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Ann Adams
No full textAnn Adams is a six year-old from Sweetwater, Texas. She is the daughter of Mr. and Mrs. Lee L. Adams, who formerly lived in Fort Worth, Texas. Ann is in Fort Worth, Texas visiting her aunts, Mrs. W. H. King, 2200 Mistletoe Boulevard, Fort Worth, Texas and Mrs. Mayme Terry, 2427 College Avenue, Fort Worth, Texas. Ann is shown sitting on a bench near the window. She is wearing a velvet dress with a Peter Pan collar. There is a plant and a curtain in the background.https://mavmatrix.uta.edu/specialcollections_startelegram1940s/6660/thumbnail.jp
Hugh Comer and Ann Adams at Homecoming 1950
No full textCaption on back: Hugh Comer and Miss Ann Adams, National Maid of Cotton, Homecoming 1950
00927 Saint Michaels field hockey coach Ann Adams talking to players
No full textSaint Michael's College field hockey coach Ann Adams talking to players
00921 Saint Michaels College field hockey coaches from left Ann Adams Caroline Patrie and Karen Okun
No full textSaint Michael's College field hockey coaches, from left: Ann Adams, Caroline Patrie '88, Karen Okun
Hugh Comer and Ann Adams, National Maid of Cotton, at a Homecoming dinner
No full textHugh Comer and Ann Adams, National Maid of Cotton, are at a Homecoming dinner in 1950
00922 Saint Michaels College field hockey coach Ann Adams with player Jen Brown
No full textSaint Michael's College field hockey coach Ann Adams and player Jen Brown
President David Mathews, Ann Adams Pritchard, and Alto Velo Lee, III at the 1972 Alumni Association Awards
No full textThe University of Alabama President, David Mathews, presents Ann Adams Pritchard and Alto Velo Lee, III, Distinguished Alumnus Awards in 1972
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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