1,733,201 research outputs found
HT-Archilochus (Hyper-Text Archilochus)
No full textThis data is a sample from a collection of fragments of a Greek poet, Archilochus, which is based on text, translations and commentary edited by Anika Nicolosi (2013). This data is being produced in the context of a project that overviews the requirements for a scholarly digital edition of Archilochus. This data includes a few fragments of the Greek poet which are used to build and test a prototype (HT-Archilochus), in view of developing a full digital edition (DEA-Digital Edition and Archilochus)
Anika Fajardo Book Reading (2019-10-07)
No full textOctober 7 @4PM; University of Minnesota Duluth;in Library Rotunda; Refreshments providedWhere do I come from? (and does it matter?) This talk will highlight the identity issues surrounding birthplace (born in Columbia and raissed in Minnepolis), ethnicity, family history, and language as reflected by her 2019 memoir Magical Realism for Non-Believers: A Memoir of Finding Family. It will encourage reflection and discussion about who we are and where we come from and how those identities impact our perceptions of our place in the world.Special thanks to UMD's American Indian Studies, The Office of Diversity and Inclusion, English Linguistics and Writing Studies, Gender and Sexuality StudiesFajardo, Anika; University of Minnesota Duluth. Department of American Indian Studies. (2019). Anika Fajardo Book Reading (2019-10-07). Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/212208
Legends of Anika
No full textVlastimir Sudar gave a talk introducing 'Legends of Anika' (Anikina vremena), a 1954 Yugoslav film directed by Vladimir Pogačić
Anika Stroganov and russian regional art of the 16th century
No full textВорошин Семен Дмитриевич, кандидат культурологии, младший научный сотрудник, Научнообразовательный центр «Актуальные проблемы истории и теории культуры», Южно-Уральский государственный университет, Российская Федерация. E-mail: [email protected]
S. D. Voroshin, [email protected], South Ural State University, Chelyabinsk, Russian FederationСтатья посвящена исследованию личности предпринимателя и покровителя искусств Аники Федоровича Строганова, сформировавшего основы как ведения торгово-промышленных дел, так и ктиторской деятельности династии. Для понимания факторов, повлиявших на его мировоззрение и отразившихся в искусстве Позднего Средневековья, была выбрана теория идентичности, определяющая сопричастность человека тем или иным областям культуры. В ходе исследования определены ключевые исторические фигуры, своим примером повлиявшие
на становление и развитие Аники Федоровича. Установлены те черты его менталитета, которые привели к успеху рода не только в торгово-промышленной деятельности, но и в покровительстве искусства. Материальный капитал и духовный багаж, сформированный Аникой Строгановым, стали фундаментом для процветания и культурного развития многих последующих поколений. Выявлены предпосылки формирования культурной идентичности для последующих представителей династии, нашедшие свое выражение в поддерживаемом ими искусстве. The article is devoted to the study of the personality of Anika Fedorovich Stroganov, the entrepreneur and philanthropist, who formed the foundations of the conduct of commercial and industrial affairs, ktitor and art patronage activities of the dynasty. To understand the factors that influenced his worldview and were reflected in the art of the Late Middle Ages, the author chose the theory of identity, which determines the involvement of a person in certain areas of culture. In the course of the study, the author identified historical figures who, by their example, influenced the formation and
development of Anika Fedorovich. The author make an attempt to identified those character traits that led to the success of the family not only in commercial and industrial activities, but also in the patronage of art. The material capital and spiritual baggage formed by Anika Stroganov became the foundation for the prosperity and cultural development of many subsequent generations. The article reveals preconditions of humanistic ideals, characteristic of subsequent representatives of the dynasty
and who found their expression in the art they support
Anika Stroganov and russian regional art of the 16th century
No full textВорошин Семен Дмитриевич, кандидат культурологии, младший научный сотрудник, Научно-
образовательный центр «Актуальные проблемы истории и теории культуры», Южно-Уральский государственный университет. E-mail: [email protected]. S. D. Voroshin, [email protected].
South Ural State University, Chelyabinsk, Russian FederationСтатья посвящена исследованию личности предпринимателя и покровителя искусств Аники Федоровича Строганова, сформировавшего основы как ведения торгово-промышленных
дел, так и ктиторской деятельности династии. Для понимания факторов, повлиявших на его
мировоззрение и отразившихся в искусстве Позднего Средневековья, была выбрана теория
идентичности, определяющая сопричастность человека тем или иным областям культуры.
В ходе исследования определены ключевые исторические фигуры, своим примером повлиявшие
на становление и развитие Аники Федоровича. Установлены те черты его менталитета, которые
привели к успеху рода не только в торгово-промышленной деятельности, но и в покровительстве
искусства. Материальный капитал и духовный багаж, сформированный Аникой Строгановым,
стали фундаментом для процветания и культурного развития многих последующих поколений.
Выявлены предпосылки формирования культурной идентичности для последующих представителей династии, нашедшие свое выражение в поддерживаемом ими искусстве. The article is devoted to the study of the personality of Anika Fedorovich Stroganov, the entrepreneur
and philanthropist, who formed the foundations of the conduct of commercial and industrial affairs, ktitor
and art patronage activities of the dynasty. To understand the factors that influenced his worldview and
were reflected in the art of the Late Middle Ages, the author chose the theory of identity, which determines
the involvement of a person in certain areas of culture. In the course of the study, the author identified
historical figures who, by their example, influenced the formation and development of Anika Fedorovich.
The author make an attempt to identified those character traits that led to the success of the family not only
in commercial and industrial activities, but also in the patronage of art. The material capital and spiritual
baggage formed by Anika Stroganov became the foundation for the prosperity and cultural development
of many subsequent generations. The article reveals preconditions of humanistic ideals, characteristic of
subsequent representatives of the dynasty and who found their expression in the art they support
Anika Rifflet-Lemaire, Jacques Lacan
No full textRobert Jean-Dominique. Anika Rifflet-Lemaire, Jacques Lacan. In: Revue Philosophique de Louvain. Quatrième série, tome 72, n°14, 1974. p. 390
Strabone (XIV 6,3 = 683C) testimone di poesia ellenistica: il caso di Edilo e delle cerve sacre ad Apollo (Hedyl. SH 459)
No full textThe uncertain quotation of Strabo 14. 6. 3 (= 683c), especially for vv. 3 f., reveals that the geographical mistake ascribed to Hedylus (SH 495) could be a misunderstanding of the imperial author. The hellenistic poet probably refers not to Corycus, in the region of Cilicia, as Strabo argues, but to the Corycian cave, a place sacred to Apollo and located in central greece on mount Parnassu
Anika Rifflet-Lemaire, Jacques Lacan
No full textRobert Jean-Dominique. Anika Rifflet-Lemaire, Jacques Lacan. In: Revue Philosophique de Louvain. Quatrième série, tome 72, n°14, 1974. p. 390
Archiloco. Elegie
No full textEdition, critical text, translation and commentary on Archilochus’ Elegies. The book analyzes all the fragments known to date, including P.Oxy. 4708 frr. 1-8, and adds some fragments considered spurious or not elegiac by the previous editors. The result is a comprehensive study of the Archilochus’ elegiac production, showing that the ancient author has a iambic aptitude also in this genre because in these texts he makes use of the spudogeloion mode
- …
