7,086 research outputs found
Raffaele Pinto, Dante e le origini della cultura letteraria moderna
No full textBettoni Anna. Raffaele Pinto, Dante e le origini della cultura letteraria moderna. In: Bulletin de l'Association d'étude sur l'humanisme, la réforme et la renaissance, n°41, 1995. pp. 152-155
Ex-Slave Narrative - Anna Miller
No full textA transcript of an Ex-Slave Narrative interview conducted by Sheldon F. Gauthier for the Works Progress Administration\u27s Federal Writers Project in the 1930s with Anna Miller. Anna Miller was born in 1987 in Kentucky. Her mother, father and herself were sold to Mark Loyd, who then moved his farm and other slaves to Missouri. After seven years, Loyd moved the sold the farm and moved the slaves to Palo Pinto County, Texas. Anna recalls having a severe Master who would work them all day in the fields and then at night making clothes. Anna recalls a time when she was ill during the move to Palo Pinto County, living there, and another when her sister ran away with another slave and they had to sneak back to get food at night to avoid punishment. Anna describes the time after the war, making mention how Mark Loyd was upset about losing and committed suicide after moving to Fort Worth years later.https://mavmatrix.uta.edu/specialcollections_workprojectsadministration/1113/thumbnail.jp
Retracts of violence in the poetry of Claudia Roquette-Pinto
No full textRESUMO: O presente artigo objetiva salientar aspectos da violência social e seus reflexos dentro da poética de Cláudia Roquette-Pinto, em específico em seu poema “Sítio”. Será abordado o modo com o qual a autora trabalha suas criações, e que resulta na classificação de suas obras como referência no âmbito da poesia contemporânea brasileira. _________________________________________________________________________ ABSTRACTThe present article aims to emphasize aspects of social violence and its effects in the poetry of Cláudia Roquette-Pinto, in special into her poem “Sítio”. It will be discussed the way that the author works her creations, which results in the classification of her artworks as a reference within contends about Brazilian contemporary poetry
Identidade e alteridade na Peregrinação de Fernão Mendes Pinto
No full textMestrado em Estudos PortuguesesO presente trabalho pretende apresentar uma análise da evolução
antropológica de Fernão Mendes Pinto aquando do seu contacto com a cultura
Oriental. É também nosso objectivo comprovar que a definição que o autor
tenta fazer do “Outro” oriental lhe vai permitir redescobrir a sua identidade.
O encontro de uma cultura nova permitiu ao homem de Quinhentos
iniciar o processo multicultural, e por conseguinte encetar o diálogo
intercultural. Na análise da Peregrinação tentaremos reflectir de que forma
Fernão Mendes Pinto foi influenciado por esse processo ao descrever o
“Outro” com o qual se encontrou, e em tantos aspectos tão diferente de si.
ABSTRACT: The present work intends to present an analysis of the anthropological
evolution of Fernão Mendes Pinto related to his contact with the oriental
culture. It is also our purpose to prove that through the definition that the author
tries to do of the “Other” he begins to rediscover his own identity.
The encounter with a new culture allowed the men of the 16h century
to begin the multicultural process, and consequently the intercultural dialogue.
In our analysis of the Peregrinação we will try to reflect about the way that
Fernão Mendes Pinto was influenced by the process of describing the “Other”,
with whom he contacted, and in so many ways so different from him
Practicum piece on the author\u27s assistance in helping Joe Pinto of Massachuset
No full textPracticum piece on the author\u27s assistance in helping Joe Pinto of Massachusetts locate a lobster shack he visited in 1942 while stationed at the former Dow Field in Bangor. Pinto has been trying to locate the place since 1947. The lobster shack turned out to be the old Henderson place in North Brooklin
Il legislatore non “ascolta” le Corti: considerazioni a margine delle recenti modifiche alla legge “Pinto”
No full textLe sentenze esaminate nelle presenti note evidenziano come la preoccupazione del
legislatore nazionale continui ad essere non tanto quella di perseguire la finalità di accelerare l’attività
processuale o di rimediare ai ritardi derivanti dalla inefficienza dello Stato-apparato, quanto, piuttosto, quella
di deflazionare la proposizione delle domande riparatorie. Anche le recenti modifiche apportate dalla legge
di stabilità (Legge n. 208 del 25.12.2015) alla c.d. legge Pinto ne costituiscono un esempio
Bulletin No. 433 - Wyo 1966 - A New Pinto Bean
No full textBulletin No. 433 - Wyo 1966 - A New Pinto Bea
Palo Pinto County Livestock Show and Rodeo
No full textMembers of the Mineral Wells, Texas, band watching the Palo Pinto County rodeo from the top of a fence. The band members are, left to right, Norma Hall, Jean Sanders, Doris Dickinson, Anna Burdett and Iris Wells. They are each holding a baton are wearing cowboy boots, cowboy hats, long-sleeve blouses of various patterns, and trousers.https://mavmatrix.uta.edu/specialcollections_startelegram1940s/13657/thumbnail.jp
Artists Residencies, Challenges and Opportunities for Communities’ Empowerment and Heritage Regeneration
No full textThe paper debates the results of a research carried out by the Department of Architecture of the University of Naples “Federico II” (DiARC), as part of the Creative Europe 2018 Artists in Architecture, Re-activating modern European houses program (entitled EACEA 32/2017 and EACEA 35/2017; scientific coordinator: Maria Rita Pinto; project manager: Serena Viola). The research investigates the relationships between creativity and sharing as tools of a new form of social sustainability. These elements can induce positive effects on the settlement qualities of the places, acting as engines of the custody of the settlement values and the collaborative regeneration of the built environment. The methodology is based on participatory approaches able to restore the levels of cohesion, care, and creativity that the experimentation typology of the Artists Residencies is able to trigger on the territory and on the communities who inhabit it. The results return in the form of the complex process of the artist exhibition reception a significant strategy of sustainable development, capable of influencing the community by entrusting it with the role of custodian of the existing heritage and of renewing local entrepreneurship with innovative productions
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