1,308 research outputs found
El rol de los controles cambiarios en la dinámica productiva de las PyME : un análisis exploratorio del sector textil en Argentina entre 2011 y 2016
No full textEn el presente trabajo se analiza la relación entre los controles cambiarios y el desempeño del sector textil durante el periodo 2011-2016. Para ello, el trabajo propone, en primer lugar, explorar los aportes relevantes en la literatura sobre la relación que existe entre controles cambiarios y desarrollo industrial, centrándonos en el caso Argentino. Luego, se analiza la evolución del sector de la industria textil Argentina durante la etapa de los últimos controles cambiarios implementados en el país. La estrategia metodológica elegida para abordar estos ejes fue un estudio de caso exploratorio, metodología apropiada para el estudio de fenómenos económicos complejos, inmersos en tramas de relaciones entre actores diversos e instituciones, que dificulta la aplicación de metodologías exclusivamente cuantitativas. Las fuentes de información incluyen documentación relativa al caso, obtenida a través diferentes informes del gobierno, libros, artículos científicos, tesis, análisis de datos cuantitativos y publicaciones en diarios y revistas, facilitándonos el análisis de múltiples variables para tener en cuenta a la hora de entender la relación entre los controles cambiarios y el desarrollo del sector en nuestro país. Pudimos concluir que los controles cambiarios no lograron su cometido, el sector no evitó una contracción en el nivel de actividad, así como un deterioro de su balanza comercial, sin embargo, logró contener la caída del empleo que no fue tan severa como sucedería luego de la eliminación del control de cambios en 2016.Fil: Angerami, Ariel. Universidad Nacional de San Martín. Escuela de Economía y Negocios; ArgentinaFil: Balán, Florencia. Universidad Nacional de San Martín. Escuela de Economía y Negocios; Argentin
Why are (human) lives political? Interview with Ariel Colonomos
No full textSite du CERIHow do we price lives? This question, far from being rhetorical, refers to notions that lie at the core of the political. Ethically, from a principled approach perspective, lives have an infinite value. However, politically, lives can be valued in material terms, i.e. they can be put in balance with material interest, whether these interests are monetary or political (such as the national interest). Ariel Colonomos, author of the recently published Pricing Lives (Oxford University Press, 2023), answers our questions and helps us better understand this crucial philosophical question. Interview by Miriam Périer, CERI
Underwater theater show
No full text"Underwater Theater Show" is a collection of lyric poems tethered to ideas of performativity, the unknown, and the material world as it inevitably relates to the digital world.M.F.A.by Ariel Yele
Ariel Dorfman, 18th Annual ODU Literary Festival
No full textBorn in Argentina, Ariel Dorfman is a Chilean citizen who was forced into exile after the coup of 1973 that overthrew Salvador Allende. He is the author of the nonfiction books How to Read Donald Duck and The Empire’s Old Clothes; the novels Konfidenz, Mascara, The Last Song of Manuel Sendero, and Widows; short story collection, My House is on Fire; and a collection of poems, Last Waltz in Santiago. Dorfman’s books have been translated into twenty-seven languages. His play, Death and the Maiden, first performed in England in 1991, received the Time Out award as Best Play of the Year and the Sir Lawrence Olivier Award as Best Play of the Year. Juliet Stevenson received the same two awards as Best Actress. In the United States, Glenn Close won a Tony Award for Best Actress on Broadway in the same role. Recently, Sigourney Weaver, Ben Kingsley and Stuart Wilson along with director Roman Polanski have made Death and the Maiden into a film released in the United States in December of 1994. Mr. Dorfman, who is a regular contributor to the New York Times, the Los Angeles Times, the Village Voice, and The Nation lives in Durham, North Carolina, where he teaches at Duke whenever possible
Rodó y su Ariel : el Ariel de Rodó
No full textEl artículo presenta al autor de Ariel Rodó, como integrante de la promoción literaria uruguaya, como uno de los exponentes del modernismo y como pensador que pertenece a la generación de los Fundadores. Parte de la problemática Ariel- Calibán como símbolo latinoamericano y de la postulación de Ariel como discurso antiimperialista para situar la pregunta respecto de la función de la educación en la constitución del joven latinoamericano como sujeto social portador de sentido del proyecto nacional. Se tratan luego las figuras que se desprenden de los Prósperos, los Calibanes y los Arieles concebidos como la pluralidad de perspectivas desde las que transcurren las vidas de los sujetos y de los espacios desde los cuales las naciones se paran para mirarse unas a otras.This article introduces the author of Ariel, Rodó, as a member of the Uruguayan literary community, as well as one of the figures of expressionism, and as a thinker who belongs to the generation of the founders. It starts off from the Ariel-Calíban conflict as a Latin American symbol and from the postulation of Ariel as an antiilllpenallst discourse to pose the question about the function of education in the formation of the young Latin American as a social subject that bears the true sense of the national project. The study finally arrives at a meeting with the figures that derive themselves from the Prosperos, the Callbans and the Ariels conceived as the pluralism of the perspectives in which the lives of the subjects are Iived in the spaces from which the nations stand up in arder to take a look at one another.Fil: Alvarado, Mariana
