1,721,130 research outputs found
Laparoscopy in the coronavirus disease 2019 (COVID-19) era
Full text linkThe novel severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2) that emerged in China at the end of 2019 has become a pandemic infection that has now involved 200 countries with 465,915 confirmed cases and 21,031 confirmed deaths. Unfortunately, many data have shown that the high number of undocumented infections could have a major role in the rapid diffusion of the disease. In most of the nations involved, non-urgent, non-cancer procedures have been stopped to reallocate medical and paramedical staff to face the emergency. Moreover, concerns have been raised that minimally invasive surgery could be a procedure that carries the risk of virus diffusion in the operating theater during surgery. This paper reports clinical recommendations and scientific studies to assist clinicians in this fie
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Knowledge of the microbiota: personal experience from 324 questionnaires administered to mother and mothers-to-be.
No full textA transformers-based approach for fine and coarse-grained classification and generation of MIDI songs and soundtracks
Full text linkMusic is an extremely subjective art form whose commodification via the recording industry in the 20th century has led to an increasingly subdivided set of genre labels that attempt to organize musical styles into definite categories. Music psychology has been studying the processes through which music is perceived, created, responded to, and incorporated into everyday life, and, modern artificial intelligence technology can be exploited in such a direction. Music classification and generation are emerging fields that gained much attention recently, especially with the latest discoveries within deep learning technologies. Self attention networks have in fact brought huge benefits for several tasks of classification and generation in different domains where data of different types were used (text, images, videos, sounds). In this article, we want to analyze the effectiveness of Transformers for both classification and generation tasks and study the performances of classification at different granularity and of generation using different human and automatic metrics. The input data consist of MIDI sounds that we have considered from different datasets: sounds from 397 Nintendo Entertainment System video games, classical pieces, and rock songs from different composers and bands. We have performed classification tasks within each dataset to identify the types or composers of each sample (fine-grained) and classification at a higher level. In the latter, we combined the three datasets together with the goal of identifying for each sample just NES, rock, or classical (coarse-grained) pieces. The proposed transformers-based approach outperformed competitors based on deep learning and machine learning approaches. Finally, the generation task has been carried out on each dataset and the resulting samples have been evaluated using human and automatic metrics (the local alignment)
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