Cheng, renowned scholar of American literature and visual culture at Princeton. The conversation goes small and goes big: from the shortest short story to the totalizing effects of capitalism. Chang-rae is no stranger to such shifting scales: his novels sweep through large stretches of time and space, but their attention to detail and meticulous prose makes for an intimate reading experience. Chang-rae's latest novel, My Year Abroad, fuels a discussion about how we can form meaningful bonds in current conditions (hint: it's often around a table) and about the specters of other, better worlds that haunt Chang-rae's fictions. He discusses his relationship to his own work and the benefits of taking an "orbital view" on his writing. Chang-rae also offers a tantalizing glimpse into his current project, a semi-autobiographical novel about Korean-American immigrants in 1970s New York. In response to a brand new signature question for the podcast this season, Chang-rae reveals the talent he wishes he could suddenly have--one that Anne already possesses
Ourselves in History—Narrating Grief in Asian America: A Conversation with Anne Anlin Cheng
Full text linkIn this conversation, Anne Anlin Cheng and Shivani Radhakrishnan address questions of writing across genre, the burdens of representation for Asian Americans, and the ties between intimate experiences of loss and larger social histories of racialized gender. This discussion draws from lived experience, psychoanalytic theory, histories of art and architecture, and scholarship on race
Ourselves in History—Narrating Grief in Asian America: A Conversation with Anne Anlin Cheng
No full textIn this conversation, Anne Anlin Cheng and Shivani Radhakrishnan address questions of writing across genre, the burdens of representation for Asian Americans, and the ties between intimate experiences of loss and larger social histories of racialized gender. This discussion draws from lived experience, psychoanalytic theory, histories of art and architecture, and scholarship on race
Skins, Tattoos, and the Lure of the Surface: Josephine Baker, Adolf Loos, and the Modern
No full textFlyer for 2010 ICS Speaker Series lecture by Anne Anlin Cheng
The Paradox Of The Striptease
Full text linkSecond Skin: Josephine Baker and the Modern Surface by Anne Anlin Cheng. Oxford: Oxford University Press, 2011. Pp. 256. 24.95 paper
Ornament and Law
No full textWho constitute “natural persons”? How do we move from a biological person to a legal standing? And what does a superficial, minor, and feminized category like the ornament have to do with these large questions? This chapter introduces a case that is little known but arguably one of the most significant habeas corpus cases in the nineteenth century in order to track the surprisingly critical role that racialized and feminized objects played in forming juridical ideas of natural and unnatural persons, legal and illegal subjects, citizenship and criminality. What this case reveals about how a body comes to be legally discernible holds profound implications and challenges for how we conceptualize citizenship and civil rights today.</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The new modernist studies reader an anthology of essential criticism
No full text"Bringing together 20 foundational texts in contemporary modernist criticism in one accessible volume, this book explores the debates that have transformed the field of modernist studies at the turn of the millennium and into the 21st century. The New Modernist Studies Reader features chapters covering the major topics central to the study of modernism today, including: Feminism, gender and sexuality; Empire and race; Print and media cultures; Historical and geographical debates. Each text includes an introductory summary of its historical and intellectual contexts, as well as guides to further reading to help students and teachers explore the ideas further. Includes essential texts by leading critics such as: Pascale Casanova, Anne Anlin Cheng, Brent Hayes Edwards, Rita Felski, Susan Stanford Friedman, Mark Goble, Miriam Hansen, Andreas Huyssen, David James, Fredric Jameson, Heather K. Love, Douglas Mao, Mark S. Morrisson, Michael North, Jessica Pressman, Lawrence Rainey, Paul K. Saint-Amour, Bonnie Kime Scott, Urmila Seshagiri, Robert Spoo, and Rebecca Walkowitz"-
- …