Ariel Dorfman
No full textForced to flee Chile after the military coup in 1973, Ariel Dorfman has focused his writing on the trials of tyranny and exile. This program looks at how he has fought for human rights as a novelist, playwright, essayist, journalist, and professor of literature and Latin American studies. Many of the works of this multi-genre author are examined, including Death and the Maiden, his successful play which was turned into an international film by Academy Award-winning director Roman Polanski
Alienation and the Grotesque in Sylvia Plath's "Ariel" Poems
No full textThe author discusses several poems within Sylvia Path's "Ariel" to emphasize the presence of alienation and how it functions with images of the grotesqu
Study of farmworker housing in Hood River, Marion, Morrow, and Yamhill counties in Oregon
No full textauthors: Jamie Stamberger (Research Director, Stamberger Outreach Consulting), Beth Goodman (Project Director and Senior Policy Advisor, ECONorthwest), Jennifer Cannon, AICP (Project Manager and Planner, ECONorthwest), Ariel Kane (Associate, ECONorthwest).This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Cultivating home. Spanish
No full textautores: Jamie Stamberger (Director de Investigación, Stamberger Outreach Consulting), Beth Goodman (Director de Proyectos y Asesor Político Senior, ECONorthwest), Jennifer Cannon, AICP (Gestor de proyectos y planificador, ECONorthwest), Ariel Kane (Asociado, ECONorthwest).This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references.Mode of access: Internet from the Oregon Government Publications Collection.Text in Spanish
El negro en la literatura cubana
No full textQuest’articolo offre una panoramica della presenza, del trattamento e delle questioni riguardanti il nero in opere letterarie cubane. Partendo dalla premessa che letteratura e storia sono indissolubilmente legate, ogni autore ed opera vengono analizzati nel contesto storico che li vede nascere. Si tenta altrettanto di indagare sul ruolo che detto contesto assume come forza condizionante su contenuti ed atteggiamenti letterari, ora come spinta propulsiva, ora come freno. Una conclusione che si può ricavare dall’analisi di questa presenza letteraria è che il personaggio del nero, dall’inizio della letteratura a Cuba fino ad oggi, è stato piuttosto uno strumento per trasmettere concetti di varia natura secondo l’interesse dell’autore, seguendo diverse stereotipie. Una riflessione organica di ciò che è e significa essere nero continua ad essere un’eccezione nella letteratura cubana, ancora succube di modelli estetici generati altrove.This paper presents an overview of the presence and treatment of black and black-related issues in Cuban literary works. Starting from the premise that literature and history are inextricably linked, each Author and work are analyzed into the historical context where they belong. It equally attempts at investigating the role of history as a force conditioning literary contents and attitudes, either giving impetus or inhibiting them. One conclusion that can be drawn from the analysis of this literary presence is that the black, since the beginning of literature in Cuba until today, have been rather a tool to convey concepts of varied nature in the interests of the Author, on the basis of using imparted stereotypes. An organic reflection of what is and means to be black remains an exception in Cuban literature, still under the thumb of aesthetic patterns generated elsewhere.Este artículo ofrece una panorámica de la presencia y tratamiento del negro y de lo negro en obras literarias cubanas. A partir de la premisa de que literatura e historia se encuentran indisolublemente ligadas, cada autor y obra se analizan en el contexto histórico que los ve nacer. En igual medida se intenta indagar en el papel de la historia como condicionadora, dando impulso o frenando, de contenidos y posturas literarias. Una conclusión que se puede recabar del análisis de esta presencia literaria es que el negro, desde los inicios de la literatura en Cuba hasta el día de hoy, ha sido más bien un instrumento para vehicular conceptos de variada naturaleza según los intereses del autor, sobre la base de recurrir a ciertos estereotipos. Un reflejo orgánico de lo que es y representa ser negro sigue siendo una excepción en la literatura cubana, aún sujeta a patrones estéticos gestados en otras latitudes
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